Bøger af Terry Eagleton

A brilliant introduction to the philosophical concept of materialism and its relevance to contemporary science and culture In this eye-opening, intellectually stimulating appreciation of a fascinating school of philosophy, Terry Eagleton makes a powerful argument that materialism is at the center of today's important scientific and cultural as well as philosophical debates. The author reveals entirely fresh ways of considering the values and beliefs of three very different materialists-Marx, Nietzsche, and Wittgenstein-drawing striking comparisons between their philosophies while reflecting on a wide array of topics, from ideology and history to language, ethics, and the aesthetic. Cogently demonstrating how it is our bodies and corporeal activity that make thought and consciousness possible, Eagleton's book is a valuable exposition on philosophic thought that strikes to the heart of how we think about ourselves and live in the world.

Analyses the major issues that the subject presents, discussing the writing of Marx and Engels themselves and the work of such critics as Plekhanov, Trotsky, Lenin, Lukacs, Goldmann, Caudwell, Benjamin and Brecht. This title shows the connection between the Marxist approach and structuralism.

A brilliant and lucid guide to this most elusive of concepts.

"This concise and lucid volume offers a satisfying survey of all the major theories, from structuralism in the 1960s to deconstruction today, that have made academic criticism both intriguing and off-putting to the outsider." --New York Times Book Review "Literary Theory has the kind of racy readability that one associates more often with English critics who have set their faces resolutely against theory. It's not just a brilliant polemical essay; it's also a remarkable feat of condensation, explication, and synthesis." --Sunday Times (London)"A concise guide to the most interesting and mystifying trends in the study of literature over the last fifty years." --The NationThis classic work covers all of the major movements in literary studies in this century. Noted for its clear, engaging style and unpretentious treatment, Literary Theory has become the introduction of choice for anyone interested in learning about the world of contemporary literary thought. On the twenty-fifth anniversary of Literary Theory's debut, Terry Eagleton reflects on the state of theory in academia today, the growth of antitheory (itself an interesting theoretical subject), its common-if problematic-place among survey coursework, and theory's continued relevance to scholarly pursuits. In this contemporary, retrospective moment, as scholars critically analyze the incredibly broad impact of the theoretical movement, Literary Theory remains an essential initiation to the intellectually stimulating world of theoretical analysis.Terry Eagleton is John Edward Taylor professor of English literature at the University of Manchester. His numerous books include The Meaning of Life, How to Read a Poem, and After Theory.

A clear-sighted and entertaining defence of literary realism, and an account of its key practitioners

Culture is a defining aspect of what it means to be human. Defining culture and pinpointing its role in our lives is not, however, so straightforward. Terry Eagleton, one of our foremost literary and cultural critics, is uniquely poised to take on the challenge. In this keenly analytical and acerbically funny book, he explores how culture and our conceptualizations of it have evolved over the last two centuries-from rarified sphere to humble practices, and from a bulwark against industrialism's encroaches to present-day capitalism's most profitable export. Ranging over art and literature as well as philosophy and anthropology, and major but somewhat "e;unfashionable"e; thinkers like Johann Gottfried Herder and Edmund Burke as well as T. S. Eliot, Matthew Arnold, Raymond Williams, and Oscar Wilde, Eagleton provides a cogent overview of culture set firmly in its historical and theoretical contexts, illuminating its collusion with colonialism, nationalism, the decline of religion, and the rise of and rule over the "e;uncultured"e; masses. Eagleton also examines culture today, lambasting the commodification and co-option of a force that, properly understood, is a vital means for us to cultivate and enrich our social lives, and can even provide the impetus to transform civil society.

Often scathingly funny, frequently tender, and always completely engaging, The Gatekeeper is Terry Eagleton's memoirs, his deep-etched portraits of those who influenced him, either by example or by contrast: his father, headmasters, priests, and Cambridge dons. He was a shy, bookish, asthmatic boy keenly aware of social inferiority yet determined to make his intellectual way. The Gatekeeper mixes the soberly serious with the downright hilarious, skewer-sharp satire with unashamed fondness, the personal with the political. Most of it all it reveals a young man learning to reconcile oppositions: a double-edged portrait of the intellectual as a young man.

If you're looking for a field guide to leprechauns, The Truth About the Irish is not the book for you. But if you can handle a frank and funny look into the minds and hearts of Irish people, you've been touched by that fabled Irish luck. Covering all things Irish from Blarney to Yeats, renowned literary and cultural critic Terry Eagleton separates the myths from the reality with his priceless blend of sidesplitting humor, caustic commentary, and the honest lowdown on the beloved and bewildering country of Ireland.

In his latest book, Terry Eagleton, one of the most celebrated intellects of our time, considers the least regarded of the virtues. His compelling meditation on hope begins with a firm rejection of the role of optimism in life's course. Like its close relative, pessimism, it is more a system of rationalization than a reliable lens on reality, reflecting the cast of one's temperament in place of true discernment. Eagleton turns then to hope, probing the meaning of this familiar but elusive word: Is it an emotion? How does it differ from desire? Does it fetishize the future? Finally, Eagleton broaches a new concept of tragic hope, in which this old virtue represents a strength that remains even after devastating loss has been confronted.In a wide-ranging discussion that encompasses Shakespeare's Lear, Kierkegaard on despair, Aquinas, Wittgenstein, St. Augustine, Kant, Walter Benjamin's theory of history, and a long consideration of the prominent philosopher of hope, Ernst Bloch, Eagleton displays his masterful and highly creative fluency in literature, philosophy, theology, and political theory. Hope without Optimism is full of the customary wit and lucidity of this writer whose reputation rests not only on his pathbreaking ideas but on his ability to engage the reader in the urgent issues of life. Page-Barbour Lectures

'History repeats itself, first as tragedy, second as farce' Karl MarxA brilliant account of Marx and his view of utopia and socialism.

