Bøger af Herman Heijermans

Dieses Trauerspiel erzählt die Geschichte einer Familie im jüdischen Ghetto von Amsterdam. Herman Heijermans beschreibt die sozialen, politischen und kulturellen Spannungen im 19. Jahrhundert in Holland. Ein emotionales und erschütterndes Werk für jeden Leser, der sich mit den Themen Armut, Diskriminierung und Menschlichkeit auseinandersetzen möchte.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Dieses Buch ist ein Drama in drei Akten von Herman Heijermans, einem der bedeutendsten niederländischen Dramatiker des 20. Jahrhunderts. Das Stück handelt von einer Gruppe von Menschen, die sich am Allerseelentag in einem Krematorium treffen, um sich an ihre Verstorbenen zu erinnern. Im Laufe des Abends werden ihre persönlichen Geschichten offenbart und es kommt zu Konflikten und Enthüllungen. Das Drama ist ein Meisterwerk der psychologischen Charakterisierung und bietet einen tiefen Einblick in die menschliche Natur.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Diamantstadt: Roman 2 Herman Heijermans Fleischel, 1904

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Dieses Buch ist ein Drama in drei Akten von Herman Heijermans, einem der bedeutendsten niederländischen Dramatiker des 20. Jahrhunderts. Das Stück handelt von einer Gruppe von Menschen, die sich am Allerseelentag in einem Krematorium treffen, um sich an ihre Verstorbenen zu erinnern. Im Laufe des Abends werden ihre persönlichen Geschichten offenbart und es kommt zu Konflikten und Enthüllungen. Das Drama ist ein Meisterwerk der psychologischen Charakterisierung und bietet einen tiefen Einblick in die menschliche Natur.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The Ghetto: A Drama In Four Acts is a play written by Herman Heijermans Jr. and first published in 1899. The play is set in the Jewish ghetto of Amsterdam in the late 19th century and explores the lives of various characters living there.The main character of the play is David Blitz, a poor Jewish diamond cutter who struggles to make ends meet for his family. He is constantly at odds with his wife, who is more concerned with keeping up appearances than with their financial struggles.Other characters in the play include a wealthy Jewish merchant who is ashamed of his ghetto roots, a young woman who is torn between her love for David and her desire for a more comfortable life, and a group of young Jewish radicals who are fighting for better living conditions in the ghetto.Throughout the play, Heijermans Jr. explores themes of poverty, class, and identity within the Jewish community. He also touches on issues of assimilation and the tension between traditional Jewish values and the desire for modernity.Overall, The Ghetto: A Drama In Four Acts is a powerful and thought-provoking play that offers a glimpse into the lives of Jews living in the ghetto at the turn of the century.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ De Groote Vlucht: Satirieke Komedie In Vier Bedrijven Herman Heijermans S.L. van Looy, 1908

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ 'n Jodenstreek? Herman Heijermans H. J. W. Becht, 1904

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Kamertjeszonde 7 Herman Heijermans H.J.W. Becht, 1906

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Verzamelde Tooneelspelen En Opstellen-overtoneel, Volume 2; Verzamelde Tooneelspelen En Opstellen-overtoneel; Herman Heijermans Herman Heijermans S.L. van Looy, 1911

Tooneel-Studies V4: Allerzielen (1905) is a book written by Herman Heijermans Jr. The book is a collection of theatrical studies and analyses of the play Allerzielen, which was written by Heijermans himself. The play is set in a Dutch Jewish community and deals with themes of tradition, assimilation, and family conflict. In the book, Heijermans provides a detailed analysis of the play's characters, plot, and themes, as well as its historical and cultural context. He also includes critical essays and reviews of the play's performances. The book is written in Dutch and is a valuable resource for scholars and students of Dutch literature and theater.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

