Bøger om Subsaharisk Afrika

Mit diesem Buch erscheint die erste Publikation, die sich dem Textilen und seiner unterschiedlichsten Formen in der Kunst annimmt. Warum es bis 2023 dauern musste, damit eine solche Publikation vorliegt, hängt mit dem ambivalenten Stellenwert des Materials und der Techniken zusammen: Baumwolle oder Nylon sowie Weberei und Stickerei wurden seit jeher im Kunsthandwerk angesiedelt und von der bildenden Kunst als eher minderwertig betrachtet. Inzwischen hat sich die Kunstwelt aber so stark ausdifferenziert und globalisiert, dass man dem Textilen in der Kunst international häufig begegnet und dies kaum noch in Frage stellt. Diese Publikation verspricht, eine breite regionale, nationale sowie globale Perspektive auf die Mannigfaltigkeit textiler Erscheinungsformen zu bieten. Anhand von 18 sorgfältig ausgewählten Künstler:innen, reich bebildert und mit neuen Interviews mit Produ-zent:innen aus der Schweiz, den USA und dem Kongo lernen wir ein überaus originelles aber noch wenig bekanntes Feld der Kunst kennen.Mit Werken von: Ernest Neto, Heidi Bucher, Sinzo Aanza, Andrea Zittel, Martin Soto Climént, Jakup Ferri, Jonathan Baldock, Malgorzata Mirga-Tas, Tobias Kaspar, Magdalena Abakanowicz, Ghada Amer, Jeanne Vicérial, Nives Widauer, Mrinalini Mukherjee, Reto Pulfer, Serge Mouangue, Talaya Schmid und Yinka Shonibare.

Offers new insights into the struggle against Apartheid, and the poverty and inequality that instigated political resistance.

Former RAF Tornado pilot Michael Napier chronicles the action-packed history of the Harrier GR 7/9, and its missions in West Africa, the Balkans, the Middle East and Afghanistan over a 14-year period of ceaseless operations. The Harrier GR 7/9 was at the 'tip of the spear' for the RAF when it came to employing weapons against well-equipped standing armies and irregular forces in the 1990s and during the first decade of the new millennium. Assigned to the Harrier GR 7/9 Force, the aircraft undertook No Fly Zone patrols over northern Iraq, supported UN forces in the Balkans and embarked in Royal Navy carriers to bolster the RAF presence ashore in the Arabian Gulf. Harrier GR 7s also flew from HMS Illustrious over Sierra Leone in 2000 and were involved in the second Gulf War during early 2003 acting as Close Air Support for Coalition forces. Using first-hand accounts from his extensive Service contacts, supported by both official and personal photographs and 30 artwork profiles illustrating the wide range of colours worn and ordnance employed by the 'jump jet', Michael Napier provides a rare insider's look at the deployment of Harrier GR 7/9 up to its withdrawal from RAF service in 2010. Moreover, Napier also covers the numerous upgrades received by the aircraft over the years, from more powerful engines to the creation of the GR 9/9A variants in 2005.

"Dress Cultures in Zambia Drawing on half-a-century of research in Zambia and regional scholarship, Karen Tranberg Hansen offers a vibrant history of changing dress practices from the late-colonial period to the present day. Exploring how the dressed body serves as the point of contact between personal, local, and global experiences, she argues that dress is just as central to political power as it is to personal style. Questioning the idea that the West led fashion trends elsewhere, Hansen demonstrates how local dress conventions appropriated western dress influences as Zambian and shows how Zambia contributed to global fashions, such as the colourful Chitenge fabric that spread across colonial trading networks. Brought to life with colour illustrations and personal anecdotes, this book spotlights dress not only as an important medium through which Zambian identities are negotiated, but also as a key reflector and driver of history. Karen Tranberg Hansen is Professor Emerita at Northwestern University. Her research focuses on the informal economy, clothing, and consumption. Her previous publications include Distant Companions: Servants and Employers in Zambia, 1900-1985 (1989), African Encounters with Domesticity (1992), Keeping House in Lusaka (1997) and Salaula: The World of Secondhand Clothing and Zambia (2000), which was awarded the Anthony Leeds Prize in Urban Anthropology in 2001, and the Society of Economic Anthropology Book Award in 2003. She is the recipient of several book prizes and awards including the Conrad M. Arensberg Award from the Society for the Anthropology of Work in 1997"--

"Stunningly realized . . . Exquisite . . . A spellbinding novel about the high price of betrayal-of others, and oneself." -Maaza Mengiste, author of The Shadow King, shortlisted for the Booker PrizeThe hotly anticipated new novel by David Diop, winner of the International Booker Prize.Paris, 1806. The renowned botanist Michel Adanson lies on his deathbed, the masterwork to which he dedicated his life still incomplete. As he expires, the last word to escape his lips is a woman's name: Maram.The key to this mysterious woman's identity is Adanson's unpublished memoir of the years he spent in Senegal, concealed in a secret compartment in a chest of drawers. Therein lies a story as fantastical as it is tragic: Maram, it turns out, is none other than the fabled revenant. A young woman of noble birth from the kingdom of Waalo, Maram was sold into slavery but managed to escape from the Island of Gorée-a major embarkation point of the transatlantic slave trade-to a small village hidden in the forest. While on a research expedition in West Africa as a young man, Adanson hears the story of the revenant and becomes obsessed with finding her. Accompanied by his guide, he ventures deep into the Senegalese bush on a journey that reveals not only the savagery of the French colonial occupation but also the unlikely transports of the human heart.Written with sensitivity and narrative flair, David Diop's Beyond the Door of No Return is a love story like few others. Drawing on the richness and lyricism of Senegal's oral traditions, Diop has constructed a historical epic of the highest order.

