Bøger af Lou Cantor

An examination of the introduction of a non-human actor into the field of intersubjectivity. Our most intimate spaces are increasingly sites of intersubjective relations. The widespread presence of technological networks in particular has made visible the ways in which agency and subjectivity are often distributed, engendering theories of hybrid subjects who might integrate the human with other biological or technological agents. These incursions into traditional notions of subjectivity not only destabilize our sense of autonomy but also explode the human sensorium, reminding us that it is only one of many viable systems for sensing, perceiving, and communicating. Relative Intimacies collects essays, conversations, and artworks to explore how technology now mediates our encounters and, in doing so, forms alternate, networked subjectivities. It asks how intersubjective intimacy might be theorized epistemologically, aesthetically, philosophically, and politically, and considers how such relative intimacy might connect physical matter and cybernetic systems or forge new subjectivities between constellations of actors. Bringing together academic, curatorial, and artistic perspectives, Relative Intimacies initiates points of contact between artificial, biological, and emotional intelligence. ContributorsCecilia Bengolea, Dora Budor, Lou Cantor, Constant Dullaart, Hal Foster, Kevin Gotkin, Camille Henrot, Sun-Ha Hong, Tobias Kaspar, Devin Kenny, Agnieszka Kurant, Lynn Hershman Leeson, John Miller, Frederick Cruz Nowell, X Zhu-Nowell, Samantha Ozer, Aleksandra Przegalinska, Farid Rakun, Tiana Reid, Patrick Urs Riechert, Isabel de Sena, Jenna Sutela, Elena Vogman, Emily Watlington

Turning Inward comprises a selection of texts by international artists, critics, and curators, which aims to renegotiate the relationship between centers and peripheries in contemporary art worlds. In the context of advanced globalization, the distributed agency of networked power structures can hardly be localized any longer in geographical terms. Yet, if we are to turn our attention away from geographical--that is, horizontal--relations, we can conceive of the central and peripheral as vertical phenomena that can coexist spatially in the shapes of social constructions, genealogies, or epistemic formations. Against this backdrop Turning Inward provides a heterogeneous range of critical reflections upon contemporary art and its modes of production, distribution, and consumption. Reaching far beyond the spatial metaphor, the positions assembled in this volume touch on fields such as art history, philosophy, economics, gender studies, urbanism, language, and education.ContributorsJohn Beeson, Svetlana Boym, Marta Dziewanska, Philipp Ekardt, Felix Ensslin, Orit Gat, David Joselit, William Kherbek, John Miller, Reza Negarestani, Matteo Pasquinelli, Dieter Roelstraete

Intersubjectivity considered as both historical phenomenon and nascent mode of present-day relation.This collection of essays considers the relationship between performance, subjectivity, and human agency. Encompassing both historical and speculative perspectives, this book explores the ways in which nonhuman (or trans/post-human) entities complicate notions of subjectivity and exert intersubjective pressures of their own on social, political, scientific, and philosophical discourses. Ranging from continental philosophy to more recent formulations that derive from systems theory, trans identity, and the emergent field of bot pedagogy, It approaches intersubjectivity as both historical phenomenon and nascent mode of present-day relation.Contributions by Anselm Franke, Avram Alpert, Boris Groys, Erika Landström, Goshka Macuga, Hannah Black, Harry Burke, Jeanne Vaccaro, Josh Kline, Lucky Dragons, Mashinka Firunts Hakopian, Natasha Stagg, Sarah Harrison, Victoria Ivanova