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Offers a theory and methodology of performance analysis as an alternative to traditional play-analysis. This book carries an underlying theme that theatre performance is a descriptive text generated by the theatre medium and that the process of generating meaning takes place in the actual encounter between a theatre performance and the spectator.
Offers a theory of the archaic mode of fictional thinking and a methodology for the analysis of fictional worlds. This title presupposes the mutual independence of the description of a fictional world, in various languages or mediums, and the described fictional world.
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