Bøger af Jakob Jakobsen

[bagsidetekst]:Få dage efter Jakobs indlæggelse sendte han den første mail til mig. Jeg åbnede den og læste. Der stod, at mørket havde taget ham. Næste dag lå der en ny mail i min indbakke, og næste og næste. Skal jeg være ærlig, læste jeg dem ikke i første omgang, mit eget lort stod knæhøjt i livet, jeg havde ikke kræfter til det. Men fortæller et menneske dig sin historie, kan du ikke ignorere den. Det må du ikke. Denne banale altruisme voksede sig til en altoverskyggende sandhed de næste dage, og så begyndte jeg at læse, og forstod hvorfor valget var faldet på mig: Stoffet var up my alley - og det vidste Jakob. Der fulgte ingen forklaring med, ingen angivelser om hvad der skulle gøres, men det var en bog, det stod klart.Teksterne navigerede i sygdommen og dagene i insti­tu­ti­onen, fæstnet i kaos. Et forsøg på at se skarpt gen­nem en hvid hinde, en uendelig horisontalitet som er søvndyssende tryg, og derfor kan sluge hele identiteten. Hele dig. Og over de næste tre måneder så jeg dagligt gennem hans blik, et blik der løb fra medicinens hårde kemi til hospitalsgangenes anonymitet, rundt om det daglige fællesskab udgjort af knuste skæbner, og ud i det omkringliggende overforbrugs Gentofte og ind i Marx’ teorier om vampyrer; et blik der formede sig som et vredt opråb efter et mere nænsomt samfund, og som så sine medpatienter lige i øjnene, med en medfølelse der ikke kan ignoreres.Det er en stor gestus. Dette er en beretning til de sårede, til de næste der falder.– Claus Handberg

In 1964 Asger Jorn (1914-1973), along with two photographers (the Frenchman Gérard Franceschi and the Dane Ulrik Ross) and his Dutch partner Jacqueline de Jong, travels around the island of Gotland in order to capture its archaeological riches: stone figures and carvings, churches, frescos, mazes. The island comes to figure centrally in the Danish artist’s conception of a specifically Nordic tradition going back to pre-Christian times and significantly influencing European culture tout court. Reflecting Jorn’s enduring interest in popular art forms, the project was not only retrospective in character, but also connected to contemporary political and artistic concerns, such as the artist’s opposition against what would later become the European Union and his recurring need to redefine his own position vis-à-vis the international art scene. The Scandinavian Institute of Comparative Vandalism was founded by Asger Jorn shortly after leaving the Situationist International in 1961. Operative for a brief period (1961-1965), the institute’s output was photographic and paginated: for Jorn the printed book was a site for the analysis, sequencing and presentation of large quantities of heterogeneous visual materials. Through his “continuous collages” (the phrase belongs to Jorn’s friend and collaborator, the archaeologist P.V. Glob) of photographs, Jorn wanted to trace image migrations across space and time. Most ambitiously, he planned the production of 32 voluminous books devoted to 10,000 years of Nordic folk art. One of the books was planned to be titled “Sten och ben” (Stone and Bone), focused exclusively on Gotland, but only a pilot volume on 12th century Scanian stone sculpture was ever published. Fifty years later, in the summer of 2014, director at the Baltic Art Center (Gotland) Lívia Páldi and Swedish artist Henrik Andersson invited writer, researcher, and curator Ellef Prestsæter, artist Jakob Jakobsen, publisher Mathias Kokholm (both Danish) and, most notably, Jacqueline de Jong to participate in what was called The Scandinavian Mutant Summer Camp. During a few glorious summer days the campers drove around the island, using the 1964 contact sheets as a navigational tool and an interface to the past, retracing the movements of the vandals fifty years earlier while looking out for new revelations. Stone and Bone – A Trip to Gotland 1964/2014 includes visual and textual materials from the SISV archive and the books and magazines where Asger Jorn presents the material and performs the most complex and pataphysical version of his comparative vandalist method. Jacqueline de Jong is probably the most insistent user of the SISV archive with her heretic Situationist Times, one of the most remarkable artists’ magazines of the 1960s, with a range from wild archaeology to contemporary cultural topology. Situationist Times has a strong resonance today as precursors to the idea of “artistic research”, which gives her a central role in this book. Besides de Jong and Jorn a new generation of vandals present their different approaches to an artistic research or a contemporary vandalist method in the archive: Henrik Andersson, Ellef Prestsæter & Scandinavian Institute for Computational Vandalism, Jakob Jakobsen and Mathias Kokholm.

