Bøger af George Cruikshank

William Harrison Ainsworth (4 February 1805 - 3 January 1882) Was an English historical novelist born in Manchester. He trained as a lawyer, but the legal profession held no attraction for him. While completing his legal studies in London he met the publisher John Ebers, at that time manager of the King's Theatre, Haymarket. Ebers introduced Ainsworth to literary and dramatic circles, and to his daughter, who became Ainsworth's wife. Ainsworth briefly tried the publishing business, but soon gave it up and devoted himself to journalism and literature. His first success as a writer came with Rookwood in 1834, which features Dick Turpin as its leading character. A stream of 39 novels followed, the last of which appeared in 1881. Ainsworth died in Reigate on 3 January 1882.The Miser's Daughter is a novel by William Harrison Ainsworth serially published in 1842. It is a historical romance that describes a young man pursuing the daughter of a miserly rich man during the 18th century.Ainsworth wrote The Miser's Daughter in 1842 while he was writing Windsor Castle. During this time, he was constantly working and stopped only when his mother, Ann Ainsworth, died on 15 March 1842. It was published in a serialised form in the Ainsworth's Magazine with some overlap with Windsor Castle. George Cruikshank served as illustrator

Rookwood is a novel by William Harrison Ainsworth published in 1834. It is a historical and gothic romance that describes a dispute over the legitimate claim for the inheritance of Rookwood Place and the Rookwood family name. Story: The plot of the novel takes place in England, 1737. At a manor called Rookwood Place, there existed a legend claiming that a death would follow after a branch of an ancient tree would break. After a branch does fall from the tree, Piers Rookwood, the owner, dies. It is revealed to Luke Bradley that he was the son, and thus heir, of Piers Rookwood along with the fact that Piers Rookwood murdered Bradley's mother. This knowledge comes to Bradley while he stands near his mother's coffin, which falls and opens at the moment of revelation. During the fall, it is revealed that she was wearing a wedding ring, which proves that Bradley was not an illegitimate heir. However, the whole incident was put together by Peter Bradley, the boy's grandfather. At the same time, Rookwood's wife, Maud Rookwood, puts forth her own schemes to ensure that her son, Ranulph Rookwood, is able to claim the inheritance for himself. As the events unfold, Bradley falls in love with Eleanor Mowbray but she is in love with her cousin, Ranulph Rookwood. At his grandfather's promptings, Bradley ditches his love, a gypsy named Sybil Lovel, to pursue and try to force Mowbray into marriage. While this happens, the character Dick Turpin, a highwayman and thief, is introduced at the manor, under the pseudonym Palmer. While there, he makes a bet with one of the guests that he could capture himself. Eventually, Turpin is forced to escape upon his horse, Black Bess. The horse, though fast enough to keep ahead of all of the other horses, eventually collapses and dies under the stress of the escape.Later, Turpin reappears and tries to help Bradley attain Mowbray's hand in marriage, but Bradley is fooled into marrying Lovel instead, Mowbray having been taken by the gypsies. Soon afterwards, Lovel kills herself. In revenge for Lovel's death, Lovel's family poisons a lock of hair and gives it to Bradley, which soon results in his death. After the death of his grandson, Peter Bradley comes clean about his identity; he is the brother of Reginald Rookwood, father to Piers, and his real name is Alan Rookwood. Alan Rookwood confronts Maud Rookwood, and the two attack each other in the Rookwood family tomb. However, they activate some kind of machinery that causes the tomb to shut and imprison them together forever. In the end, the only surviving family members, Ranulph Rookwood and Eleanor Mowbray marry.... William Harrison Ainsworth (4 February 1805 - 3 January 1882) was an English historical novelist born at King Street in Manchester. He trained as a lawyer, but the legal profession held no attraction for him. While completing his legal studies in London he met the publisher John Ebers, at that time manager of the King's Theatre, Haymarket. Ebers introduced Ainsworth to literary and dramatic circles, and to his daughter, who became Ainsworth's wife.... George Cruikshank (27 September 1792 - 1 February 1878) was a British caricaturist and book illustrator, praised as the "modern Hogarth" during his life. His book illustrations for his friend Charles Dickens, and many other authors, reached an international audience..... Sir John Gilbert RA (21 July 1817 - 5 October 1897) was an English artist, illustrator and engraver..... Samuel Laman Blanchard (15 May 1804 - 15 February 1845) was a British author and journalist.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