This novel, It's So Much Better Here, is Catherine de Waal's seventh novel. Catherine enjoys writing and her hobby is watercolour painting. She lives on a large wooded property, inhabited by many different types of birds, and finds inspiration in nature.

- Jan Strybol examines the sculptural traditions of a number of peoples in central Nigeria. In addition to wood sculptures, he also pays attention to objects in bronze, iron, terracotta and other materials; art forms that have been very underexposed and have almost vanished In previous studies, Jan Strybol pointed out that - contrary to popular belief - sculpture flourished in northern Nigeria. Wood sculptures could be found just about everywhere, with the exception of part of the Far North. In this study, the author first examines the sculptural traditions of a number of peoples in central Nigeria, more specifically from the Jos Plateau and from the Middle Benue Valley to the source area of the Taraba River. These peoples can be described as non-centralized communities where art was mainly produced in perishable materials by part-time artists, in contrast to the centralized empires in the South (Ife, Benin) where full-time specialist sculptors created complex artefacts in durable materials (stone, bronze, iron). Perhaps the most familiar ethnic group in the Central Benue region to lovers of African art are the Mumuye. Since the end of the last century, as a result of the advance of world religions, the traditional rites of the Mumuye have rapidly disappeared and with them the Mumuye sculptural tradition so much admired in Europe and America. In addition to wood sculptures, Jan Strybol also pays attention to objects in bronze, iron, terracotta and other materials. These art forms have been very underexposed until now and have almost completely vanished. Finally, the author also delves into the artistic achievements of some little-known remnant groups within the Mumuye territory, which can boast of a rich art tradition.

Eine qualitatsorientierte Lehrer*innenbildung verbessert die Qualitat von Lehr- und Lernprozessen. Welche Rolle spielt dabei der soziokuklturelle Hintergrund? Das Buch beleuchtet, wie der soziokulturelle Hintergrund der Akteur*innen die Qualitat der Lehrer*innenausbildung im Rahmen eines padagogischen Reformprojekts mit Teilnehmer*innen aus Kamerun und Deutschland beeinflusst. Die Analyse und Interpretation qualitativer Daten zeigt, dass die soziokulturellen Hintergrunde der Akteur*innen wichtige Faktoren sind, die den internationalen, interkulturellen Dialog uber Lehrer*innenbildung sowie die Lehr-Lern-Interaktionsdynamik im Klassenzimmer beeinflussen. Das Buch erortert daruber hinaus den Einfluss soziokultureller Kontexte auf einen lerner*innenorientierten Unterricht, der auf den Prinzipien von Vielfalt, Interaktion und gegenseitiger Verantwortung beruht.

Based on my true story, my book is about my story of life starting with my childhood until now. It puts emphasis on how I survived the Genocide perpetrated against Tutsi in April - July 1994 in Rwanda and how I embraced life after the genocide. Despite the sad moments of my life, my story in this book brings motivation, joy and life to readers.

Mit Humor lassen sich Widrigkeiten und Konflikte leichter bewaltigen. Menschliche Schwachen, soziale Unterschiede und Tabus konnen angesprochen und besser toleriert werden. In vielen auereuropaischen Gesellschaften wurden deshalb sogenannte Scherzbeziehungen entwickelt und in das soziale Leben eingebunden. 2014 wurden sie von der UNESCO als immaterielles Weltkulturerbe anerkannt. Am Beispiel Westafrikas zeigt Ulla Fels, dass diese originelle, kommunikative Methode erlernbar ist, wann sie angewandt wird und weshalb sie in Beziehungen das Gefhl von Freundschaft und Verbundenheit frdert.

Could life be but a dream within a dream? Tales of Jideofor is a work of historical fiction set in the 18th century at the zenith of the transatlantic slave trade. It follows the life of a young lad, Jideofor, from Illah in Western Igbo lands down to Jamaica, through a rich tale of dreams, destiny, love, and reincarnation. In the story, Book 1 of the trilogy, Farastein blurs the lines between fact and fiction, and blends history with mystery seamlessly well, for you to see the truth within the myths of birth and death. Within the pages, you'll experience preserved Western Igbo cultures and beliefs, and life as a Negro slave in the Caribbean, specifically Jamaica. You'll fall in love with Jideofor and MaryJane's brief but beautiful love story. You'll be a witness to the destiny of dreams and how they unfold from birth to death from an African perspective as well as belief in reincarnation. In the end, you might just realize that life is indeed but a dream; that we all are Jideofor, in another face, in another place, living another tale.

