Bøger af Benedetto Croce

Il libro ""Ricerche Ispano-Italiane V1: Appunti Sulla Letteratura Spagnuola In Italia (1898)"" di Benedetto Croce ¿¿¿¿¿ una raccolta di saggi che esplorano la relazione tra la letteratura spagnola e l'Italia. Il volume ¿¿¿¿¿ il primo di una serie di studi che l'autore ha dedicato alla cultura spagnola e italiana, e si concentra principalmente sulle influenze che la letteratura spagnola ha avuto sulla letteratura italiana nel corso dei secoli.Il libro ¿¿¿¿¿ diviso in tre parti. La prima parte esamina il periodo medievale, in cui l'Italia e la Spagna condividono molte similitudini culturali, come la presenza dell'Islam e la diffusione della poesia lirica. La seconda parte si concentra sul Rinascimento e sull'era barocca, quando l'Italia e la Spagna erano in contatto diretto e la letteratura spagnola ha esercitato una forte influenza sulla letteratura italiana. Infine, la terza parte analizza il periodo romantico, in cui l'Italia e la Spagna hanno avuto un rapporto pi¿¿¿¿¿ distante, ma in cui la letteratura spagnola ¿¿¿¿¿ stata ancora presente nell'immaginario italiano.Il libro ¿¿¿¿¿ un importante contributo alla storia della letteratura spagnola e italiana e offre una prospettiva unica sulla relazione tra queste due culture.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Historical intellectualism has been the cause of the many researches which have been made, especially during the last two centuries, researches which continue to-day, for a philosophy of history, for an ideal history, for a sociology, for a historical psychology, or however may be otherwise entitled or described a science whose object is to extract from history, universal laws and concepts. Of what kind must be these laws, these universals? Historical laws and historical concepts? In that case, an elementary criticism of knowledge suffices to make clear the absurdity of the attempt.

Benedetto Croce (25 February 1866 - 20 November 1952) was an Italian idealist philosopher, historian and politician, who wrote on numerous topics, including philosophy, history, historiography and aesthetics. In most regards, Croce was a liberal, although he opposed laissez-faire free trade and had considerable influence on other Italian intellectuals, including both Marxist Antonio Gramsci and fascist Giovanni Gentile. Croce was President of PEN International, the worldwide writers' association, from 1949 until 1952. He was nominated for the Nobel Prize in Literature sixteen times. He is also noted for his "major contributions to the rebirth of Italian democracy."

Benedetto Croce (1866-1952) was among the most important of those philosophers of the twentieth century who grappled with issues of pure aesthetics. The series of lectures written in 1912 as the inaugural address of the Rice Institute in Texas and collected under the title Breviario di estetica (Breviary of Aesthetics) is undoubtedly Croce's definitive study of the arts, and the work remains foundational in the philosophy of aesthetics to this day. It has been translated into several languages and continues to attract a wide readership.In this edition, the Breviary of Aesthetics is presented in a brand new English translation and accompanied by informative endnotes that discuss many of the philosophers, writers, and works cited by Croce in his original text. The new translation deliberately preserves the idiosyncratic use of language for which Croce was famous, and emphasizes his writing style, which, together with that of Galileo Galilei, is considered to be among the most lucid in Italian literature. An introduction by Remo Bodei discusses the broader impact of the work and places it in historical context. In short, this edition reintroduces a seminal text on aesthetics to a new generation of English-speaking readers, and represents a significant contribution to the Lorenzo Da Ponte Italian Library series.