Bøger af Toni Morrison

Pecola vokser op i de raceadskildte amerikanske 1940’ere. Overalt møder hun modstand, foragtes både af sorte og hvide. Men i sine drømme har hun blå, blå øjne, som sin højtelskede lyshårede dukke. Morrisons debutroman fra 1970.

Sethe undslipper sit liv som slave på Sweet Home, men atten år senere hjemsøges hun stadig af minderne fra det smukke, forfærdelige sted. Minderne om Elskede, det eneste ord hun nåede at kalde sit døde barn, som hun måtte forlade i jorden på Sweet Home.

The world of Sethe, however, is to turn from one of love to one of violence and death - the death of Sethe's baby daughter Beloved, whose name is the single word on the tombstone, who died at her mother's hands, and who will return to claim retribution.

A novel that immerses us in the tragic, torn lives of a poor black family - Pauline, Cholly, Sam and Pecola - in post-Depression 1940s Ohio. Unlovely and unloved, Pecola prays each night for blue eyes like those of her privileged white schoolfellows.

Salomons sang er fortællingen om Milkman Dead og hans søgen efter sandheden om sit ophav, fra sin fødeby i det amerikanske Rustbælte til slægtens arnested dybt begravet i den amerikanske slavehistorie.

Begins in 1930s America with Macon Dead Jr, the son of a wealthy black property owner, who has been brought up to revere the white world. Macon learns about the tyranny of white society from his friend Guitar. So while Guitar joins a terrorist group of poor blacks, Macon goes home to the South, lured by tales of buried family treasure.

As young girls, Nel and Sula shared each other's secrets and dreams in the poor black mid-West of their childhood. Then Sula ran away to live her dreams and Nel got married. Ten years later Sula returns and no one, least of all Nel, trusts her. This is a story of fear - the fear that traps us, justifying itself through perpetual myth and legend.

Nel Wright og Sula Peace vokser op sammen i Ohio som tætte veninder. De deler en hemmelighed som former dem, selv som voksne, hvor Nel bliver en afgørende figur blandt sorte amerikanere, mens Sula er udstødt.

New York Times BestsellerMilkman Dead was born shortly after a neighborhood eccentric hurled himself off a rooftop in a vain attempt at flight. For the rest of his life he, too, will be trying to fly. With this brilliantly imagined novel, Toni Morrison transfigures the coming-of-age story as audaciously as Saul Bellow or Gabriel Garca Mrquez. As she follows Milkman from his rustbelt city to the place of his family's origins, Morrison introduces an entire cast of strivers and seeresses, liars and assassins, the inhabitants of a fully realized black world."e;You can't go wrong by reading or re-reading the collected works of Toni Morrison.Beloved,Song of Solomon,The Bluest Eye,Sula,everything else they're transcendent, all of them. You'll be glad you read them."e;--Barack Obama

Arguably the most celebrated and revered writer of our time now gives us a new nonfiction collection--a rich gathering of her essays, speeches, and meditations on society, culture, and art, spanning four decades.The Source of Self-Regard is brimming with all the elegance of mind and style, the literary prowess and moral compass that are Toni Morrison's inimitable hallmark. It is divided into three parts: the first is introduced by a powerful prayer for the dead of 9/11; the second by a searching meditation on Martin Luther King Jr., and the last by a heart-wrenching eulogy for James Baldwin. In the writings and speeches included here, Morrison takes on contested social issues: the foreigner, female empowerment, the press, money, "e;black matter(s),"e; and human rights. She looks at enduring matters of culture: the role of the artist in society, the literary imagination, the Afro-American presence in American literature, and in her Nobel lecture, the power of language itself. And here too is piercing commentary on her own work (including The Bluest Eye, Sula, Tar Baby, Jazz, Beloved, and Paradise) and that of others, among them, painter and collagist Romare Bearden, author Toni Cade Bambara, and theater director Peter Sellars. In all, The Source of Self-Regard is a luminous and essential addition to Toni Morrison's oeuvre.

'Toni Morrison was the lodestar who inspired us' Bernadine EvaristoTwyla and Roberta have known each other since they were eight years old, when they were thrown together as roommates in a girls' shelter. Inseparable then, they lose touch as they grow older, only to meet again later at a diner, a grocery store and then at a protest. The two women are seemingly at opposite ends of every problem but, despite their conflict, the deep bond their shared experience has forged between them is undeniable. Recitatif keeps Twyla's and Roberta's races ambiguous throughout the story. We know that one is white and one is black, but which is which? And who is right about the race of the woman the girls tormented at the orphanage? This story is a masterful exploration of what keeps us together and what keeps us apart, of race and the relationships that shape our lives. Now with a new introduction by Zadie Smith, it is as radically compelling and relevant today as it was when first written nearly forty years ago.'Toni Morrison is the greatest chronicler of the American experience that we have ever known' Tayari Jones'Her work is an act of giving her community back to itself, so that people - African-Americans but the diaspora as well - can see and witness themselves' Diana Evans

In the winter of 1926, when everybody everywhere sees nothing but good things ahead, Joe Trace, middle-aged door-to-door salesman of Cleopatra beauty products, shoots his teenage lover to death. At the funeral, Joes wife, Violet, attacks the girls corpse. This passionate, profound story of love and obsession brings us back and forth in time, as a narrative is assembled from the emotions, hopes, fears, and deep realities of black urban life.

