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A family tree assignment leads an adopted girl to discover the different ways to be a family.When her teacher gives her class a simple family tree assignment, Ada is stumped. How can she make her family fit into this simple template?Ada is adopted. She can see where to put her parents on the tree, but what about her birth mom? Ada has a biological sister, but her sister has different adoptive parents — where do they go on the tree?But with the help of her friends and family, Ada figures it out. She creates her family tree . . . and so much more. Loosely based on the author's own experience, this moving story explores the different ways families are created and how the modern family is more diverse and welcoming than ever before.
It's 1606 and Europe is at war over God. At the behest of the Holy Roman Emperor, Rudolf II, Venice's four strongest men are charged with transporting a holy painting Albrecht Drer's The Brotherhood of the Rosary across the Alps to Prague. In the small Alpine village of Pusterwald, they are set upon by Protestant zealots; their escape is attributed to a miracle.The strongmen and their captain are summoned to an inquiry, led by the magistrate of Venice and the cardinal archbishop of Milan, to determine whether something divine did indeed occur. Each man's recounting adds a layer of colour to the canvas.Through this vividly painted mystery, inspired by true events, Sean Dixon challenges the role of faith at the dawn of the Age of Reason.Sean Dixon is a playwright, novelist, and actor. His plays are collected in AWOL: Three Plays for Theatre SKAM. Sean's novels are The Last Days of the Lacuna Cabal and The Many Revenges of Kip Flynn.
Praise for Sean Dixon:Energetic. . . . Full of sound and fury.Kirkus ReviewReminiscent of the kind of irrepressibly mischievous and literary novels that John Barth used to write. Call it populist poindexterism.Quill & Quire It all started with a black rose and a rich young man. And a house with a creek running through it. And then there she was, Kip Flynn, standing beside her boyfriend's dead body and agreeing to take a large sum of money from the young man's father to keep quiet. As if she could have done anything else, being so scared and grief-stricken and maybe pregnant.But that's not the end of it. You see, there's some kind of connection between Kip and this rich developer's son that keeps them tight in one another's orbit. So when Kip awakens from her grief, intent on revenge, they find themselves pursuing one another with a ferocity they can barely understand, one that spirals outward, with subway accidents and arson and drainpipes and backhoe wars, to envelop roommates, two guilty fathers, a window-cleaner or two, landlords, family secrets, a Vietnamese gangster, a stand-up bass player and an activist tour guide. And concluding in the subterranean heart of Toronto itself, which, like Kip, is torn between vengefulness and growth.Sean Dixon is a novelist, playwright, and banjo player. He's the author of the novel The Last Days of the Lacuna Cabal; two novels for young readers, The Feathered Cloak and The Winter Drey; and several plays, including those collected in AWOL: Three Plays for Theatre SKAM.
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