""What Put My Pipe Out: Or Incidents In The Life Of A Clergyman"" is a book written by George Cruikshank and published in 1862. The book is a collection of short stories about the life of a clergyman, focusing on the various incidents and challenges that he faces in his daily life. The stories are told from the perspective of the clergyman himself, and they cover a wide range of topics, including love, loss, faith, and redemption. Throughout the book, Cruikshank uses his signature wit and humor to create a lively and engaging read that is both entertaining and thought-provoking. The book is a fascinating glimpse into the life of a clergyman in the 19th century, and it offers a unique perspective on the challenges and triumphs of religious life during this time period. Overall, ""What Put My Pipe Out"" is a delightful and insightful book that is sure to appeal to anyone interested in the history of religion, literature, or culture.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This Is A New Release Of The Original 1880 Edition.

Peveril of the Peak (1823) is the longest novel by Sir Walter Scott. Along with Ivanhoe, Woodstock and Kenilworth, this is one of Scott's English novels, with the main action taking place around 1678. *Plot summary*Sir Geoffrey Peveril and Major Bridgenorth had been boys together; and although they adopted different views in religion and politics, the major's influence had saved the Royalist's life after the battle of Bolton-le-Moors, and Lady Peveril had brought up his motherless girl, Alice, with her own son. After the Restoration, the Countess of Derby, who, through treachery, had suffered a long imprisonment by the Roundheads, sought protection at Martindale Castle, where Bridgenorth would have arrested her for having caused his brother-in-law, William Christian, to be shot as a traitor, had not the knight interfered by tearing up the warrant, and escorting her through Cheshire on her return to the Isle of Man. Alice was of course withdrawn from his wife's care, and it was supposed the major had emigrated to New England. Several years afterwards Sir Geoffrey's son Julian became the companion of the young earl, and, with the nurse Deborah's connivance, renewed his intimacy with his foster sister, who was under the care of her widowed aunt, Dame Christian. At one of the secret interviews between them, they were surprised by the entrance of her father, who related some of his religious experiences, and vaguely hinted that his consent to their marriage was not impossible. The next night, having undertaken to proceed to London, to clear the countess and her son from the suspicion of being concerned in Titus Oates's pretended Popish plot, Julian was conducted to a sloop by Fenella, his patron's deaf and dumb dwarf, and, as she was being taken ashore against her will while he was asleep, he dreamt that he heard Alice's voice calling for his help............ Sir Walter Scott, 1st Baronet, FRSE (15 August 1771 - 21 September 1832) was a Scottish historical novelist, playwright and poet with many contemporary readers in Europe, Australia, and North America. Scott's novels and poetry are still read, and many of his works remain classics of both English-language literature and of Scottish literature. Famous titles include Ivanhoe, Rob Roy, Old Mortality, The Lady of the Lake, Waverley, The Heart of Midlothian and The Bride of Lammermoor.... George Cruikshank (27 September 1792 - 1 February 1878) was a British caricaturist and book illustrator, praised as the "modern Hogarth" during his life. His book illustrations for his friend Charles Dickens, and many other authors, reached an international audience.... Herman Melville (August 1, 1819 - September 28, 1891) was an American novelist, short story writer, and poet of the American Renaissance period. His best known works include Typee (1846), a romantic account of his experiences in Polynesian life, and his whaling novel Moby-Dick (1851).

