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The Spaniard Or Relvindez And Elzora, A Tragedy: And The Young Country Widow, A Comedy is a book written by Simon Gray and published in 1839. The book is divided into two parts, the first being a tragedy and the second a comedy. The tragedy is titled ""The Spaniard Or Relvindez And Elzora"" and revolves around the story of a Spanish nobleman named Relvindez who falls in love with a woman named Elzora. However, their love is doomed as Relvindez is already betrothed to another woman. The tragedy ends with the death of both Relvindez and Elzora.The second part of the book is a comedy titled ""The Young Country Widow"". The story revolves around a young widow named Lucy who lives in the countryside. She is courted by two men, a wealthy landowner and a poor farmer. The comedy explores the themes of love, class, and social status.Overall, The Spaniard Or Relvindez And Elzora, A Tragedy: And The Young Country Widow, A Comedy is a book that explores different themes through two contrasting genres. The tragedy portrays the consequences of forbidden love, while the comedy explores the complexities of love and social status.With Three Letters Of Dr. Blair, And Thoughts On The Present State Of The British Drama, And What Seems Calculated To Improve It.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Yellow Orang-Utan Industries is the most successful of corporations ever, not that anyone can say specifically what it is they do. The founder and president of Yellow Orang-Utan Industries hides from the public, using a computer generated fake president to do most of the talking he'd ordinarily be doing himself. The fake president, Piano Smedley, is universally liked and attributed to the corporation's success. But when news breaks that a body answering Piano Smedley's description has been found, problems arise.The real president's personal assistant, Gertrude, finds herself grieving the fake president, even when she knows better. The task of programming the replacement fake president is based on data from departments who can't make up their mind and the real president becomes even less engaged with business than before. The executive board of directors make an appearance to take control, but by the time the new fake president appears, interest in Yellow Orang-Utan Industries is plummeting.Gertrude's made some new friends amongst the corporation though. One of them is Wellington, who interprets the stock market remarkably well and quite loyally thinks he can help the corporation. If any of them could get through to the real president. Except also, Wellington's remarkable skills and this earnest belief may be because Wellington's a prototype android, and nobody was supposed to find that out.
This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!
This celebrated English drama by the author of Butley and Otherwise Engaged is based on a famous murder case involving a lonely divorced woman who has married a man thirty years her senior. However, his age and increasing deafness make her lonelier than before, and in desperation she takes up with a young man who has been hired as a gardener. He falls for her and, in a moment of passion, kills her husband with a pair of garden shears.|2 women, 4 men
Here is a hilarious look at the artistic pretensions of the young and the rich that charts a decade in the life of a London family transplanted to an idyllic country setting. A literary agent and his wife buy a Devon cottage where she can write, children will be happy, and they can relax. Into their world walks the local vicar a classically comic character who tends their magnificent garden and their emotional if not spiritual needs as the outside world intrudes with failure and disillusionment.|3 women, 5 men
A very English modern play, reeking of real tragedy, real humour and real life. The Common Pursuit chronicles the erosion of the ambitions of a smug, elitist group of Cambridge frien''s. Stuart is editor of a literary magazine and the pursuit of excellence is shown to be economically a bad proposition in this world. The magazine collapses and the characters'' fates vary as the play proceeds. An ironic epilogue returns to the early days in Cambridge with the young people planning their futures.|1 woman, 5 men
Stage Struck, an inventive thriller that employs a handful of actors to play chameleon like parts within parts, opens in the living room of one Robert Simon. Formerly a first rate stage manager in a provincial repertory company, he now he keeps house for his West End actress wife while amusing himself with various sexual adventures. He is a thoroughly happy man until the clumsy intervention of a psychiatrist destroys his happiness and his marriage. He plans a hideous revenge on his wife and the psychiatrist a reveng, which allows him to rediscover all his old talents.|1 woman, 3 men
Never has the celebrated author of Butley and Otherwise Engaged been more amusing and more touching than in this thoroughly delightful portrait of a mediocre but lovable English schoolteacher named St. John Quartermaine and his fellow faculty at a small school in Cambridge which teaches English to foreigners.2 women, 5 men
Isolated university professor Simon Hench, completely and selfishly otherwise engaged in listening to a new recording "Parsifal" is continually interrupted by students, friends, lovers and life.2 women, 5 men
With high unemployment and jobseekers fighting for fewer and fewer jobs it's never been more important to get an edge when looking for that next career move. In this book, the author explains how to get ahead, what to do and - just as crucially - what not to do in order to win in the highly competitive job race.
'Sharp, funny and clever . . . What a pleasure to re-encounter a play that combines unabashed intelligence and zinging wit with a rare generosity of spirit.'Daily Telegraph on The Common Pursuit'Gray's stature as one of the handful of great tragi-comic English dramatists of the second half of the twentieth century would appear now to be undisputed.' Howard Jacobson, Critical QuarterlyHidden Laughter'A sad divine comedy, superbly written. Gray nurses his characters and cares for them, but he never pampers them, or pities them, or presumes to use them as his spokesman. In this respect, he has become an English Chekhov... At the same time, Gray dispenses some of the incandescent malice and moral savagery of Coward at his acid best... But, of course, comparisons can only help you get your bearings. Gray is entirely his own man in this painful, querulous, warm, hard and mature play.' Sunday Times
'The brave little lives that Gray so compassionately illuminates could be lived by any of us, and that's why they arouse emotions that are anything but small.'New York Times on Quartermaine's Terms
'A superbly written play, a funny play, an agonising play. It is, moreover, a play of truth and insight. A play to savour.' Punch on Otherwise Engaged'Life in the theatre hasn't brought me anything more rewarding than directing Simon Gray's plays.' Harold PinterPlaintiffs and DefendantsExceptionally good... the play gave such a rending picture of married mess that it was hard to know where to look.' Clive James, Observer'Simon Gray is the one [TV playwright] whose work I most relish seeing for his acerbic wit, wonderful ironies and above all for his care with our mother tongue.' Dennis Potter
Butley 'What is so wondrous about a play so basically defeatist and hurtful is its ability to be funny. The stark, unsentimental approach to the homosexual relationship, the cynical send-up of academic life, the skeptical view of the teacher-pupil associations are all stunningly illuminated by continuous explosions of sardonic, needling, feline, vituperative and civilised lines.' Evening Standard
Simon Gray's funny, melancholic and captivating play about a young boy trapped between two types of oppressive love reveals the frustration, secrets and guilt of middle-class respectability in 1950s England.
'You should go out and buy The Smoking Diaries right now ... because you are unlikely to come across a funnier, cleverer, more painful book' Daily Telegraph
'[Gray's journals] are works of rare honesty, humanity and wit that are surely destined to be read with pleasure a hundred years from now' Sunday Telegraph
How much can go wrong in a day? How much can go wrong in a life? In this chronicle of a year of things going wrong, and just occasionally right, the author meets with triumph and disaster and treats those two impostors just the same - which is to say with the mixture of wit, anger, vexation and candour.
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