Bøger af Stacey Levine

"Stacey Levine's fiction is unlike anything else. Peculiar, vivid, preternaturally alert to the strangeness of the human condition, Mice 1961 is terrific."-Kelly LinkStacey Levine's new novel recounts a pivotal day in the fraught relationship of two orphaned sisters through the eyes of their obsessively observant housekeeper. Will Jody be able to cope if her younger sibling Mice, subject to constant harassment in their community for her unusual appearance and habits, leaves home? How will their all-watching companion convey her fierce attachment to them both? When they cross paths with an unsettling stranger at a neighborhood party, the three women are driven toward momentous changes. Set in southern Florida at the peak of Cold War hysteria, Mice 1961 is a powerful meditation on belonging and separateness, conformity and otherness.

Thirty-six of the most interesting writers in the Pacific Northwest came together for a week-long marathon of writing live on stage. The result? Hotel Angeline, a truly inventive novel that surprises at every turn of the page.Something is amiss at the Hotel Angeline, a rickety former mortuary perched atop Capitol Hill in rain-soaked Seattle. Fourteen-year-old Alexis Austin is fixing the plumbing, the tea, and all the problems of the world, it seems, in her landlady mother's absence.The quirky tenantsa hilarious mix of misfits and rabble-rousers from days gone byrely on Alexis all the more when they discover a plot to sell the Hotel. Can Alexis save their home? Find her real father? Deal with her surrogate dad's dicey past? Find true love? Perhaps only their feisty pet crow, Habib, truly knows.Provoking interesting questions about the creative process, this novel is by turns funny, scary, witty, suspenseful, beautiful, thrilling, and unexpected.

A new edition of a classic of contemporary American literature, first published in 1997 by Sun & Moon Press but unavailable in recent years.Dra-, the nondescript heroine of this grim, hilarious fiction, might have fallen through the same hole as Lewis Carroll's Alice, only now, 130 years later, there's no time for frivolity, just the pressing need to get a job. In a sealed, modern Wonderland of "small stifled work centers, basements and sub-basements, night niches, and training hutches connected by hallways just inches across," Dra- seeks employment . . . This labyrinthine journey is brilliantly mimicked in the architecture of the prose. Levine creates cozy little warrens, small safe spaces made of short clear sentences, then sends the reader spiraling down long broken passages, fragmented by colons and semi-colons which give a halting, lurching gait to our progress. A quest, a comedy of manners, and a parable, Dra- is, above all else, a philosophical novel concerned with the most basic questions of living.

It's clear that something strange is afoot in ­Munson, the fictional Florida hamlet where Frances Johnson takes place. A volcano seethes on the outskirts of town, strange animals skitter in the shadows, and a dense brown fog has settled overhead. Pets and people vanish. Unfurling over a period of days leading up to the town's annual dance, the story follows Frances's mounting restlessness, as she must decide whether to take control of her life or cede it to the murky future the community has designated for her. Though the novel hinges on a familiar plot point-will Frances remain in Munson, or escape to the world at large?-it's the only trace of convention to be found in this hypnotic book, which transforms its setting into a tableau of exotic menace.-"Time Out New York"