Bøger af Karen Bassie-Sweet

In Maya Narrative Arts, authors Karen Bassie-Sweet and Nicholas A. Hopkins present a comprehensive and innovative analysis of the principles of Classic Maya narrative arts and apply those principles to some of the major monuments of the site of Palenque. They demonstrate a recent methodological shift in the examination of art and inscriptions away from minute technical issues and toward the poetics and narratives of texts and the relationship between texts and images. Bassie-Sweet and Hopkins show that both visual and verbal media present carefully planned narratives, and that the two are intimately related in the composition of Classic Maya monuments. Text and image interaction is discussed through examples of stelae, wall panels, lintels, benches, and miscellaneous artifacts including ceramic vessels and codices. Bassie-Sweet and Hopkins consider the principles of contrast and complementarity that underlie narrative structures and place this study in the context of earlier work, proposing a new paradigm for Maya epigraphy. They also address the narrative organization of texts and images as manifested in selected hieroglyphic inscriptions and the accompanying illustrations, stressing the interplay between the two. Arguing for a more holistic approach to Classic Maya art and literature, Maya Narrative Arts reveals how close observation and reading can be equally if not more productive than theoretical discussions, which too often stray from the very data that they attempt to elucidate. The book will be significant for Mesoamerican art historians, epigraphers, linguists, and archaeologists.

The Ch'ol Maya who live in the western Mexican state of Chiapas are direct descendants of the Maya of the Classic period. Exploring their history and culture, volume editor Karen Bassie-Sweet and the other authors assembled here uncover clear continuity between contemporary Maya rituals and beliefs and their ancient counterparts. With evocative and thoughtful essays by leading scholars of Maya culture, The Ch'ol Maya of Chiapas, the first collection to focus fully on the Ch'ol Maya, takes readers deep into ancient caves and reveals new dimensions of Ch'ol cosmology. In contemporary Ch'ol culture the contributors find a wealth of historical material that they then interweave with archaeological data to yield surprising and illuminating insights. The colonial and twentieth-century descendants of the Postclassic period Ch'ol and Lacandon Ch'ol, for instance, provide a window on the history and conquest of the early Maya. Several authors examine Early Classic paintings in the Ch'ol ritual cave known as Jolja that document ancient cave ceremonies not unlike Ch'ol rituals performed today, such as petitioning a cave-dwelling mountain spirit for health, rain, and abundant harvests. Other essays investigate deities identified with caves, mountains, lightning, and meteors to trace the continuity of ancient Maya beliefs through the centuries, in particular the ancient origin of contemporary rituals centering on the Ch'ol mountain deity Don Juan. An appendix containing three Ch'ol folktales and their English translations rounds out the volume. Charting paths literal and figurative to earlier trade routes, pre-Columbian sites, and ancient rituals and beliefs, The Ch'ol Maya of Chiapas opens a fresh, richly informed perspective on Maya culture as it has evolved and endured over the ages.