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  • af Francis Ponge
    139,95 kr.

    Poetry. Hybrid Genre. Environmental Studies. Translated from the French by Joshua Corey and Jean-Luc Garneau. There is no escape from trees by means of trees. The ordinary objects to which Francis Ponge directs his attention--a tree, an oyster, a cigarette--come uncannily alive in his seminal first book of prose poems, newly translated by Joshua Corey and Jean-Luc Garneau. Published in 1942, as Ponge was enlisting in the Resistance to the Nazi occupation of France, these poems offer their own dryly humorous resistance to our tendency to take things for granted as either dead matter or as commodities for our disposal. Arch, alive, and unexpectedly profound, here is a new Ponge for the age of hyperobjects and the revenge of nature, a poet of the Anthropocene avant la lettre.

  • af Francis Ponge
    208,95 kr.

    Poetry. Translated from the French by Jonathan Larson. On the 50th anniversary of its publication, The Song Cave is honored to publish the first English translation of Francis Ponge's NIOQUE OF THE EARLY-SPRING. Ostensibly a book written to honor the season itself and the cycle of time, upon its first publication in Paris, May 1968, these notes took on a greater metaphorical meaning within this context, addressing the need for new beginnings and revolution. April is not always the cruelest month. In these stray notations dated early April 1950, Ponge provides a latter-day version of Stravinsky's 'Sacre du printemps' or of William Carlos Williams' 'Spring and All'--a vernal enactment of all the resurrectional energies of a spring-time-to-come, as witnessed firsthand at the farmhouse of 'La Fleurie' in southern France. When subsequently published in Tel Que in May 1968, eighteen years later, Ponge's rural, pastoral text now acquired a specific urban history and Utopianism, its Lucretian 'Nioque, ' or gnosis, now speaking to the gnomic revolutionary slogans of the Left Bank barricades: 'Be realistic, demand the impossible, ' 'Beneath the cobblestones, the beach.' Jonathan Larson's careful engagement with Ponge manages to seize what is most prosaic about his poetry--its fierce communism of the ordinary, its insistence that taking the part of things means taking words at their most etymological everydayness.--Richard Sieburth This startlingly fresh and necessary document of the 1950s by Francis Ponge comes to us via the all too rare feat of true poetic reenactment. Understanding that each poet creates language anew, Jonathan Larson has found a poetics suitable for the occasion of Ponge's own poetic logic In this rendering, Larson's absolute care and attention to syllabic weight and measure, to the syntax and length of each line as it unwinds, allows us--as readers--to come into the drama of a text newly made, in other words, to discover a new poem in its very making. Yet, none of this comes at the cost of accuracy or through the subjugation of the original at the hands of one wielding the imperial language This is no mean feat in this day and age and, by way of Larson's exquisite ear, we are again given the poignancy and urgency of Ponge's own moment.--Ammiel Alcalay

  • af Francis Ponge
    143,95 kr.

    The final chapter in Francis Ponge's interrogation of unassuming objectsWritten from 1967 to 1973 over a series of early mornings in seclusion in his country home, The Table offers a final chapter in Francis Ponge's interrogation of the unassuming objects in his life: in this case, the table upon which he wrote. In his effort to get at the presence lying beneath his elbow, Ponge charts out a space of silent consolation that lies beyond (and challenges) scientific objectivity and poetic transport. This is one of Ponge's most personal, overlooked, and--because it was the project he was working on when he died--his least processed works. It reveals the personal struggle Ponge engaged in throughout all of his writing, a hesitant uncertainty he usually pared away from his published texts that is at touching opposition to the manufactured, "durable mother" of the table on and of which he here writes.

  • af Francis Ponge
    202,95 - 974,95 kr.

    In this work, begun during the German occupation, the eminent French poet and philosopher began to turn away from the small, perfect poem toward a much more open form, a kind of prose poem that recounted its own process of coming into being along with the final result.

  • af Francis Ponge
    153,95 kr.

    Through translations by two major contemporary poets and a scholar intimate with the Ponge canon, this volume offers selections of mostly earlier poetry --Le parti pris des choses, Pièces, Proêmes, and Nouveau nouveau recueil--as representative of the strongest work of this modern French master.

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