La Bonne espérance, jeu de la mer en quatre actes. Adaptation française de Jacques Lemaire et J. Schurmann. [Paris, Théâtre Antoine, 20 octobre 1902.] / Hermann HeijermansDate de l'édition originale: 1902Le présent ouvrage s'inscrit dans une politique de conservation patrimoniale des ouvrages de la littérature Française mise en place avec la BNF. HACHETTE LIVRE et la BNF proposent ainsi un catalogue de titres indisponibles, la BNF ayant numérisé ces oeuvres et HACHETTE LIVRE les imprimant à la demande. Certains de ces ouvrages reflètent des courants de pensée caractéristiques de leur époque, mais qui seraient aujourd'hui jugés condamnables. Ils n'en appartiennent pas moins à l'histoire des idées en France et sont susceptibles de présenter un intérêt scientifique ou historique. Le sens de notre démarche éditoriale consiste ainsi à permettre l'accès à ces oeuvres sans pour autant que nous en cautionnions en aucune façon le contenu. Pour plus d'informations, rendez-vous sur www.hachettebnf.fr

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

De verhalenbundel 'Droompaardjes en andere Falklandjes' (1934) bevat een dertigtal kleine verhalen over het dagelijks volksleven, geschreven door Herman Heijermans. Op ironische toon weet Heijermans zowel lichtvoetig de maatschappelijke misstanden van zijn tijd te signaleren als de alledaagsheid uit het leven te typeren, immer met gebruik van milde humor.De Nederlander Herman Heijermans (1864 – 1924) heeft een aantal romans op zijn naam staan maar schreef vooral korte verhalen en toneel. Hij schreef onder een aantal pseudoniemen, waaronder Samuel Falkland en Koos Habbema. Heijermans begon als toneelrecensent bij De Telegraaf. De kritieken die hij daarvoor schreef waren erg fel zodat hij al snel veel vijanden maakte. Daarna begon hij zelf ook zelf toneelstukken te schrijven, die zeer sociaal betrokken waren. Bekende voorbeelden hiervan zijn Ghetto (1898) en Op hoop van zegen (1900). Heijermans was ook in de socialistische beweging zeer actief en lid van de SDAP.

Het internationaal geroemde toneelstukHet bestaan van vissersvrouw Kniertje is hard. Ze heeft haar man en twee zonen moeten afgeven aan de zee. Toch overtuigt ze haar twee jongste zonen om aan te monsteren op de Hoop van Zegen. Wat ze niet weet, is dat het schip in zeer slechte staat is. Het toneelstuk ‘Op hoop van zegen’ is de geschiedenis van een vissersgemeenschap die clasht met het 19de-eeuwse kapitalisme. Het ensceneert een verbitterd gevecht tussen sociale klassen en schetst ook hoe mensen hun eigen vooruitgang saboteren. Heijermans had zich goed gedocumenteerd over de misstanden in de zeevisserij voordat hij het stuk schreef, en hij wilde ermee een wet forceren tegen de gewetenloze reders die drijvende doodskisten het water opstuurden. In 1909 gebeurde dat ook: toen werd de Schepenwet aangenomen, die controle op de veiligheid van alle uitgaande schepen voorschreef. Het toneelstuk verwierf internationale beroemdheid. Herman Heijermans (1864-1924) was een heel productief Nederlands toneelschrijver; zijn verzamelde werk beslaat drie dikke boekdelen. Zijn onverwoestbare klassieker is ‘Op hoop van zegen’. Hij was ook actief als toneelrecensent en als directeur van Theater Carré. Onder het pseudoniem Samuel Falkland schreef hij columns, de zogenaamde ‘Falklandjes’.

Het decor van Diamantstad (1904) is een Amsterdamse getto die bewoond wordt door een Joods-orthodoxe gemeenschap van sjacheraars en voddenkoopmannen. Hier ziet de hoofdpersoon Eleazar tot zijn grote vreugde hoe de arbeiders zich verheffen door te staken. Van een vrome jood ontwikkelt Eleazar zich in de loop van het verhaal tot een ongelovige socialist met een bijzondere interesse voor Spinoza. -