Bøger af Georg Lukacs

Die Theorie des Romans ist ein geschichtsphilosophischer Versuch von Georg Lukacs aus dem Jahr 1920 �����ber die Formen der gro�����en Epik. In diesem Buch analysiert Lukacs die Entwicklung des Romans von seinen Anf�����ngen bis zur modernen Zeit und zeigt auf, wie sich die Form des Romans im Laufe der Geschichte ver�����ndert hat. Dabei geht er auf verschiedene literarische Str������mungen und Autoren ein, darunter auch Cervantes, Balzac und Tolstoi. Lukacs untersucht die Rolle des Romans als Spiegelbild der Gesellschaft und zeigt auf, wie der Roman als Kunstform dazu beitragen kann, die Welt besser zu verstehen. Die Theorie des Romans gilt als eines der wichtigsten Werke der literaturwissenschaftlichen Theoriebildung im 20. Jahrhundert und hat bis heute gro�����en Einfluss auf die Forschung und Lehre im Bereich der Literaturwissenschaft.This Book Is In German.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

History and Class Consciousness: Studies in Marxist Dialectics (German: Geschichte und Klassenbewußtsein: Studien über marxistische Dialektik) is a 1923 book by the Hungarian philosopher György Lukács, in which Lukács re-emphasizes Georg Wilhelm Friedrich Hegel's influence on Karl Marx, analyses the concept of class consciousness, and attempts a philosophical justification of Bolshevism. History and Class Consciousness, which helped to create Western Marxism, is the book for which Lukács is best known, and some of his pronouncements have become famous. Nevertheless, History and Class Consciousness was condemned in the Soviet Union and Eastern Europe, and Lukács later repudiated its ideas, and came to believe that in it he had confused Hegel's concept of alienation with that of Marx. It has been suggested that the concept of reification as employed in Martin Heidegger's Being and Time (1927) shows the strong influence of History and Class Consciousness, though such a relationship remains disputed. (wikipedia.org)

These essays celebrate the humanist tradition of European literature that runs from Balzac, through Tolstoy and Stendhal, to Zola and beyond. Lukacs sees this tradition as the expression of humanism. Seen in this light, the great works of nineteenth-century literature have an immediate and overwhelming relevance to our need today to change society.

This Is A New Release Of The Original 1920 Edition.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

The centenary edition of a classic in Marxist philosophy

A classic work of Western Marxism, now back in print.

Features the text in the great controversies over literature and art between thinkers who have become giants of 20th-century philosophy.

Gyorgy Lukacs was a Hungarian Marxist philosopher, writer, and literary critic who shaped mainstream European Communist thought. Soul and Form was his first book, published in 1910, and it established his reputation, treating questions of linguistic expressivity and literary style in the works of Plato, Kierkegaard, Novalis, Sterne, and others. By isolating the formal techniques these thinkers developed, Lukacs laid the groundwork for his later work in Marxist aesthetics, a field that introduced the historical and political implications of text.For this centennial edition, John T. Sanders and Katie Terezakis add a dialogue entitled "e;On Poverty of Spirit,"e; which Lukacs wrote at the time of Soul and Form, and an introduction by Judith Butler, which compares Lukacs's key claims to his later work and subsequent movements in literary theory and criticism. In an afterword, Terezakis continues to trace the Lukacsian system within his writing and other fields. These essays explore problems of alienation and isolation and the curative quality of aesthetic form, which communicates both individuality and a shared human condition. They investigate the elements that give rise to form, the history that form implies, and the historicity that form embodies. Taken together, they showcase the breakdown, in modern times, of an objective aesthetics, and the rise of a new art born from lived experience.

This work is commonly held to be the foundational text for Western Marxism. As Stalinism took over in Russia, Lukacs was subjected to attacks for "deviation". In the 1920s he wrote a response to this, which remained unpublished at the time. The manuscript was later found in Moscow and published.

"If we are to understand not only the direct impact of Marx on the development of German thought but also his sometimes extremely indirect influence, an exact knowledge of Hegel, of both his greatness and his limitation, is absolutely indispensable."- from the preface

Georg Lukacs (1885-1971) is now recognised as one of the most innovative and best-informed literary critics of the twentieth century. Trained in the German philosophic tradition of Kant, Hegel, and Marx, he escaped Nazi persecution by fleeing to the Soviet Union in 1933. He wrote and published his longest work of literary criticism, The Historical Novel, in 1937.