Terry Eagleton occupies a unique position in the English-speaking world. He is not only a productive literary theorist, but also a novelist and playwright. This title includes interviews that cover both his life and the development of his thought and politics. It is suitable for those interested in the evolution of radical politics and modernism.

This study is divided into three parts: the classical tradition; Althusser and after; and modern debates. It includes chapters on class consciousness, ideology and utopia, and the epistemology of sociology, looking at the work of Georg Lukas, Karl Mannheim and Lucien Goldman respectively.

In the modern world, ideology has never before been so much in evidence as a fact and so little understood as a concept. This book unravels the many different meanings of ideology, and charts the history of the concept from the Enlightenment to postmodernism.

Trouble With Strangers represents a groundbreaking intervention in ethics by one of the world's most important theoreticians. It is written with Terry Eagleton's usual wit, panache, and uncanny ability to summarize and criticize otherwise complex philosophical and theoretical conversations.

Offers an account of Ireland's neglected "national" intellectuals, an extraordinary group, including such figures as Oscar Wilde's father William Wilde, Charles Lever, Samuel Ferguson, Isaac Butt, Sheridan Le Fanu.

Presents a wide-ranging and humorous introduction to the English novel from Daniel Defoe to the present day. This book distils the essentials of the theory of the novel. It covers the works of major authors, including Henry Fielding, Samuel Richardson, Laurence Sterne, Walter Scott, Jane Austen, the Brontes, Charles Dickens and George Eliot.

Lucid, entertaining and full of insight, How To Read A Poem is designed to banish the intimidation that too often attends the subject of poetry, and in doing so to bring it into the personal possession of the students and the general reader. * Offers a detailed examination of poetic form and its relation to content.

Without doubt the most important work on literary criticism that has emerged out of the tradition of Marxist philosophy and social theory since the 19th century.

Myths of Power - Anniversary Edition sets out to interpret the fiction of the Bronte sisters in light of a Marxist analysis of the historical conditions in which it was produced.

This work explores the interrelation of Irish political history and Irish literature. It discusses a host of unusual topics, from Shaw and science and Irish attitudes, to nature and the question of language, and a full-scale investigation of the Celtic revival.

Was ist Literatur? , fragt das mittlerweile legendare Einleitungskapitel dieses Bandes. Pointiert und kritisch-souveran zugleich fuhrt Eagleton an erste literaturtheoretische Fragen heran. Ebenso anschaulich erlautert der Autor in den weiteren Kapiteln die Grundlagen und Methoden der zentralen Ansatze der Literaturtheorie. Die 5. Auflage des erfolgreichen Buches enthalt ein neues Vorwort Eagletons zur literaturtheoretischen Entwicklung der letzten 25 Jahre. Fur die Annaherung an einen komplexen Stoff ohne Scheu und Verstandnisschwierigkeiten.

How to live in a supposedly faithless world threatened by religious fundamentalism? Terry Eagleton, formidable thinker and renowned cultural critic, investigates in this thought-provoking book the contradictions, difficulties, and significance of the modern search for a replacement for God. Engaging with a phenomenally wide range of ideas, issues, and thinkers from the Enlightenment to today, Eagleton discusses the state of religion before and after 9/11, the ironies surrounding Western capitalism’s part in spawning not only secularism but also fundamentalism, and the unsatisfactory surrogates for the Almighty invented in the post-Enlightenment era.   The author reflects on the unique capacities of religion, the possibilities of culture and art as modern paths to salvation, the so-called war on terror’s impact on atheism, and a host of other topics of concern to those who envision a future in which just and compassionate communities thrive. Lucid, stylish, and entertaining in his usual manner, Eagleton presents a brilliant survey of modern thought that also serves as a timely, urgently needed intervention into our perilous political present.

What makes a work of literature good or bad? How freely can the reader interpret it? Could a nursery rhyme like Baa Baa Black Sheep be full of concealed loathing, resentment, and aggression? In this accessible, delightfully entertaining book, Terry Eagleton addresses these intriguing questions and a host of others. How to Read Literature is the book of choice for students new to the study of literature and for all other readers interested in deepening their understanding and enriching their reading experience.In a series of brilliant analyses, Eagleton shows how to read with due attention to tone, rhythm, texture, syntax, allusion, ambiguity, and other formal aspects of literary works. He also examines broader questions of character, plot, narrative, the creative imagination, the meaning of fictionality, and the tension between what works of literature say and what they show. Unfailingly authoritative and cheerfully opinionated, the author provides useful commentaries on classicism, Romanticism, modernism, and postmodernism along with spellbinding insights into a huge range of authors, from Shakespeare and J. K. Rowling to Jane Austen and Samuel Beckett.