Bøger af Arundhati Roy

Winner of the 1997 Booker Prize. The richly exotic story of the childhood the twins Esthappen and Rahel craft for themselves amongst India's vats of banana jam and mountains of peppercorns. Here, perhaps, is the greatest Indian novel by a woman. Arundhati Roy's 'The God of Small Things' is an astonishingly rich, fertile novel, teeming with life, colour, heart-stopping language, wry comedy and a hint of magical realism. Set against a background of political turbulence in Kerala, Southern India, 'The God of Small Things' tells the story of twins Esthappen and Rahel. Amongst the vats of banana jam and heaps of peppercorns in their grandmother's factory, they try to craft a childhood for themselves amidst what constitutes their family - their lonely, lovely mother, their beloved Uncle Chacko (pickle baron, radical Marxist and bottom-pincher) and their avowed enemy Baby Kochamma (ex-nun and incumbent grand-aunt).

Arundhati Roys slægtsroman fra det moderne Indien om livsglæde og tragik, patos og humor, politik og erotik – et stensikkert Must Read. DE SMÅ TINGS GUD er en tragisk og underfundig fortælling om en indisk families skæbne i et land, hvor engelsk aristokrati, en spirende kamp for et bedre liv og det traditionelle kastesystem skaber kaos. Vi er i 1960’ernes Indien, den politiske stemning er anspændt, og familien Kochamma vil snart opleve store omvæltninger. For DE SMÅ TINGS GUD blev Arundhati Roy (f. 1959) tildelt verdens fornemmeste litterære pris, The Booker Prize. Bogen er solgt til over 25 lande.

Tyve år efter den mesterlige De små tings gud er Arundhati Roy tilbage med en ny storslået roman. Ministeriet for den ypperste lykke tager os med på en rejse tværs over det store indiske subkontinent. Fra Delhis gamle bydel og den pulserende storby omkring den til den smukke Kashmirdal og skovene i det centrale Indien, hvor krig er fred, og fred er krig, og hvor der indimellem erklæres normaltilstand. På en gravplads uden for Delhis gamle bydel ruller Anjum, som før var Aftab, et tyndslidt persisk tæppe ud mellem to gravsten og gør det til sit hjem. Et sted i Delhi dukker et nyfødt spædbarn op midt på fortovet, helt sort og svøbt i skrald. Og i en lejlighed sidder den gådefulde, men stærke Tilo, der har efterladt et uudsletteligt indtryk på de tre mænd, der elskede hende, heriblandt Musa, hvis skæbne er uløseligt forbundet med Tilos. Ministeriet for den ypperste lykke er en sprudlende fortælling fra det moderne Indien, fuld af egensindige og farverige karakterer. En roman om kærlighed og håb, hvor man mindst venter det og under de mest usandsynlige omstændigheder. Og fra hver side lyser Arundhati Roys mageløse evne som historiefortæller mod os. Pressen skriver: »Sansemættet … et unikt indblik i det moderne Indien … Arundhati Roy kommer faktisk i mål med en ret pragtfuld og ’splintret’ Indiens-roman, som viser, at de store ting har det med at sive ind i de små – og omvendt. « **** – Politiken »Det er en vild og modig roman og en fabulerende vinkel ind på det moderne Indien. « ***** – Kristeligt Dagblad »Gribende … en grum, farverig og eksotisk fortælling fyldt med smerte, håb, kærlighed og insisteren på at overleve i en splintret verden. « – Litteratursiden

An impassioned manifesto from the author of Booker-winner God of Small Things, one of the most vocal campaigners in the world

From the bestselling author of Azadi and My Seditious Heart, a piercing exploration of modern empire, nationalism and rising fascism that gives us the tools to resist and fight back`I try to create links, to join the dots, to tell politics like a story, to make it real¿¿Over a lifetime spent at the frontline of solidarity and resistance, Arundhati Roy¿s words have lit a clear way through the darkness that surrounds us. Combining the skills of the architect she trained to be and the writer she became, she illuminates the hidden structures of modern empire like no one else, revealing their workings so that we can resist.Her subjects: war, nationalism, fundamentalism and rising fascism, turbocharged by neoliberalism and now technology. But also: truth, justice, freedom, resistance, solidarity and above all imagination ¿ in particular the imagination to see what is in front of us, to envision another way, and to fight for it.Arundhati Roy¿s voice ¿ as distinct and compelling in conversation as in her writing ¿ explores these themes and more in this essential collection of interviews with David Barsamian, conducted over two decades, from 2001 to the present.WITH AN AFTERWORD FROM NAOMI KLEIN

IN THIS SERIES OF ELECTRIFYING ESSAYS, ARUNDHATI ROY CHALLENGES US TO REFLECT ON THE MEANING OF FREEDOM IN A WORLD OF GROWING AUTHORITARIANISM. THE ESSAYS INCLUDE MEDITATIONS ON LANGUAGE, PUBLIC AS WELL AS PRIVATE, AND ON THE ROLE OF FICTION AND ALTERNATIVE IMAGINATIONS IN THESE DISTURBING TIMES. THE PANDEMIC, ROY SAYS, IS A PORTAL BETWEEN ONE WORLD AND ANOTHER. FOR ALL THE ILLNESS AND DEVASTATION IT HAS LEFT IN ITS WAKE, IT IS AN INVITATION TO THE HUMAN RACE, AN OPPORTUNITY, TO IMAGINE ANOTHER WORLD.