Cameroon-Nigeria Relations: Trends and Perspectives, edited by Osita Agbu and C. Nna-Emeka Okereke, examines various aspects of Cameroon-Nigeria relations since the countries attained independence in 1960. The Cameroonian and Nigerian contributors contextualize core topical issues that have featured prominently in the course of bilateral relations between both countries, ranging from the theoretical underpinnings required to understand the dynamics of Cameroon-Nigeria relations to contending issues and areas of mutual interests driving diplomatic relations between them. This book reveals trends and dynamics while also accommodating divergent perspectives that demonstrate how theories can be applied to achieve real results. Of significant import is the prognosis that stimulates concerns for the future of Cameroon-Nigeria relations bearing in mind the strategic positions of both countries in West and Central Africa. Cameroon-Nigeria Relations is an indispensable resource for scholars, diplomats, and foreign policy actors that will enrich understanding and inform opinions on charting future courses for healthy bilateral relations between Cameroon and Nigeria.

Hemispheres (a sequel to Mallaig Road, published January 2022) charts the story of Alexander Maclean's adult life, and spans a period of more than forty years, from 1976 to 2021. Alexander, born in British colonial Africa and brought up in the South Africa of the 1960s, spends half a lifetime striving to flee his demons. Ever restless, he travels back and forth between South Africa, the United Kingdom, Europe and the Far East, as he battles to escape the grip of alcoholism. In the process, however, Alexander has some extraordinary adventures, and several near miraculous escapes from death.This contemporary morality tale is above all the story of Alexander's triumph over alcoholism, and of his deliverance from his demons. In a land far from Africa, Alexander at last finds enduring peace, love and contentment.

The ways in which women have historically authorized themselves to write on war has blurred conventionally gendered lines, intertwining the personal with the political. Women on War in Spain's Long Nineteenth Century explores, through feminist lenses, the cultural representations of late nineteenth- and early twentieth-century Spanish women's texts on war.Reshaping the current knowledge and understanding of key female authors in Spain's fin de sicle, this book examines works by notable writers - including Rosario de Acua, Blanca de los Rios, Concepcin Arenal, and Carmen de Burgos - as they engage with the War of Independence, the Third Carlist War, Spain's colonial wars, and World War I. The selected works foreground how women's representations of war can challenge masculine conceptualizations of public and domestic spheres. Christine Arkinstall analyses the works' overarching themes and symbols, such as honour, blood, the Virgin and the Mother, and the intersecting sexual, social, and racial contracts. In doing so, Arkinstall highlights how these texts imagine outcomes that deviate from established norms of femininity, offer new models to Spanish women, and interrogate the militaristic foundations of patriarchal societies.

'An astonishing debut, rich in both heartbreak and humour' Jendella Benson, author of Hope & Glory Stunningly honest and bursting with wit, Someday Maybe is the story of grief and resilience that you won't be able to stop talking about Here are three things you should know about my husband: 1. He was the great love of my life despite his penchant for going incommunicado 2. He was, as far as I and everyone else could tell, perfectly happy. 3. On New Year's Eve, he killed himselfAnd here is one thing you should know about me: 1. I found him. Bonus fact: No. I am not okayEve is left heartbroken by her husband's unexpected death, but everyone around her her friends, her boisterous British-Nigerian family, her toxic mother-in-law seems to be pushing her to move on. Unable to face the future, Eve begins looking back, delving through the history of her marriage in an attempt to understand where it went wrong. So begins an unconventional love story about loss, resilience, and a heroine bursting with rage and unexpected joy.

Systemic racism and sexism caused one of South Africas most important writers to disappear from public consciousness. Is it possible to justly restore her historical presence?Regina Gelana Twala, a Black South African woman who died in 1968 in Swaziland (now Eswatini), was an extraordinarily prolific writer of books, columns, articles, and letters. Yet today Twalas name is largely unknown. Her literary achievements are forgotten. Her books are unpublished. Her letters languish in the dusty study of a deceased South African academic. Her articles are buried in discontinued publications. Joel Cabrita argues that Twalas posthumous obscurity has not developed accidentally as she exposes the ways prejudices around race and gender blocked Black African women like Twala from establishing themselves as successful writers. Drawing upon Twalas family papers, interviews, newspapers, and archival records from Pretoria, Uppsala, and Los Angeles, Cabrita argues that an entire cast of characterscensorious editors, territorial White academics, apartheid officials, and male African politicians whose politics were at odds with her ownconspired to erase Twalas legacy. Through her unique documentary output, Twala marked herself as a radical voice on issues of gender, race, and class. The literary gatekeepers of the racist and sexist society of twentieth-century southern Africa clamped down by literally writing her out of the regions history. Written Out also scrutinizes the troubled racial politics of African history as a discipline that has been historically dominated by White academics, a situation that many people within the field are now examining critically. Inspired by this recent movement, Cabrita interrogates what it means for hera White historian based in the Northern Hemisphereto tell the story of a Black African woman. Far from a laudable recovery of an important lost figure, Cabrita acknowledges that her biography inevitably reproduces old dynamics of White scholarly privilege and dominance. Cabritas narration of Twalas career resurrects it but also reminds us that Twala, tragically, is still not the author of her own life story.