Bøger af Claude Debussy

Mit den drei Sätzen Pagodes, La soirée dans Grenade (Ein Abend in Granada) und Jardins sous la pluie (Gärten im Regen) lässt Debussy im Zyklus Estampes in Bildern eine poetische Welt aus Landschaften und fernen Ländern entstehen. Er komponierte die Stücke im Sommer 1903 während eines Aufenthalts in Bichain im nördlichen Burgund. Von dort bekräftigt er in einem Brief: "Wenn man sich Reisen nicht leisten kann, muss man sie durch Fantasie ersetzen." Im virtuosen Schlusssatz knüpft er an seine zukunftsweisenden Images aus dem Jahr 1894 (HN 846) an.

Debussy's sole completed opera was given its premiere at Paris' Opera Comique on April 30, 1902. It was the culmination of an eight-year effort on the composer's part. Though not an immediate sensation like Puccini's "Madame Butterfly" two years later in Milan, the five-act lyric drama, after the identically titled play by Maeterlinck, enjoyed a successful run in the first two decades of the 20th century. This new vocal score is a digitally-enhanced reprint of the one issued in Paris by A. Durand et Fils in 1907, with an English translation of the text by Harry Grafton Chapman appearing beneath the original French. Now available in a convenient, readable A4 format at an affordable price. In contrast to so many of the on-demand scores now available, this one comes with all the pages and the images have been thoroughly checked to make sure it is actually readable. As with all PLP scores a percentage of each sale is donated to the amazing online archive of free music scores and recordings, IMSLP - Petrucci Music Library. Wikipedia article IMSLP page

Here, in one volume, are two bodies of work that, perhaps more than any others, reveal the essence of Claude Debussy's extraordinary expressiveness and his innovative gifts for musical imagery. Each book contains 12 preludes for the piano, many of them well known to today's musical audiences because of their great popularity with pianists worldwide.

One of Debussy's most beloved piano works, "Golliwogg's Cake-Walk" is a charming musical depiction of a popular dance of the time. This edition features a beautiful engraved score and insights into the composer's creative process.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Trois Chansons is a collection of songs composed by Claude Debussy featuring four mixed voices without accompaniment. The songs are set to lyrics by Charles d'Orleans and are considered among the most significant works of the Impressionist composer. The collection includes the songs Dieu! Qu'il la fait bon regarder!, Quant j'ai ouy le tabourin, and Yver, vous n'estes qu'un villain.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

" La soirée était charmante et je m'étais décidé à ne rien faire... (pour être poli, mettons que je rêvais). En réalité, ce n'étaient pas de ces minutes admirables dont on parle plus tard avec attendrissement et avec la prétention qu'elles avaient préparé l'Avenir. Non... c'étaient des minutes vraiment sans prétention, elles étaient simplement de bonne volonté . Je rêvais... Se formuler... ? Finir des oeuvres... ? Autant de points d'interrogation posés par une enfantine vanité, besoin de se débarrasser à tout prix d'une idée avec laquelle on a trop vécu; tout cela cachant assez mal la sotte manie de se montrer supérieur aux autres. Être supérieur aux autres n'a jamais représenté un grand effort si l'on n'y joint pas le beau désir d'être supérieur à soi-même... Seulement c'est une alchimie plus particulière et à laquelle il faut offrir sa chère petite personnalité en holocauste... C'est dur à soutenir, et absolument improductif. Par ailleurs, solliciter l'assentiment unanime représente un temps considérable perdu en de constantes manifestations ou d'inlassables propagandes; on peut y gagner le droit de faire partie d'un paquet de grands hommes dont on échange les noms pour ranimer de languissantes conversations d'art... Je ne voudrais pas insister, afin de ne décourager personne..."

Distinguished by its sure and economical craftsmanship, Pelleas et Melisande is Debussy's only opera -- a perfect marriage of music and verse that ranks as one of the great landmarks in the history of the form, so sublimely does the musical style fit Maeterlinck's allegory of guilt and innocence.In its premiere performance at the Opéra-Comique on April 30, 1902, Pelleas et Melisande created an uproar -- a reaction perhaps to the unique harmonies and advanced orchestration Debussy unveiled in the work. Though initially considered subversive, his harmonic innovations remained rooted in the tonal system, deepening and extending its scope. Today, the opera is universally hailed as the summit of French musical impressionism, a unique poetic conception in which Debussy's powers of orchestral and vocal writing are at their pinnacle.Reprinted in its entirety from the authoritative E. Fromont (1904) edition, this faithful edition reproduces the full orchestral and vocal score in clear, large, legible notation for easy reading and study. A new English translation of the original French front matter further enhances the value and completeness of the volume.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Klaviernoten von Claude Debussy: EstampesI. PagodesII. La soirée dans GrenadeIII. Jardins sous la pluieErstausgabe von 1903.

This Is A New Release Of The Original 1901 Edition.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Sonate Pour Violoncelle Et Piano; Volume 1 Of Six Sonates Pour Divers Instruments; Claude Debussy; Sonate Pour Violoncelle Et Piano; Claude Debussy Claude Debussy Durand, 1915 Music; Genres & Styles; Classical; Music / Genres & Styles / Classical; Music / Songbooks; Sonatas (Violoncello and piano)

Originally for piano by Claude Debussy, this work was adapted and arranged for tuba and piano. Movements include 1. Prelude 2. Menuet 3. Clair de Lune 4. Passapied Listen here: https: //soundcloud.com/knuxie35/bergamasque-suite-tuba

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Composed by Claude Debussy originally for piano, this work was adapted and arranged for horn and piano. Movements include: 1. Prelude 2. Menuet 3. Clair de Lune 4. Passapied Listen here: https: //soundcloud.com/knuxie35/bergamasque-suite-horn

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Iberia: Images Pour Orchestre, Issue 2 Claude Debussy Durand, 1910 Music; Genres & Styles; Classical; Music / Genres & Styles / Classical; Music / Songbooks; Suites (Orchestra)

Perhaps the most famous work of Claude Debussy (1862-1913) is Clair de Lune, from the Suite Bergamasque. In this Modern Edition, contemporary composer Grant Dersom rejuvenates the printed score by editing with modern techniques, complete with fingerings, pedal indications, and supplementary information.