With anger and compassion, Roy exposes the sordid underbelly and dark inhumanity of capitalism in India and around the globe.

To best understand and address the inequality in India today, Arundhati Roy insists we must examine both the political development and influence of M. K. Gandhi and why B. R. Ambedkar's brilliant challenge to his near-divine status was suppressed by India's elite. In Roy's analysis, we see that Ambedkar's fight for justice was systematically sidelined in favor of policies that reinforced caste, resulting in the current nation of India: independent of British rule, globally powerful, and marked to this day by the caste system.This book situates Ambedkar's arguments in their vital historical context-- namely, as an extended public political debate with Mohandas Gandhi. "For more than half a century--throughout his adult life--[Gandhi's] pronouncements on the inherent qualities of black Africans, untouchables and the laboring classes remained consistently insulting," writes Roy. "His refusal to allow working-class people and untouchables to create their own political organizations and elect their own representatives remained consistent too."In The Doctor and the Saint, Roy exposes some uncomfortable, controversial, and even surprising truths about the political thought and career of India's most famous and most revered figure. In doing so she makes the case for why Ambedkar's revolutionary intellectual achievements must be resurrected, not only in India but throughout the world."Arundhati Roy is incandescent in her brilliance and her fearlessness."--Junot Díaz"The fierceness with which Arundhati Roy loves humanity moves my heart."--Alice Walker

Five books of essays in one volume from the Booker Prizewinner and ';one of the most ambitious and divisive political essayists of her generation' (The Washington Post). With a new introduction by Arundhati Roy, this new collection begins with her pathbreaking book The Cost of Livingpublished soon after she won the Booker Prize for her novel The God of Small Thingsin which she forcefully condemned India's nuclear tests and its construction of enormous dam projects that continue to displace countless people from their homes and communities. The End of Imagination also includes her nonfiction works Power Politics, War Talk, Public Power in the Age of Empire, and An Ordinary Person's Guide to Empire, which include her widely circulated and inspiring writings on the US invasions of Afghanistan and Iraq, the need to confront corporate power, and the hollowing out of democratic institutions globally. Praise for Arundhati Roy ';The fierceness with which Arundhati Roy loves humanity moves my heart.' Alice Walker, Pulitzer Prizewinning author and recipient of the LennonOno Grant for Peace Award ';Arundhati Roy combines her brilliant style as a novelist with her powerful commitment to social justice in producing these eloquent, penetrating essays.' Howard Zinn, author of Political Awakenings and Indispensable Zinn ';Arundhati Roy is incandescent in her brilliance and her fearlessness. And in these extraordinary essayswhich are clarions for justice, for witness, for a true humanityRoy is at her absolute best.' Junot Daz, author of the Pulitzer Prizewinning The Brief Wondrous Life of Oscar Wao ';One of the most confident and original thinkers of our time.' Naomi Klein, author of No Is Not Enough andThe Battle For Paradise ';Arundhati Roy calls for ';factual precision' alongside of the ';real precision of poetry.' Remarkably, she combines those achievements to a degree that few can hope to approach.' Noam Chomsky, leading public intellectual and author of Hopes and Prospects ';India's most impassioned critic of globalization and American influence.' The New York Times

LONGLISTED FOR THE MAN BOOKER PRIZE 2017THE SUNDAY TIMES #1 BESTSELLER and THE NEW YORK TIMES BESTSELLER'Magnificent - unlike anything I've read in years. An absolutely dazzling, original, and ultimately profound novel... A masterpiece. Very few writers can write with such intense and yet precise emotional intelligence. Arundhati Roy is properly special. We should be grateful to have her among us.' Mirza Waheed, author of The Book of Gold Leaves'Roy's second novel proves as remarkable as her first' Financial Times'A great tempest of a novel... which will leave you awed by the heat of its anger and the depth of its compassion' Washington PostThe first novel in 20 years from the Booker-prize winning author of The God of Small ThingsThe Ministry of Utmost Happiness takes us on a journey of many years-the story spooling outwards from the cramped neighbourhoods of Old Delhi into the burgeoning new metropolis and beyond, to the Valley of Kashmir and the forests of Central India, where war is peace and peace is war, and where, from time to time, 'normalcy' is declared.Anjum, who used to be Aftab, unrolls a threadbare carpet in a city graveyard that she calls home. A baby appears quite suddenly on a pavement, a little after midnight, in a crib of litter. The enigmatic S. Tilottama is as much of a presence as she is an absence in the lives of the three men who loved her.The Ministry of Utmost Happiness is at once an aching love story and a decisive remonstration. It is told in a whisper, in a shout, through tears and sometimes with a laugh. Its heroes are people who have been broken by the world they live in and then rescued, mended by love-and by hope. For this reason, they are as steely as they are fragile, and they never surrender. This ravishing, magnificent book reinvents what a novel can do and can be. And it demonstrates on every page the miracle of Arundhati Roy's storytelling gifts.'A novel that demands and rewards the reader's concentration, this is a dazzling retu

