Bøger i Analecta Husserliana serien

This book isolates and examines the main arteries running through the intermingled forces prompting the quest to endow life with meaning.

It manifests the role of imagination in forming and interpreting our world -in-transformation in a new way and opens our eyes to marvel at the new world on the way.

In the midst of the current defiance of the transcendental certainties of cognition, this turn to the creative act of the human being represents a radical reversion to an approach to human powers that is predominated by the aesthetic virtualities of the Human Condition.

Presents a collection of essays focusing on measure, sharing-in-life, intersubjectivity and communication, societal equilibrium, education, and more. This work is of interest to those working in the fields of Phenomenology, Philosophy, History of Philosophy, and Contemporary Philosophy.

Investigates the various proportions between the vital significance of the constructivism of life and a specifically human contribution made by the creative imagination to the transformatory search for beauty and aesthetic values.

In the first part of The Divine in Husserl and Other Explorations a description is provided of Husserl's method in order to explain how he deals with the question of God from a philosophical perspective.

This is the dilemma about learning which p- cess of lifelong learning is related to self-actualization. During teaching and learning processes teacher and learner should focus on the learning rather than the teaching.

The second of three volumes devoted to phenomenology, existentialism and their unfolding interaction, this book explores the contemporary quests to elucidate rationality based on Kierkegaard's existentialism and on Husserl's phenomenology.

The first of three volumes devoted to phenomenology, existentialism and their unfolding interaction, this book of fresh research covers the predecessors of existentialism and their adherents to existentialism's congruence with Christianity or atheism.

Art's creative perduring constructs are intentional marks of the aesthetic significance attributed to the flux of human life and reflect the human quest for repose.

This fascinating spectrum of studies into the various rationalities of our human dealings with life - psychological, aesthetic, economic, spiritual - reveals their joints and calls for a new approach to truth.

Inquiring into the logos of the phenomenological quest we discover, indeed, all the main constitutive spheres of reality and of the human subject involved in it, and concurrently, the logos itself comes to light in the radiation of its force (Tymieniecka).

With an investigation of the anthropologico-ontopoietic sources of the life-significance of literature by unravelling the function of imaginatio creatrix in man's self interpretation-in-existence, this collection seeks to bring forth the royal role of allegory in the fostering of culture.

With exceptional acumen and mastery of the philosophical argument, the author -- a young native Chinese lately trained in a Western university -- delineates a fascinating route along which the philosophical question of justification raised in the analytic tradition can be answered on the basis of phenomenology.

Some might ask "Why Locke's theory of knowledge now?" Though appreciated for his social philosophy, Locke has been criticized for his work in the field of epistemology ever since the publication of the Essay.

This book uses the logos of life as the foundation for the retrieval of the metaphysical vision. In it, classic philosophical concerns are viewed in light of a New Enlightenment brought about by advances in the sciences of life and of human apprehension.

The different models of the universal order and of life here presented, all aiming at the first principles of existence-accord with the phenomenology/ontopoiesis of life within the logos-prompted primogenital stream of becoming and action, which points to a future of progressing culture.

There would be no reason to resurrect this question of modernity from its historical oblivion were it not for the fact that recent evolution in science and technology, impregnating culture, makes us wonder about the nature of reality, of the world we are living in, and of our status as living beings within it.

The different models of the universal order and of life here presented, all aiming at the first principles of existence-accord with the phenomenology/ontopoiesis of life within the logos-prompted primogenital stream of becoming and action, which points to a future of progressing culture.

Beauty fulfils human existence. As it registers in our aesthetic experience, beauty enhances nature's enchantment around us and our inward experience lifting our soul toward moral elevation. It endeavors to explain the relation of beauty and human existence, and explores the various aspects of beauty.

The discussion on the phenomenology of life will continue to be crucial to the general outlook and direction of phenomenological investigations.

It manifests the role of imagination in forming and interpreting our world -in-transformation in a new way and opens our eyes to marvel at the new world on the way.

Among the multiple, subliminal passions that inspire our life in innumerable ways, literature shows us one that seems to play a particularly penetrating role in human concerns.

3rd, the enstructuring principle (causing the relative stability of the spatial appear ance of the manifest structure), and 4th, the principle of gesture (resulting in a gradual stepwise development of that structure into a full-grown individual).

This collection brings to the public the fruits of the groundlaying work on the philosophy/phenomenology of life presented in some 30 volumes of the Analecta Husserliana, and inaugurates a new phase in philosophy/phenomenology - a truly radical turn.

Their traditional prejudices dispersed under the pressure of new evidence, philosophy/phenomenology of life and the sciences of life meet in the Archimedean point of the human creative condition (proper to the phenomenology of life) and the role of the human subject (central to the scientific view of reality).