Bøger af Mary Ann Caws

A collection of highlights from Mary Ann Caws's long, highly distinguished career writing about literature, art, and modernism. Throughout her long, highly distinguished career writing about literature and art, Mary Ann Caws has excavated, illuminated, and examined in depth the most intriguing works and personalities of Symbolism, Dada, Surrealism, and beyond. In these concise, but always colorful and insightful articles, Caws brings us fresh portraits of the most famous figures and introduces us to the writers and artists who merit more attention than they've received, with a special focus on female writers and artists. The author's sensitivity to the intersections of eccentric literature and eccentric life infuses each critical essay with the human passions that these essential modernists lived. From Dickinson and Mallarmé to Duchamp and Mina Loy, Caws applies the art of close looking to shrewdly framed slices of the modernist experience.

"Bloomsbury on the Mediterranean," is how Vanessa Bell described France in a letter to her sister, Virginia Woolf. Remarking on the vivifying effect of Cassis, Woolf herself said, "I will take my mind out of its iron cage and let it swim.... Complete heaven, I think it." Yet until now there has never been a book that focused on the profound influence of France on the Bloomsbury group. In Bloomsbury and France: Art and Friends, Mary Ann Caws and Sarah Bird Wright reveal the crucial importance of the Bloomsbury group's frequent sojourns to France, the artists and writers they met there, and the liberating effect of the country itself. Drawing upon many previously unpublished letters, memoirs, and photographs, the book illuminates the artistic development of Virginia and Leonard Woolf, Clive Bell, David Garnett, E. M. Forster, Lytton Strachey, Dora Carrington, and others. The authors cover all aspects of the Bloomsbury experience in France, from the specific influence of French painting on the work of Roger Fry, Duncan Grant, and Vanessa Bell, to the heady atmosphere of the medieval Cistercian Abbaye de Pontigny, the celebrated meeting place of French intellectuals where Lytton Strachey, Julian Bell, and Charles Mauron mingled with writers and critics, to the relationships between the Bloomsbury group and Henri Matisse, Pablo Picasso, Gertrude Stein, Andre Gide, Jean Marchand, and many others. Caws and Wright argue that Bloomsbury would have been very different without France, that France was their anti-England, a culture in which their eccentricities and aesthetic experiments could flower. This remarkable study offers a rich new perspective on perhaps the most creative group of artists and friends in the 20th century.

The first English-language collection of its kind, this anthology offers an overview of the past and present history of a long-underappreciated—and now quickly burgeoning—poetic tradition.For decades, the prose poem has variously delighted, confounded, and incensed readers and critics. Until recent years, it had been confined to the margins of literary history as a rather disturbing and elusive oddity. All this is changing.The prose poem, which has long been neglected and underrepresented in mainstream and experimental publications alike, is growing in popularity in the world of contemporary poetry. It is more widely available than ever before, thanks to the joint efforts of an ever-increasing number of imaginative writers, publishers, and editors. And still, this volume is the first anthology of the French prose poem to see the light in the English-speaking world.This anthology gathers a wide range of poets practicing what Michael Riffaterre memorably called “the literary genre with an oxymoron for a name,” from the prose poem’s official “inventors” (Aloysius Bertrand and Charles Baudelaire) to a younger generation of poets from all over the French-speaking world. The poems in this bilingual collection have been rendered into English by some of the finest translators of French literature, including John Ashbery, Mark Polizzotti, Richard Sieburth, Rosmarie Waldrop, and many others.

A biography of the flamboyant and unapologetically avant-garde Mina Loy.

This volume collects a wide variety of Vita Sackville-West's works, over half of which, including her travel notebooks, her diaries, some short stories, and her intimate dream notebook, have never been published.

"Art is often seen as a solitary, even a reclusive, endeavor. But visual artists, writers, and musicians often find themselves energized by a collective environment. Sharing ideas around a table has always provided a starting, and a continuing, place for fruitful exchanges between artists of all kinds. In her wide-ranging new book, Mary Ann Caws explores a rich variety of gathering places, past and present, which have been conducive to the release and sustenance of creative energies. Creative Gatherings surveys meeting locations across Europe and the United States, from cityscapes to island hideouts, from private homes to public cafes and artists' colonies. Examples include Florence Griswold's house in Old Lyme, Connecticut, meeting place of the Old Lyme Art Colony; Prague's Le Louvre caf, haunt of Kafka and Einstein; Picasso's modernist hangout in Barcelona, Els Quatre Gats; Charleston, gathering place of Virginia Woolf and Vanessa and Duncan Bell; and the caf s of Saint-Germain-des-Pr s and Montparnasse: the hangouts of Apollinaire, Sartre, and Patti Smith. Interweaving two hundred examples of collaborative artworks throughout the text, with more than one hundred in color, Creative Gatherings is a beautiful, erudite commingling as inspiring as the gathering places Caws depicts."--Publisher's description.

A collection of essays which offer glimpses of the city as it appears in films, novels, photographs, poems, architecture, essays, stagings and journals. The book moves from historical and concrete perspectives of New York, Paris, London and Chicago to the abstract city of the mind.

A text of surrealism. It includes an essay on Eluard's works.

A comprehensive bilingual representation of French poetic achievement in the twentieth century, from the turn-of-the-century poetry of Guillaume Apollinaire to the high modernist art of Samuel Beckett to the contemporary verse of scourge Michel Houellebecq.