Arundhati Roys slægtsroman fra det moderne Indien om livsglæde og tragik, patos og humor, politik og erotik – et stensikkert Must Read.DE SMÅ TINGS GUD er en tragisk og underfundig fortælling om en indisk families skæbne i et land, hvor engelsk aristokrati, en spirende kamp for et bedre liv og det traditionelle kastesystem skaber kaos. Vi er i 1960’ernes Indien, den politiske stemning er anspændt, og familien Kochamma vil snart opleve store omvæltninger. For DE SMÅ TINGS GUD blev Arundhati Roy (f. 1959) tildelt verdens fornemmeste litterære pris, The Booker Prize. Bogen er solgt til over 25 lande. 

The ';courageous and clarion' Booker Prizewinner ';continues her analysis and documentation of the disastrous consequences of unchecked global capitalism' (Booklist). From the poisoned rivers, barren wells, and clear-cut forests, to the hundreds of thousands of farmers who have committed suicide to escape punishing debt, to the hundreds of millions of people who live on less than two dollars a day, there are ghosts nearly everywhere you look in India. India is a nation of 1.2 billion, but the country's one hundred richest people own assets equivalent to one-fourth of India's gross domestic product.Capitalism: A Ghost Story examines the dark side of democracy in contemporary India and shows how the demands of globalized capitalism have subjugated billions of people to the highest and most intense forms of racism and exploitation. ';A highly readable and characteristically trenchant mapping of early-twenty-first-century India's impassioned love affair with money, technology, weaponry and the ';privatization of everything,' andbecause these must not be impeded no matter whatgenerous doses of state violence.' The Nation ';A vehement broadside against capitalism in general and American cultural imperialism in particular... an impassioned manifesto.' Kirkus Reviews ';Roy's central concern is the effect on her own country, and she shows how Indian politics have taken on the same model, leading to the ghosts of her book's title: 250,000 farmers have committed suicide, 800 million impoverished and dispossessed Indians, environmental destruction, colonial-like rule in Kashmir, and brutal treatment of activists and journalists. In this dark tale, Roy gives rays of hope that illuminate cracks in the nightmare she evokes.' Publishers Weekly

Leading international voices condemn the brutalities of the Kashmir occupation.

From the bestselling author of The Ministry of Utmost HappinessAn extraordinary secret meeting between four brilliant political activists: Booker Prize-winner Arundhati Roy, NSA whistle-blower Edward Snowden, Pentagon Papers insider Daniel Ellsberg and acclaimed actor John Cusack'What sort of love is this love that we have for countries? What sort of country is it that will ever live up to our dreams? What sort of dreams were these that have been broken?'In 2014, four people met in secret in a hotel room in Moscow. Each was a leading global advocate for government transparency and accountability: they had come together to talk. Over the course of two days, Arundhati Roy, Edward Snowden, John Cusack and Daniel Ellsburg shared ideas and beliefs - about the Vietnam War and the Pentagon Papers, the NSA and the ongoing crises in the Middle East, the American government and the nature of activism.Co-authored by Roy and Cusack, and interleaving verbatim conversations with narrated recollections, this Penguin Special captures an historic moment. Interrogating the geopolitical forces that shape our world, it is both political and personal, activist and humanist - irreverent, funny and absolutely urgent. In Things That Can and Cannot Be Said, Arundhati Roy and John Cusack issue a powerful rallying cry, a call to resistance against America's ongoing, malign hegemony.

In eleven powerful, and closely argued, linked essays, Arundhati Roy takes a hard look at the underbelly of the world's largest democracy. Beginning with the state-backed killing of Muslims in Gujarat in 2002, she writes about how 'progress' and genocide have historically gone hand in hand; about the murky investigations into the 2001 attack on the Indian Parliament; about the dangers of an increasingly powerful and entirely unaccountable judiciary; and about the collusion between large corporations, the government and the mainstream media. The volume ends with an account of the August 2008 uprising in Kashmir and an analysis of the November 2008 attacks on Mumbai. 'The Briefing', included as an appendix, is a compelling fictional text that brings together many of the issues central to the collection.