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This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
Olive Schreiner (1855-1920), South African author and feminist, and friend of Havelock Ellis and Eleanor Marx, was one of the most important and challenging social commentators of her time. The ninth of twelve children, she lacked formal education and was taught by her mother. It was her 1883 novel Story of an African Farm that secured her reputation as an author and feminist, which her activities in England (1881-9) further consolidated. First published in 1911, this acclaimed feminist work, one of the most influential of the early twentieth century, established Schreiner's place in the Women's Movement. A reworking of an earlier manuscript destroyed during looting of her Johannesburg home by British soldiers, it considers how the role and position of women has been determined by the artificial constrictions of society. Schreiner ends the work with her vision of true equality between man and woman. This is the 1914 printing.
The Story of an African Farm (1883) marks an early appearance in fiction of Victorian society's emerging New Woman.This Broadview edition includes appendices that link the novel to histories of empire and colonialism, the emergence of the New Woman, and the conflicts between science and religion in the Victorian period. Contemporary reviews are also included.
This volume brings together for the first time the entire range of the shorter pieces of imaginative writing that she continued to produce throughout her life, together with her final account of the vision informing her life''s work. It rescues Schreiner from the charge of having exhausted a slim talent in one semi autobiographical novel and provides a context in which to situate a woman writer whose idealist concerns recognised no simple geographical boundaries. To picture her as first and foremost a colonial writer or, alternatively, primarily as a member of the finde-siecle British avant garde, does little justice to the links she made in her own writing and to the complex situation she occupied, for Olive Emilie Albertina Schreiner''s life (1855-1920) straddled two centuries and two continents, while her travels between the land of her birth, South Africa, and her family''s European homeland embroiled her in the political ferment of two wars: the Boer War (1899-1902) and the first World War (1914-1918).
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