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Design in a Frame of Emotion

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A conversation about design, filmmaking, Afrofuturism, world-building, and other topics with Hannah Beachler, Academy-Award-winning production designer of Black Panther. Hannah Beachler is known as an award-winning production designer, but she tells an audience that she considers herself to be more of a story designer. As film stills and concept art from a few of those stories--Moonlight, Miles Ahead, Creed, Lemonade, and Black Panther--flash across a screen, Beachler engages in a meandering conversation with Jacqueline Stewart and Toni L. Griffin about set building and curation, urban design, location scouting, Afrofuturism, fictional histories, and Black feminist narratives, and illustrates her role: a designer behind on-screen tableaux that provide not only visual feasts of artistry and imagination, but also intimate spaces of emotion, humanity, and constructed memory.

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  • Sprog:
  • Engelsk
  • ISBN:
  • 9783956795596
  • Indbinding:
  • Paperback
  • Sideantal:
  • 72
  • Udgivet:
  • 2. februar 2021
  • Størrelse:
  • 114x178x8 mm.
  • Vægt:
  • 100 g.
  • BLACK FRIDAY
    : :
Leveringstid: Ukendt - mangler pt.
Forlænget returret til d. 31. januar 2025

Beskrivelse af Design in a Frame of Emotion

A conversation about design, filmmaking, Afrofuturism, world-building, and other topics with Hannah Beachler, Academy-Award-winning production designer of Black Panther. Hannah Beachler is known as an award-winning production designer, but she tells an audience that she considers herself to be more of a story designer. As film stills and concept art from a few of those stories--Moonlight, Miles Ahead, Creed, Lemonade, and Black Panther--flash across a screen, Beachler engages in a meandering conversation with Jacqueline Stewart and Toni L. Griffin about set building and curation, urban design, location scouting, Afrofuturism, fictional histories, and Black feminist narratives, and illustrates her role: a designer behind on-screen tableaux that provide not only visual feasts of artistry and imagination, but also intimate spaces of emotion, humanity, and constructed memory.

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