I sommeren 2008 besøgte jeg Palæstina. Jeg var invi­teret af Art School Palestine til at sam­arbejde og mødes med lokale kunstnere og andre folk i de besatte områder. Besøgets tema var temmelig åbent og min palæstinensiske vært havde forklaret mig, at opholdet godt kunne betragtes som en form for kunstnerisk forskning. Det passede mig fint, da jeg havde arbejdet med aktivistiske undersøgelser og kunstnerisk forskning ved Det Fri Universitet i København.Som et minimum havde jeg besluttet at føre en blog under mit ophold, hvor jeg løbende ville fortælle om mine oplevelser og overvejelser i de besatte områder. På den måde kunne jeg påtage mig rollen som vidnet, der formulerer sit vidnesbyrd til dem derhjemme for at give et kritisk og detaljeret billede af forholdene.Selv om jeg egentlig troede, at jeg var godt orienteret om livet på Vestbredden, var det faktisk forbløffende, hvor anderledes forholdene blev oplevet, da jeg stod på gaden i Ramallah. Alene den erfaring gør det klart, hvor langt der er fra mediebilledet af Palæstina til det konkrete liv i de besatte områder. Sam­tidig var det en gave at opleve, hvor rig og sammensat kulturen var blandt den gruppe palæstinensere, som jeg brugte det meste af mine seks uger sammen med.

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Austfirdinga Sogur eftir Jakob Jakobsen eru safn af s������gum sem fjalla um l������fi������ ����� Austfj������r������um ����� �����slandi ����� 19. ������ld. ����� b������kinni eru fj������lmargir pers������nuleikar l�����stir og s������gurnar fjalla um �����starsamb������nd, fj������lskyldum�����l og daglegt l������f ������ �����essum hluta landsins. Jakob Jakobsen var danskur �����j������������fr�����������ingur sem starfa������i ����� �����slandi ����� seinni hluta 19. og fyrri hluta 20. aldar og var einn af fyrstu sem rannsaka������i n�����tt������ru og menningu ����� Austfj������r������um. B������kin Austfirdinga Sogur er �����v������ mikilv�����g heimild um s������gu og menningu �����essa landslags.This Book Is In Icelandic.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Austfirdinga Sogur er safn af �����remur s������gum sem voru gefnar ������t �����ri������ 1903 af Jakob Jakobsen. ����� �����essum b������kum fjallar hann um s������gur fr����� Austfj������r������um ����� �����slandi. Fyrsta s������gunni fjallar um T������mas ����� Hrauni sem var������ fyrir ������venju mikilli harka ������ l������fi s������nu. Annar s������gunni fjallar um S������lva, sem er ungur og �����kve������inn a������ fara ����� sj������. �����ar upplifir hann margt og erfi������a fer������. �����ri������ja s������gunni fjallar um J������n ����� Gr������f sem var st�����rsti og sterkasti ma������ur ������ bygg������inni. Hann bar mikla �����byrg������ ����� ������llu sem ger������ist ������ bygg������inni og var mj������g virkur. �����essar s������gur eru skrifa������ar ����� au������veldri og sk�����rri m�����lf�����r������ sem gerir ����������r a������gengilegar ������llum lesendum.This Book Is In Icelandic.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

En antologi om ‘busteaktionen’ og det vi taler om, når vi taler om denBidragsydere: Afroinstitutionen, Amalie Skovmøller, Annarosa Krøyer Holm, Carsten Juhl, Edin Hajdarpašić, Elizabeth Löwe Hunter, Farhiya Khalid, Frida Sandström, Jakob Jakobsen, James Day, Jeppe Wedel-Brandt, Jonas Eika, Kirstine Mose, Maja Kjems Henssel, Mikas Lang, Mathias Danbolt, Mikkel Bolt, Nermin Duraković, Virgin Islands Studies Collective

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