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First published in 1992, The Inward Gaze looks at men's fantasies and self-images from a wide range of texts (notably boy's superhero comics, modernist literary classics, and a Freudian case-study) to discuss the theories of subjectivity, masculinity, and emotion.
Presents a collection of Peter Middleton's significant essays. In four sections - Sound, Communities, Collaboration, and Complexity - Middleton explores the internal divisions of lyric subjectivity as well as coauthorship, poetry networks, the creative role of editors and anthologists, and the outer limits of authorship revealed in long poems.
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