Bøger i Bollingen Series (General) serien

The Holy Grail and its quest is a legend that has had a powerful impact on our civilization. The Grail is an ancient Celtic symbol of plenty, and a Christian symbol of redemption and eternal life, the chalice that caught the blood of the crucified Christ. This book presents this legend as a living myth that is profoundly relevant to modern life.

The Oxford Translation of Aristotle was originally published in 12 volumes between 1912 and 1954. It is universally recognized as the standard English version of Aristotle. This revised edition contains the substance of the original Translation, slightly emended in light of recent scholarship; three of the original versions have been replaced by new translations; and a new and enlarged selection of Fragments has been added. The aim of the translation remains the same: to make the surviving works of Aristotle readily accessible to English speaking readers.

Originally published as Volume 2 of The Tao of Painting, this is the first English translation of the famous Chinese handbook, the "e;Chieh Tzu Yuan Hua Chuan"e; (original, 1679-1701). Mai-mai Sze has translated and annotated the texts of instructions, discussions of the fundamentals of painting, notes on the preparation of colors, and chief editorial prefaces.

Poetry in its many guises is at the center of Samuel Taylor Coleridge's multifarious interests. This edition contains his complete poetical works. It is intended for historians, editorial theorists, as well as readers and students of poetry. The textual information also reveals changes in such areas as linguistic and grammatical usage.

A contribution to Shi'ite Sufism. It brings us to the core of this movement with an analysis of Ibn 'Arabi's life and doctrines. It begins with a spiritual topography of the twelfth century, emphasizing the differences between exoteric and esoteric forms of Islam. It also relates Islamic mysticism to mystical thought in the West.

The Medicine Rite is performed by medicine men upon the initiation of a member to their cult. Presenting a transcription of the Medicine Rite, the most sacred ritual of the Winnebago Indians, this work captures a poetic source of profound importance to the understanding of mystical experience.

In Brutal Aesthetics, leading art historian and critic Hal Foster explores how postwar artists and writers searched for a new foundation of culture after the mass devastation of World War II, the Holocaust, and the atomic bomb. Inspired by "positive barbarism," the enigmatic idea that modernist art can teach us how to survive a civilization become barbaric, Foster examines the variety of ways key figures from the early 1940s to the early 1960s sought to develop a "brutal aesthetics" adequate to the destruction all around them. With a focus on the philosopher Georges Bataille, the painters Jean Dubuffet and Asger Jorn, and the sculptors Eduardo Paolozzi and Claes Oldenburg, Foster investigates this manifold move to strip art down, or to reveal it as already bare, in order to begin again.

Erich Kahler sees cultural history as a subtle process in which reality plays upon consciousness and consciousness itself is forever transforming reality. He traces the ebb and flow of this relationship by studying changes in narrative form from its beginnings in the Gilgamesh Cycle to the end of the eighteenth century. The general direction is toward a growing inwardness, he finds; what takes place is an expansion of consciousness as man constantly draws outer space, the contents of a more and more complex world, into what Rilke called Weltinnenraum, "e;inner space."e;Originally published in 1973.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

These three essays were inspired by the Samothracian discoveries. Cyriacus of Ancona's visit to the island and his assessment of what he saw are the subject of the opening essay. This is followed by the first detailed and comprehensive analysis of Mantegna's Parnassus, a painting which Mrs. Lehmann suggests reflects in its theme and imagery the use of a limited number of ancient sculptures and texts. The final essay is a discussion of the postclassical transformation of the iconographic type of the ancient ship-fountain.Originally published in 1973.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.