Bøger af Hildegarde Flanner

Hildegarde Flanner - This Morning & Other Verses Public Domain Poets #17 Publicdomainpoets.com Containing the complete poems from 'Young Girl & Other Poems' (1920) and 'This Morning' (1921), & numerous other verses published in 'little magazines' at the time, with an introduction by Porter Garnett, and a generous amount of illustrations by Sydenham Edwards. New edition designed and edited by Dick Whyte. I could drown In one deep petal. Hildegarde Flanner (1899-1987) was born in Indianapolis to progressive parents, and had two sisters also involved in the arts, Janet as a journalist, and Marie as a composer and musician. In 1919 she moved to California to study poetry at the University of California with Witter Bynner, and met the artist Frederick Monhoff who would go on to illustrate a number of Flanner's books. Flanner worked on the school magazine, 'The Occident', and in 1920 won the Emily Chamberlain Cook Prize for poetry, published her first book of verse, 'Young Girl & Other Poems', and a one-act play, 'Mansions'. You must have more wisdom than any, For the sun tells you What God says, And the wild canaries tell you What it is To be a yellow motion In the air. The following year she published a 2nd book of verse, 'This Morning', with a cover designed by Monhoff. Flanner wrote rhymed and 'free' verse - both unrhymed & compressed - and continued to publish in 'little magazines' throughout the 1920s. In 1942 she was named 'Poet of the Month' by New Directions, but by this time had shifted her focus from poetry to environmental writing. She returned to poetry at the end of her life, publishing 4 more collections in the 1970s and 1980s, as well as various essays and reviews, and has since been recognised as a significant poet of the post-1913 'new verse' movements. I have pitched my soul Among a solitude Of other tents . . . O will none of you, Will none of you Draw back the flap Of painted canvas? Public Domain Press produces new editions of out-of-print poetry, with a focus on compressed & fragmented 'free verse' from the late-1800s & early-1900s, & the early history of English-language tanka & haiku. Verses are carefully selected & spaciously laid-out, adorned with illustrations & ornaments from the books & magazines they originally appeared in. These are not simply "reprints" of previously existing books, but newly crafted collections, lovingly edited from public domain material, for the serious poetry lover.

Hildegarde Flanner was a prolific poet celebrated for her unique voice and frank exploration of life and love. This collection includes some of her most powerful and enduring works, and is a testament to her artistry and vision.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.