Bøger af Rob Doyle

NOW A MAJOR FILM STREAMING ON ALL PLATFORMS, STARRING ANYA TAYLOR JOYSHORTLISTED FOR THE IRISH BOOK AWARDS 'NEWCOMER OF THE YEAR' AWARDCHOSEN AS ONE OF 'IRELAND'S 20 GREATEST NOVELS SINCE 1916' BY HOT PRESS MAGAZINEMeet Matthew, Rez, Cocker and Kearney. Facing the void of their post-school lives, the boys spend their first summer of freedom in a savage apprenticeship on the streets of Dublin. Roaming aimlessly through the city, fuelled by drugs and dark fantasies, the teenagers spiral into self-destruction, fleeing a reality they despise. Here Are the Young Men portrays a chilling spiritual fallout, harbinger of the collapse of a national illusion. Visceral and blackly funny, this debut novel marks the arrival of a powerful literary talent who releases an unnerving anarchic energy to devastating effect.

In my case, reading has always served a dual purpose. In a positive sense, it offers sustenance, enlightenment, the bliss of fascination. In a negative sense, it is a means of withdrawal, of inhabiting a reality quarantined from one that often comes across as painful, alarming or downright distasteful. In the former sense, reading is like food; in the latter, it is like drugs or alcohol. In Autobibliography, Rob Doyle recounts a year spent rereading fifty-two books - from the Dhammapada and Marcus Aurelius, via The Tibetan Book of the Dead and La Rochefoucauld, to Robert Bolaño and Svetlana Alexievich - as well as the memories they trigger and the reverberations they create. It is a record of a year in reading, and of a lifetime of books. Provocative, intelligent and funny, it is a brilliant introduction to a personal canon by one of the most original and exciting writers around. It is a book about books, a book about reading, and a book about a writer. It is an autobibliography.

In my case, reading has always served a dual purpose. In a positive sense, it offers sustenance, enlightenment, the bliss of fascination. In a negative sense, it is a means of withdrawal, of inhabiting a reality quarantined from one that often comes across painful, alarming or downright distasteful. In the former sense, reading is like food; in the latter, it is like drugs or alcohol.

From Laurence Sterne to Flann O'Brien and beyond, this anthology presents both highly familiar and relatively obscure writers from across the history of Irish fiction. It offers a fresh perspectives, and a provocative reshuffling of the literary canon.