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Explains the performative relation to social theory in which cinema functions as a tool for social diagnosis. This book provides an understanding of theory as the chosen films work as a pedagogical route into social theory. It is suitable for students and researchers of Sociology, Contemporary Social Theory, Film Studies and Cultural Studies.
With in-depth empirical analysis of a range of case studies, this book offers a comprehensive genealogy of the concepts of economy, despotism and voluntary servitude and provides a thorough and coherent reflection on the wider socio-political agenda of contemporary societies.
The first substantial study of Nuri Bilge Ceylan's work set in both the context of transnational film networks and the popular 'New Turkish Cinema'.
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