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The starting point for this book is Evelyn Hofer's Dublin: A Portrait, which features an in-depth essay by V. S. Pritchett and photos by Hofer, and enjoyed great popularity upon its original publication in 1967. Dublin: A Portrait is an example of Hofer's perhaps most important body of work, her city portraits: books that present comprehensive prose texts by renowned authors alongside her self-contained visual essays with their own narratives. Dublin: A Portrait was the last book published in this renowned series. The newly conceived Dublin focuses on the photos Hofer took on behalf of the publisher Harper & Row in 1965 and 1966. In Dublin Hofer repeatedly turned her camera to sights of the city, but mainly to the people who constituted its essence. She made numerous portraits-be they of writers and public figures or unknown people in the streets. Her portraits give evidence of an intense, respectful engagement with her subjects, who participate as equal partners in the process of photographing.
The work of German-American photographer Evelyn Hofer (1922-2009) is characterized by her single-minded creative drive and dedication to recording the essentials of her subjects. Hofer portraits her vis-à-vis-not only people, but also landscapes and interiors-well beyond the idea of the snapshot, and with great clarity and atmospheric intensity. Hofer spent months in the cities she photographed for her books of the 1950s and '60s, published with renowned authors such as Mary McCarthy and V. S. Pritchett. In titles such as New York Proclaimed (1965) and Dublin, A Portrait (1967) Hofer combines portraits, city and country views, still lifes and larger interior shots to manifest complex images of these metropolises. From this starting point Begegnungen / Encounters explores the multifaceted idea of the "portrait" throughout Hofer's oeuvre-be it in series on New York, Dublin and Washington, images of artists and their ateliers, selected photo-essays for magazines, her extensive projects "People of Soglio" and "Basque People", as well as till now unseen New York photos of Marlene Dietrich's hangar and Andy Warhol's Factory.
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