New York Times BestsellerStaring unflinchingly into the abyss of slavery, this spellbinding novel transforms history into a story as powerful as Exodus and as intimate as a lullaby. Sethe, its protagonist, was born a slave and escaped to Ohio, but eighteen years later she is still not free. She has too many memories of Sweet Home, the beautiful farm where so many hideous things happened. And Sethe's new home is haunted by the ghost of her baby, who died nameless and whose tombstone is engraved with a single word: Beloved. Filled with bitter poetry and suspense as taut as a rope, Beloved is a towering achievement."e;You can't go wrong by reading or re-reading the collected works of Toni Morrison.Beloved,Song of Solomon,The Bluest Eye,Sula,everything else they're transcendent, all of them. You'll be glad you read them."e;--Barack Obama

New York Times BestsellerStaring unflinchingly into the abyss of slavery, this spellbinding novel transforms history into a story as powerful as Exodus and as intimate as a lullaby. Sethe, its protagonist, was born a slave and escaped to Ohio, but eighteen years later she is still not free. She has too many memories of Sweet Home, the beautiful farm where so many hideous things happened. And Sethe’s new home is haunted by the ghost of her baby, who died nameless and whose tombstone is engraved with a single word: Beloved. Filled with bitter poetry and suspense as taut as a rope, Beloved is a towering achievement."You can''t go wrong by reading or re-reading the collected works of Toni Morrison. Beloved, Song of Solomon, The Bluest Eye, Sula, everything else — they''re transcendent, all of them. You’ll be glad you read them."--Barack Obama

Morrison brings her genius to this personal inquiry into the significance of African-Americans in the American literary imagination. Through her investigation of black characters, narrative strategies, and idiom in the fiction of white American writers, Morrison provides a perspective sure to alter conventional notions about American literature.

From the acclaimed Nobel Prize winner, a passionate, profound story of love and obsession that brings us back and forth in time, as a narrative is assembled from the emotions, hopes, fears, and deep realities of Black urban life. With a foreword by the author. "As rich in themes and poetic images as her Pulitzer Prize-winning Beloved.... Morrison conjures up the hand of slavery on Harlem's jazz generation. The more you listen, the more you crave to hear." --GlamourIn the winter of 1926, when everybody everywhere sees nothing but good things ahead, Joe Trace, middle-aged door-to-door salesman of Cleopatra beauty products, shoots his teenage lover to death. At the funeral, Joe's wife, Violet, attacks the girl's corpse. This novel "transforms a familiar refrain of jilted love into a bold, sustaining time of self-knowledge and discovery. Its rhythms are infectious" (People). "The author conjures up worlds with complete authority and makes no secret of her angst at the injustices dealt to Black women." --The New York Times Book Review

I "Forestillingen om de andre" retter nobelprisvinder Toni Morrison sit undersøgende blik mod de emner, som har været omdrejningspunkter for hendes forfatterskab og genstand for de seneste års politiske debat: racisme, grænser, frygt og behovet for at høre til. Med udgangspunkt i erindringer, litteratur og historie gennemlyser Morrison opførelsen af ekskluderende mure, og hvordan de andre gøres anderledes. "Forestillingen om de andre" samler seks essays i et forsøg på at forstå, hvordan og hvorfor vi er endt med at forbinde disse mure med hudfarve.Toni Morrison (1931-2019) var romanforfatter, essayist og en af det 20. århundredes væsentligste stemmer. Hun har modtaget Nobelprisen, Pulitzerprisen, og i 2012 gav Barack Obama hende præsidentens frihedsmedalje, den fornemste civile hædersbevisning i USA.Med forord af National Book Award-vinderen Ta-Nehisi Coates.I serien Antiracistiske klassikere er bøgerne "Et spørgsmål om race" af Cornel West, "Fordømte her på jorden" af Frantz Fanon og "Kvinder, race og klasse" af Angela Y. Davis udkommet. Udgivelsen er støttet af Augustinus Fonden, Statens Kunstfond, Sportsgoods Fonden og Bestles Fond

Nobel Prize recipient Toni Morrison and Slade Morrison breathe new life into a classic Aesop’s fable.In the well-known tale of “The Tortoise and the Hare,” everyone remembers that “slow and steady wins the race”—or does it? In this energetic retelling of a favorite fable, it’s the speedy Hare who crosses the finish line first, but it’s Tortoise who has the tale to tell when he discovers that the race, not the winning, is what matters most. While winning is important, isn’t making a true friend the best prize of all?