Bøger af Josef Winkler

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Lehrbuch Des Kirchenrechts, Mit Besonderer Rucksicht Auf Die Schweiz: Nebst Einem Anhange Josef Winkler Raber, 1862

In 1979, Josef Winkler appeared on the literary horizon as if from nowhere, collecting numerous honors and the praise of the most prominent critical voices in Germany and Austria. Throughout the 1980s, he chronicled the malevolence, dissipation, and unregenerate Nazism endemic to Austrian village life in an increasingly trenchant and hallucinatory series of novels. At the decade's end, fearing the silence that always lurks over the writer's shoulder, he abandoned the Hell of Austria for Rome: not to flee, but to come closer to the darkness. There, he passes his days and nights among the junkies, rent boys, gypsies, and transsexuals who congregate around Stazione Termini and Piazza dei Cinquecento, as well as in the graveyards and churches, where his blasphemous reveries render the most hallowed rituals obscene. Traveling south to Naples and Palermo, he writes down his nightmares and recollections and all that he sees and reads, engaged, like Rimbaud, in a rational derangement of the senses, but one whose aim is a ruthless condemnation of church and state and the misery they sow in the lives of the downtrodden. Equal parts memoir, dream journal, and scandal sheet, the novel is, in the author's words, a cage drawn around the horror. Writing here is an act of commemoration and redemption, a gathering of the bones of the forgotten dead and those outcast and spit on by society, their consecration in art, and their final repatriation to the book's titular graveyard.

In the years before the Second World War, a man throws a statue of the crucified Christ over a waterfall. Later, in Hitler's trenches, he loses his arms to an enemy grenade. The blasphemer, screaming in agony, presided over by Satan, who pours a cup of gall into his open mouth, is portrayed amid the flames of Hell in a painting by the parish priest that is mounted on a calvary where the two streets in the cross-shaped village meet. Thus begins When the Time Comes, Josef Winkler's chronicle of life in rural Austria written in the form of a necrology, tracing the benighted destiny of a community through its suicides and the tragic deaths that befall it, punctuated by the invocation of the bone-cooker whose viscous brew is painted on the faces of the work horses and the haunting stanzas of Baudelaire's "Litanies of Satan." In a hypnotic, incantatory prose reminiscent at times of Homer, at times of the Catholic liturgy, at times of the naming of the generations in the book of Genesis, When the Time Comes is a ruthless dissection of the pastoral novel, laying bare the corruption that lies in its heart. Writing in the vein of his compatriots Peter Handke, and Elfriede Jelinek, but perhaps going further in his relentlessness and aesthetic radicalism, Josef Winkler is one of the most significant European authors working today.