The Posthumous Papers of the Pickwick Club (also known as The Pickwick Papers) was Charles Dickens's first novel. He was asked to contribute to the project as an up-and-coming writer following the success of Sketches by Boz, published in 1836 (most of Dickens' novels were issued in shilling instalments before being published as complete volumes). Dickens (still writing under the pseudonym of Boz) increasingly took over the unsuccessful monthly publication after the original illustrator Robert Seymour had committed suicide. With the introduction of Sam Weller in chapter 10, the book became the first real publishing phenomenon, with bootleg copies, theatrical performances, Sam Weller joke books, and other merchandise. After the publication, the widow of Robert Seymour claimed that the idea for the novel was originally her husband's; however, in his preface to the 1867 edition, Dickens strenuously denied any specific input, writing that "Mr Seymour never originated or suggested an incident, a phrase, or a word, to be found in the book."Dickens, a young writer, 24 years old, was working as a Parliamentary reporter and a roving journalist; a collection of his "colour" sketches mainly of London life had been published as Sketches by Boz. A firm of London publishers, Messrs. Chapman & Hall, was then projecting a series of "cockney sporting plates" by illustrator Robert Seymour. There was to be a club, the members of which were to be sent on hunting and fishing expeditions into the country. Their guns were to go off by accident; fishhooks were to get caught in their hats and trousers. All these and other misadventures were to be depicted in Seymour's comic plates.At this juncture, Charles Dickens was called in to supply the letterpress - that is, the description necessary to explain the plates and connect them into a sort of picture novel such as was then the fashion. Though protesting that he knew nothing of sport, Dickens nevertheless accepted the commission; he consented to the machinery of a club, and in accordance with the original design sketched Mr Winkle who aims at a sparrow only to miss it.Only in a few instances did Dickens adjust his narrative to plates that had been prepared for him. Typically, he himself led the way with an instalment of his story, and the artist was compelled to illustrate what Dickens had already written. The story thus became the prime source of interest, and the illustrations merely of secondary importance. By this reversal of interest, Dickens transformed, at a stroke, a current type of fiction, consisting mostly of pictures, into a novel of contemporary London life. Simple as the process may appear, others who had tried the plan had all failed. Pierce Egan partially succeeded in his Tom and Jerry, a novel in which the pictures and the letterpress are held in even balance. Dickens won a complete triumph. In future years, however, Dickens was suspiciously eager to distance himself from suggestions that Pierce Egan's Life in London had been a formative influence. Robert Seymour provided the illustrations for the first two instalments before his suicide. Robert Buss illustrated the third instalment, but his work was not liked by Dickens and the remaining instalments were illustrated by "Phiz" (Hablot Knight Browne) who went on to illustrate most of Dickens' novels. The instalments were first published in book form in 1837... Charles John Huffam Dickens ( 7 February 1812 - 9 June 1870) was an English writer and social critic.George Cruikshank (27 September 1792 - 1 February 1878) was a British caricaturist and book illustrator, praised as the "modern Hogarth" during his life. His book illustrations for his friend Charles Dickens, and many other authors, reached an international audience.

The Bachelor's Own Book: Or The Progress Of Mr. Lambkin Gent In The Pursuit Of Pleasure And Amusement, And Also In Search Of Health And Happiness is a comedic novel written and illustrated by George Cruikshank. The book follows the adventures of Mr. Lambkin Gent, a bachelor who is on a quest for pleasure, amusement, health, and happiness. The story is a satirical take on the lifestyle of a wealthy bachelor in the early 19th century, and it pokes fun at the various vices and indulgences that were common among this social class. The book is filled with humorous illustrations and witty commentary, and it provides a unique glimpse into the cultural norms and values of the time. Overall, The Bachelor's Own Book is a lighthearted and entertaining read that offers a fascinating perspective on the social and cultural landscape of early 19th-century England.Cruikshank Is Generally Regarded As The Most Brilliant English Book Illustrator Of His Period.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.