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Title: Esther Composer: George Frideric Handel Original Publisher: Novello The complete English vocal score to Handel's Esther, as originally published by Novello. Performer's Reprints are produced in conjunction with the International Music Score Library Project. These are out of print or historical editions, which we clean, straighten, touch up, and digitally reprint. Due to the age of original documents, you may find occasional blemishes, damage, or skewing of print. While we do extensive cleaning and editing to improve the image quality, some items are not able to be repaired. A portion of each book sold is donated to small performing arts organizations to create jobs for performers and to encourage audience growth.
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Werke, Volume 74; Werke; Georg-Friedrich-Händel-Gesellschaft George Frideric Handel, Georg-Friedrich-Händel-Gesellschaft Breitkopf & Härtel, 1877 Instrumental music; Music; Vocal music
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Werke, Volume 32, Part 2; Werke; Georg-Friedrich-Händel-Gesellschaft George Frideric Handel, Georg-Friedrich-Händel-Gesellschaft Breitkopf & Härtel, 1880 Music; Instruction & Study; Voice; Instrumental music; Music / Instruction & Study / Voice; Vocal music
Handel's Coronation Anthems were composed from September to October of 1727, only four years in his post as composer of music for the Chapel Royal. The occasion was the coronation of the new king, George II, on October 22, 1727. The performance featured the Chapel Royal vocal soloists, chorus and orchestra under the composer's direction in Westminster Abbey. The anthems soon became popular and were subsequently used for other ceremonial events. Handel's four anthems have been performed at every single English coronation since the 1727 premiere. My Heart is Inditing was the final one performed in 1727 (for the coronation of Queen Charlotte) and is likewise the final one in more recent coronations.Offered here is the beautifully engraved edition prepared by Dr. Clark McAlister for the now-defunct American publisher E.F. Kalmus in 1986. Along with reproducing the engraving in the highest quality, this new vocal score has been enlarged to the larger A4 format, which makes the chorus singer's job much easier when rehearsing and performing. Serenissima Music is proud to br the exclusive publisher for Clark McAlister's outstanding catalogue of superb orchestrations and authoritative editions.
Handel's Coronation Anthems were composed from September to October of 1727, only four years in his post as composer of music for the Chapel Royal. The occasion was the coronation of the new king, George II, on October 22, 1727. The performance featured the Chapel Royal vocal soloists, chorus and orchestra under the composer's direction in Westminster Abbey. The anthems soon became popular and were subsequently used for other ceremonial events. Handel's four anthems have been performed at every single English coronation since the 1727 premiere, though Let Thy Hand Be Strengthened was the first one performed in 1727.Offered here is the beautifully engraved edition prepared by Dr. Clark McAlister for the now-defunct American publisher E.F. Kalmus in 1986. Along with reproducing the engraving in the highest quality, this new vocal score has been enlarged to the larger A4 format, which makes the chorus singer's job much easier when rehearsing and performing. Serenissima Music is proud to br the exclusive publisher for Clark McAlister's outstanding catalogue of superb orchestrations and authoritative editions.
Handel's Coronation Anthems were composed from September to October of 1727, only four years in his post as composer of music for the Chapel Royal. The occasion was the coronation of the new king, George II, on October 22, 1727. The performance featured the Chapel Royal vocal soloists, chorus and orchestra under the composer's direction in Westminster Abbey. The anthems soon became popular and were subsequently used for other ceremonial events. Handel's four anthems have been performed at every single English coronation since the 1727 premiere. The King Shall Rejoice was the third one performed in 1727 as in more recent years.Offered here is the beautifully engraved edition prepared by Dr. Clark McAlister for the now-defunct American publisher E.F. Kalmus in 1986. Along with reproducing the engraving in the highest quality, this new vocal score has been enlarged to the larger A4 format, which makes the chorus singer's job much easier when rehearsing and performing. Serenissima Music is proud to br the exclusive publisher for Clark McAlister's outstanding catalogue of superb orchestrations and authoritative editions.
This exciting volume features 35 neglected works from Handel's vast oeuvre, originally jotted down as improvisations. Includes 8 Great Suites, and others. New sequence.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Werke, Volume 82; Werke; Georg-Friedrich-H�ndel-Gesellschaft George Frideric Handel, Georg-Friedrich-H�ndel-Gesellschaft Breitkopf & H�rtel, 1881 Instrumental music; Music; Vocal music
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