Bøger af Peter Stanfield

Shows how British pop trailblazers The Yardbirds helped to shape rock music.

"This is the tale of how Hollywood, inspired by the success of Easy Rider, sold a cycle of films as the new dirty real. Dennis Hopper, Peter Fonda, Monte Hellman, Jack Nicholson, Kris Kristofferson, and Sam Peckinpah, among others, drew on a nostalgia for the gutter and donned bohemian personae, pulling on soiled shirts and scuffed boots to better counter the glamour and phoniness of Tinseltown. With great care for the historical record and displaying a refined critical acuity, Peter Stanfield captures that pivotal moment when Hollywood tried to sell a begrimed vision of itself to the world."--

A sleazy, neon- and grease-stuffed chronicle of London's 1972 music scene.

A Band with Built-In Hate portrays The Who through the prism of pop art and the levelling of high and low culture it brought about.

From The Wild Angels in 1966 until its conclusion in 1972, the cycle of outlaw motorcycle films contained forty-odd formulaic examples. Hoodlum Movies is not only about the films, its focus is on why and how these films were made, who they were made for, and how the cycle developed through the second half of the 1960s and came to a shuddering halt in 1972.

Features how the "dark continent" of blues and jazz provided Hollywood with a resonant resource to construct and negotiate the boundaries of American cultural identity. This book contains new work on blackface minstrelsy in early sound movies, racial representation and censorship, torch singers and torch songs, burlesque and strippers, and more.

Tracing the singing cowboy's roots in the performance tradition of blackface minstrelsy and its literary antecedents in novels, magazine fiction, and the novels of B M Bower, this title shows how silent cinema conventions, the developing commercial music media, and the prevailing conditions of film production shaped the 'horse opera' of the 1930s.