Part of "Radical Thinkers" series, this work presents key texts by philosophers and thinkers. It offers an account of Leninism.

This revealing autobiography of the Hungarian Marxist philosopher Georg Lukács is centered on a series of interviews that he gave in 1969 and 1971, shortly before his death on 4 June 1971.Stimulated by the sympathetic yet incisive questioning of the interviewer, the Hungarian essayist István Eörsi, Lukács discusses at length the course of his life, his years of political struggle, and his formation and role as a Marxist intellectual. From a highly evocative account of his childhood and school years, Lukács proceeds to discuss his political awakening; the debates within the socialist movement over the First World War form the prelude to an assessment of Tactics and Ethics, written in 1919; from there the discussion turns to Lukács’s early major contribution to Marxist philosophy, History and Class Consciousness.After considering at length the years of emigration in Vienna and the Soviet Union, Lukács finally recalls his return to Hungary after the Second World War, and his new position as a revolutionary left critic of actually existing socialism. ¿By socialist democracy,¿ he wrote in 1970, ¿I understand democracy in ordinary life, as it appears in the Workers’ Soviets of 1871, 1905 and 1917, as it once existed in the socialist countries, and in which form it must be re-animated.¿This Record of a Life, which includes an introduction by István Eörsi, furnishes a compelling tribute to a remarkable man.

Georg Lukács's most recent work of literary criticism, on the Nobel Prize winner Alexander Solzhenitsyn, hails the Russian author as a major force in redirecting socialist realism toward the level it once occupied in the 1920s when Soviet writers portrayed the turbulent transition to socialist society.In the first essay Lukács compares the novella One Day in the Life of Ivan Denisovich to short pieces by bourgeois writers Conrad and Hemingway and explains the nature of Solzhenitsyn's criticism of the Stalinist period implied in the situation, characters, and their interaction. He also briefly describes Matriona's House, An Incident at the Kretchetovka Station, and For the Good of the Cause--stories that depict various aspects of life in Stalinist Russia. In the second, longer section, Lukács greets Solzhenitsyn's novels The First Circle and Cancer Ward, which were published outside Russia, as representing a new high point in contemporary world literature. These books mark Solzhenitsyn as heir to the best tendencies in postrevolutionary socialist realism and to the literary tradition of Tolstoy and Dostoevsky. Moreover, from the point of view of the development of the novel, Lukács finds the Russian author to be a successful exponent of innovative methods originating in Thomas Mann's The Magic Mountain.The central problem of contemporary socialist realism is a predominant theme in the book: how to come to critical terms with the legacy of Stalin. The enthusiasm with which Lukács acclaims Solzhenitsyn will not surprise those who have followed his persistent refusal to endorse the so-called socialist realist writers of the Stalinist era. He outlines the aspects of Solzhenitsyn's creative method that allows him to cross the ideological boundaries of the Stalinist tradition, yet he finds a basic pessimism in Solzhenitsyn's work that makes him a plebeian rather than a socialist writer. Of Ivan Denisovich and the future of socialist realist literature, Lukács urges: If socialist writers were to reflect upon their task, if they were again to feel an artistic responsibility towards the great problems of the present, powerful forces could be unleashed leading in the direction of relevant socialist literature. In this process of transformation and renewal, which signifies an abrupt departure from the socialist realism of the Stalin era, the role of landmark on the road to the future falls to Solzhenitsyn's story.

Lukacs explores problems of consciousness and organization, drawing on Luxemburg and Lenin. "When the proletariat proclaims the dissolution of the existing social order," Marx declares, "it does no more than disclose the secret of its own existence, for it is the effective dissolution of that order." ..theory is essentially the intellectual expression of the revolutionary process itself. In it every stage of the process becomes fixed so that it may be generalised, communicated, utilised and developed. Because the theory does nothing but arrest and make conscious each necessary step, it becomes at the same time the necessary premise of the following one -

In an essay of prophetic vision, Lukacs defines a critical realism: 'anyone who wants to become more intimately acquainted with the prehistory of the important ideologies of the [nineteen-] twenties and thirties ...will be helped by a critical reading of this book.'