Bøger af Timothy Clark

Drawing on the latest scholarship from the leading experts in the field and featuring over 400 images of works from major public and private collections, this landmark book looks at painted and printed erotic images produced in Japan during the Edo period (1600-1868) and early Meiji era (1868-1912).This title is only available through Hotei Publishing in the United States of America, Canada and the Philippines.

This book, the first on this major English writer from a British publisher, forms a comprehensive defence of Charles Tomlinson's project, including his work as a graphic artist, as a translator, and as a participator in experiments in multiple authorship and multi-lingual poetry.

This CD-ROM and textbook package introduces chemistry students to the world of molecular orbitals using 3D and VRML representations. An overview of the basic chemistry and physics needed enables readers to move quickly onto the CD. The CD-ROM itself contains an extended interactive textbook and a broad selection of classical organic compounds and inorganic complex ligands complete with their orbitals. Moreover, interactive demonstrations allow students to alter relevant parameters and watch the change in the orbitals'characteristics or take a walk through this fascinating 3D world.

Landmark publication of a major new discovery of over 100 drawings by foremost Japanese artist Katsushika Hokusai. Acquired by the British Museum in 2020, these previously unpublished drawings had been forgotten for over 70 years.

This concise and practical guide explores the use of Conversation Analysis as a method for conducting research in a business and management Masters dissertation.

Management consultants are typically seen as key mediators in the flow of management ideas. And yet little is known about exactly what happens when they work together with clients, behind closed doors in consulting projects. Do they really innovate or simply legitimate existing knowledge? This book offers a 'fly on the wall' view.

Like their celebrity peers from the entertainment, sports, arts and political worlds, business celebrities exert an influence that is pervasive, but difficult to assess, evaluate and explain. This book explores how they are constructed and why they exist.

In this innovative study, Timothy Martin considers Derrida's reading of literature as a form of philosophical thinking, tracing this trend to the work of Heidegger and Blanchot.

Based on research into the public lectures of management gurus, this volume analyzes how such gurus disseminate their ideas, values and visions on the international management lecture circuit. This book is useful to students, academics and researchers in the fields of management, sociology, and communications.

The degrading environment of the planet is something that touches everyone. This 2011 book offers an introductory overview of literary and cultural criticism that concerns environmental crisis in some form. Both as a way of reading texts and as a theoretical approach to culture more generally, 'ecocriticism' is a varied and fast-changing set of practices which challenges inherited thinking and practice in the reading of literature and culture. This introduction defines what ecocriticism is, its methods, arguments and concepts, and will enable students to look at texts in a wholly new way. Boxed sections explain key critical terms and contemporary debates in the field with 'hands-on' examples and comparisons. Timothy Clark's thoughtful approach makes this an ideal first encounter with environmental readings of literature.

This book argues that Shelley was both ahead of and in tune with his time and ours.

"The Great Wave" is a colour woodblock print designed by Japanese artist Hokusai in around 1830. This book explores the meaning behind "Hokusai's Great Wave", in the context of "the Mount Fuji" series and Japanese art as a whole.

The life and gardening of one of Scotland's most original artists and gardeners, Mary McMurtrie, concentrating on how she created the garden at Balbithan.

In this polemical book Timothy Clark focuses on the ways in which Martin Heidegger, Jacques Derrida, Maurice Blanchot and Hans-Georg Gadamer distinguish the poetic from literature more generally.