Bøger af Hans Jantzen

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

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Das Buch ""Das Niederl�����ndische Architekturbild"" wurde 1908 von Hans Jantzen ver������ffentlicht. Es handelt sich um eine umfassende Studie der niederl�����ndischen Architekturgeschichte, die von den Anf�����ngen im Mittelalter bis zur Moderne reicht. Jantzen beschreibt die verschiedenen Stile und Str������mungen, die die niederl�����ndische Architektur gepr�����gt haben, darunter die Gotik, die Renaissance, der Barock und der Jugendstil. Dabei geht er auf bedeutende Architekten wie Hendrick de Keyser, Pieter Post und Hendrik Petrus Berlage ein. Das Buch enth�����lt zahlreiche Abbildungen von Geb�����uden, Pl�����nen und Skizzen, die die Architektur und die Entwicklungen im Laufe der Jahrhunderte veranschaulichen. Es ist ein wichtiges Werk f�����r Architekturhistoriker und alle, die an der niederl�����ndischen Architektur interessiert sind.This Book Is In German.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This engaging study introduces the reader to one of the greatest achievements of Western art: the climactic phase of Gothic architecture in the first half of the thirteenth century. Through a comparative analysis of the cathedrals of Chartres, Reims, and Amiens, the author illuminates the technical, theological, artistic, and social factors that formed the High Gothic synthesis. Drawing on a lifetime of scholarship, he successively characterizes the different parts of the Gothic cathedral and describes the human context of the three great buildings.