Bøger af Jean-Philippe Toussaint

First published in France in 1985, The Bathroom was Jean-Philippe Toussaint's debut novel, and it heralded a new generation of innovative French literature. In this playful and perplexing book, we meet a young Parisian researcher who lives inside his bathroom. As he sits in his tub meditating on existence (and refusing to tell us his name), the people around him-his girlfriend, Edmondsson, the Polish painters in his kitchen-each in their own way further enables his peculiar lifestyle, supporting his eccentric quest for immobility. But an invitation to the Austrian embassy shakes up his stable world, prompting him to take a risk and leave his bathroom . . .

Moving through a variety of locales and adventures, The Truth about Marie revisits the unnamed narrator of Toussaint's acclaimed Running Away, reporting on his now disintegrated relationship with the titular Marie-the story switching deftly between first- and third-person as the narrator continues to drift through life, and Marie does her best to get on with hers. Like all of Toussaint's novels, The Truth about Marie's plot matters far less than its pace and tempo, its chain of images, its sequence of events. From pouring rain in Paris to blazing fires on the island of Elba, from moments of intense action to perfectly paced lulls, The Truth about Marie relies on a series of contrasts to tell a beguiling, and finally touching, story of intimacy forever being regained and lost.

"e;A little thing happened to me. Which could have just as easily happened to you. You're on vacation in a hotel with your son in a small village and you're about to go see some friends, but something holds you back, a mysterious reticence that prevents you from going to find them. Here is the novel of this reticence, small and specific, and of the fears that it instigates, little by little. Because not only are your friends not there when you do decide to go find them, but, several days later, you find a dead cat in the harbor, a black cat floating in front of you on the water . . ."e;In Jean-Philippe Toussaint's take on the detective novel, we find a man on vacation in a tiny village, where a writer named Biaggi appears to be keeping him under surveillance. To what end? Ah, but it's far more pleasant to enjoy the Mediterranean night air than to look for answers, make deductions, or get upset-isn't it?

In Self-Portrait Abroad, our narrator-a Belgian author much like Toussaint himself-travels the globe, finding the mundane blended everywhere with the exotic: With his usual poker face, he keeps up on Corsican gossip in Tokyo and has a battle of nerves in a butcher shop in Berlin; he wins a boules tournament in Cap Corse, takes in a strip club in Japan's historic Nara, gets pulled through Hanoi on a cycle rickshaw, and has a chance encounter on the road from Tunis to Sfax. Tales of a cosmopolitan at home in a strangely familiar world, Self-Portrait Abroad casts the entire globe in a cool but playful light, reminding us that, wherever we go, we take our own eyes with us...

"Toussaint is a genuinely funny writer . . . small erotic moments are captured perfectly . . . makes me long for more by Toussaint." Kirkus Review

With his research completed, all the protagonist and narrator has left to do is sit down and write. He can't decide how to refer to his subject, so instead he starts watching TV, until one day he decides to renounce the most addictive of twentieth-century inventions. As he spends his summer still not writing, he is haunted by television.

An immediate bestseller in France, Making Love is an original and daring retelling of a classic theme: the end of an affair. As much an exploration of setting and place as it is of the affair that comes apart in them, Making Love follows a couple's final days together in Japan. Toussaint writes with an economy and restraint that evoke the distinct imagery of film while allowing a startling proximity to the feelings of his characters. The result is vertiginous, standing traditional images on their head and transposing the conflict and confusion of lost intimacy onto the labyrinthine ultramodernism of Tokyo and Kyoto. Brilliantly written and strikingly original, this is a stunning work of new fiction from one of Europe's most promising authors.