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This book is a radical plea for the centrality of experience in the social and human sciences. Lash argues that a large part of the output of the social sciences today is still shaped by assumptions stemming from positivism, in contrast to the tradition of interpretative social enquiry pioneered by Max Weber.
Dominant theorists of globalization take on the assumptions of a 'Washington Consensus' which presumes the centrality of neo-liberal American individualism. This book analyzes China as a 'risk culture', embracing the boundless opportunity and adventure of Beijing's Olympic architecture.
In the first half of the twentieth century, Theodor Adorno wrote about the 'culture industry'. For Adorno, culture too along with the products of factory labour was increasingly becoming a commodity. Now, in what they call the 'global culture industry', Scott Lash and Celia Lury argue that Adorno's worst nightmares have come true.
This volume consists of a set of explorations in the quintessentially aesthetic modernity: of architecture and the city; the emergence of classical sociological theory; the critique of phenomenology and aesthetic judgement in the techno-informational age.
Three prominent social thinkers discuss how modern society is undercutting its formations of class, stratum, occupations, sex roles, the nuclear family, and more. Reflexive modernization, or the way one kind of modernization undercuts and changes another, has wide ranging implications for contemporary social and cultural theory, as this provocative book demonstrates.
This authoritative and revealing book provides the first sociological examination of postmodernism. Lash examines the differences between modernism and postmodernism, providing a clear explanation of why postmodernism is important.
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