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Bøger af Mel Gooding

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  • af Mel Gooding
    423,95 kr.

    Born in British Guiana in 1934, Bowling arrived in England in his late teens, going on to study at the Royal College of Art alongside David Hockney and Derek Boshier. By the early 1960s he was recognised as an original force in the London art scene, with a style that combined abstract elements. This title deals with the art of Frank Bowling.

  • af Mel Gooding
    773,95 kr.

    Cradle of Magic brings together two giants of 20th-century British painting: John Bellany and Alan Davie Alan Davie (1920-2014) was one of the first British artists to explore abstract expressionist forms and techniques, and his gestural paintings, rich with symbolism, demonstrate an interest in tribal art, as well as Zen Buddhism. John Bellany (1942-2013), over a long and prolific career, came to be considered one of Britain's foremost figurative painters. His intimate works, often filled with ghoulish, hybridized creatures, balance the uncanny, joyful and violent in powerful and original ways. The book comes with two different covers--one by each artist--and includes an essay by the acclaimed art historian Mel Gooding exploring the connections between the artists and the themes underpinning their paintings. Also included are two newly transcribed interviews with the artists recorded as part of the Artists' Lives oral history project at the British Library.

  • af Mel Gooding
    333,95 kr.

    Mick Moon RA was born in Edinburgh in 1937 and grew up in Blackpool. Moon's paintings and prints combine a wide variety of media and techniques in complex and intriguing layers. The art historian Mel Gooding provides an authoritative insight into his practice and a definitive overview of his career.

  • af Mel Gooding & Lucy Inglis
    347,95 kr.

    monograph of Scottish-born artist Elsa Vaudrey

  • af Mel Gooding
    394,95 kr.

    Remarkable British artist Merlyn Evans developed a highly personal abstract style, combining plant, crustacean and mechanical forms. His work was fundamentally shaped by his conviction that art should be an engagement with life, reflecting psychological, ethical and political concerns. This monograph focuses on the life and work of Evans.

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