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Marseille is a love letter from an American to France's oldest and second largest city. Joan Liftin's photographs of Marseille, one of Europe's most ethnically diverse cities, show us a place where much of life still unfolds on the street. The city's spirit and raffish glamour resides in its people rather than in its monuments, and Liftin captures day and nighttime encounters, moments of quiet beauty, allusions to corrosive crime and poverty, and the diverse heartbeat of this soulful Mediterranean port city. Her photographs offer us an honest, intimate vision of Marseille, at once timeless and passionately alive. Joan Liftin's photographs have appeared in New York Times Magazine, Aperture and Creative Photography. Her work is included in the collections of the Philadelphia Museum of Art, the Cleveland Museum of Art, Princeton University, and the Center for Creative Photography, Tuscon, among others.
Joan Liftin's third monograph, Water for Tears , is a lyrical memoir. The book is about family and trips, about running away and coming back, short texts and photographs about pleasure in the newness of everyday life. There are layered images from everywhere, like the blind woman feeling her way by a timeworn splattered wall in Mexico or the teenage boys posing with a head of Reagan in the Soviet Union in 1988, while the darkest ones are from the American South's brutality during the struggle of the Civil Rights Movement. Her observations are mysterious, sensuous and often very funny. At the heart of the book is a tender farewell to her life with Charlie, Magnum photographer Charles Harbutt. There are no captions or dates, except in the back of the book, but you know where you are - you are with Joan.
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