Bøger af Nick Flynn

Low explores the jaggedness of memory and what is salvageable when the past is broken by loss, violence, and trauma. Punctuating Nick Flynn's signature lyric poems are prose pieces and sequences, veering toward essays, including "Notes on a Calendar Found in a Stranger's Apartment," a truly strange experience of cataloging a deceased neighbor's belongings and how quickly they become worthless; "Notes on Thorns & Blood," a study of time and wounds; and "Notes on a Year of Corona," a loose sonnet crown about the early stages of the pandemic and the unrest after racist police violence.Despite its existential reverberations, Low is a celebration of desire in all its forms-the desire for home, the desire to be held, the desire for people to be kind to one another, the desire to understand where we are from and what we can do to make the best of that. But how do we create a home, these poems ask, in a world of satellites and atom bombs and algorithms, those things designed to dehumanize and reduce us? To get low is to reconnect with the earth, to engage with the emotional state of the planet, to remember that "the cure all along grows beside us." Flynn's collection is a prismatic, even prophetic, experience, with new complexity and ardor at every turn.

Known for his bestselling memoirs and as an acclaimed poet, Nick Flynn in Stay presents a self-portrait via a constellation of topics that the author has circled¿or have circled him¿in his work: suicide, homelessness, addiction, political engagement, artistic friendships.

In this first play from the award-winning memoirist and poet Nick Flynn, four strangers meet during a blackout on a New York City sidewalk. Gideon finds himself locked out of his apartment, stranded on the street with nothing but a television and the company of three individuals, each mysterious in their own way: the specter-like Alice, ringleader of the neighborhood; Esra, a fifteen-year-old girl whose mother is MIA-again; and Ivan, a stranded businessman trying to make his way home. As Gideon makes futile attempts to break into an apartment that may or may not be his, an unsettling connection between Ivan and Esra develops while Alice and Gideon look on helplessly. Unable to make sense of their predicament, let alone alter it, the four float aimlessly in and out of seeming reality only to find themselves more lost when the electricity finally comes back on. Once again exploring the tenuous membrane that separates comfortable, everyday existence from the desperate margins of society, Flynn portrays an urban dystopia disturbingly similar to our own world while poignantly tapping into the loneliness and peril of city life.

When Nick Flynn was seven years old, his mother set fire to their house. The event loomed large in his imagination for years, but it's only after having a child of his own that he understands why. He returns with his young daughter to the landscape of his youth, reflecting on how his feral childhood has him still in its reins, and forms his memories into lyrical bedtime stories populated by the both sinister and wounded Mister Mann.With the spare lyricism and dark irony of his classic, Another Bullshit Night in Suck City, Flynn excavates the terrain of his traumatic upbringing and his mother's suicide. This Is the Night Our House Will Catch Fire unravels the story of the fire that Flynn had to escape, and the ways in which, as an adult, he has carried that fire with him until it threatens to burn down his own house. Here Nick confronts his failings with fierce candor, even as they threaten to tear his family apart. His marriage in crisis, Flynn seeks answers from his therapist, who tells him he has "the ethics of a drowning man."This Is the Night Our House Will Catch Fire takes us on the journey of a man struggling to hold himself together in prose that is raw and moving, sharp-edged and wry. Alternating literary analysis and philosophy with intimate memoir, Flynn probes his deepest ethical dilemmas.

"A stunningly beautiful new memoir ... a near-perfect work of literature." -Stephen Elliot, San Francisco Chronicle

Combining coverage of all the key areas in penology with subject-specifc study skills advice, this book provides students with the whole package to succeed when studying this topic

Nick Flynn met his father when he was twenty-seven years old, working as a caseworker in a homeless shelter in Boston. As a teenager he'd received letters from this mystery father - self-proclaimed poet (and greatest American novelist since Mark Twain), descendant of the Romanov dynasty, alcoholic, and con-man doing time for bank robbery - but there had been no contact. Another Bullshit Night in Suck City (a phrase Flynn senior uses to describe his life on the streets) tells the story of the eerie trajectory that led Nick and his father into that homeless shelter, onto those streets, and finally to each other. With a raw authenticity, telling honesty and a dark but necessary humour, Nick Flynn's memoir breathes new life and vigour into the form. In passionate and playful prose Another Bullshit Night in Suck City illuminates the emotional and physical consequences of a relationship between father and son that exists, if at all, in a void.

One day I hope to be able to tell my daughter a story about a dark time, the dark days before she was born, and how her coming was a ray of light.

"The Writer's Notebook" combines the best craft seminars from the Summer Writers Workshop's history with craft essays by some of Tin House's favorite authors and features a list of contributors that reads like a veritable who's who of contemporary poets and prose writers. Jim Shepard, Aimee Bender, Steve Almond, D. A. Powell, Chris Offutt, and others distill elements of writing and share insights into the joys and pains of their own work. They explore a wide range of topics, everything from writing dialogue to the do's and don'ts of writing about sex. With how-tos, close readings, and personal anecdotes, "The Writer's Notebook" offers aspiring wordsmiths advice and inspiration to hone their own craft.