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Maggie Gunsberg examines the "poetica" and "poesia" of Tasso in the context of the historical and cultural climate in which he lived.
Examines the representation of gender relations in Pirandello's writing, and assesses his status as an avant garde author. This book argues that while he can certainly be described as avant garde on the level of dramatic form, he cannot be said to innovate at the more covert level of gender relations.
This work takes gender as its point of entry into the comedies of Carlo Goldoni (1707-93). The dramatization of femininity and masculinity is explored in conjunction with that of other social categories (class, the family, and age).
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