Bøger af Wilkie Collins

He stops and grows restless on a sudden. We see him writhing on the straw. He throws up both his hands and gasps hysterically for breath. His eyes open suddenly. For a moment they look at nothing, with a vacant glitter in them--then they close again in deeper sleep. Is he dreaming still? Yes; but the dream seems to have taken a new course.

The Moonstone (1868) by Wilkie Collins is a 19th-century British epistolary novel, generally considered the first full length detective novel in the English language. The story was originally serialised in Charles Dickens' magazine All the Year Round. The Moonstone and The Woman in White are widely considered Wilkie Collins' best novels. Besides creating many of the ground rules of the detective novel, The Moonstone also reflected Collins' enlightened social attitudes in his treatment of the servants in the novel. Collins adapted The Moonstone for the stage in 1877, but the production was performed for only two months.

The Moonstone (1868) by Wilkie Collins is a 19th-century British epistolary novel, generally considered the first full length detective novel in the English language. The story was originally serialised in Charles Dickens' magazine All the Year Round. The Moonstone and The Woman in White are widely considered Wilkie Collins' best novels. Besides creating many of the ground rules of the detective novel, The Moonstone also reflected Collins' enlightened social attitudes in his treatment of the servants in the novel. Collins adapted The Moonstone for the stage in 1877, but the production was performed for only two months.

Charles Dickens needs no formal introduction, having been the most popular English writer of the 19th century and still one of the most popular writers in history today. Dickens' upbringing was a mixture of happy times and sad: when he recalled his father being sent to debtor's prison in his memoirs, his tears actually left marks on the page. Nevertheless, Dickens was obsessed with reading, making him a natural journalist by the age of 20, when he began a career in journalism. Along the way, he also began writing his own short stories and materials, often serializing them in monthly installments in publications, a popular method of publishing in the 19th century. Unlike most writers, Dickens would not write an entire story before it began its serialization, allowing him to work on the fly and leave plot lines up in the air with each opportunity. By the time he died at the relatively young age of 58 from a stroke, he was already Europe's most famous writer. His obituary noted that Dickens was a "sympathizer with the poor, the suffering, and the oppressed." Dickens was interred in Westminster Abbey, a rare honor bestowed only among the greatest and most accomplished Britons. Many of Dickens' novels were written with the concept of social reform in mind, and Dickens' work was often praised for its realism, comic genius and unique personalities. At the same time, however, Dickens' ability as a writer was nearly unrivaled, with his ability to write in prose unquestioned and unmatched.

The New Magdalen is a two-volume novel written by Wilkie Collins and published in 1873. The story follows the life of a young woman named Mercy Merrick, who is falsely accused of theft and forced to leave her home and family in disgrace. She eventually finds herself working as a nurse in a hospital, where she meets a man named Julian Gray, who is also living under a false identity. The two fall in love and begin a relationship, but their happiness is short-lived when Julian's true identity is revealed and he is arrested for a crime he did not commit. Mercy then sets out to clear Julian's name and prove his innocence, risking her own reputation and safety in the process. The novel explores themes of social injustice, redemption, and the power of love and forgiveness.In Two Volumes.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

The Woman in White is Wilkie Collins' fifth published novel, written in 1859. It is considered to be among the first mystery novels and is widely regarded as one of the first (and finest) in the genre of "sensation novels". The story is sometimes considered an early example of detective fiction with protagonist Walter Hartright employing many of the sleuthing techniques of later private detectives. The use of multiple narrators (including nearly all the principal characters) draws on Collins's legal training, [1][2] and as he points out in his Preamble: "the story here presented will be told by more than one pen, as the story of an offence against the laws is told in Court by more than one witness". In 2003, Robert McCrum writing for The Observer listed The Woman in White number 23 in "the top 100 greatest novels of all time", and the novel was listed at number 77 on the BBC's survey The Big Read. PLOT: Walter Hartright, a young art teacher, encounters and gives directions to a mysterious and distressed woman dressed entirely in white, lost in London; he is later informed by policemen that she has escaped from an asylum. Soon afterward, he travels to Limmeridge House in Cumberland, having been hired as a drawing master on the recommendation of his friend, Pesca, an Italian language master. The Limmeridge household comprises the invalid Frederick Fairlie, and Walter's students: Laura Fairlie, Mr. Fairlie's niece, and Marian Halcombe, her devoted half-sister. Walter realizes that Laura bears an astonishing resemblance to the woman in white, who is known to the household by the name of Anne Catherick: a mentally disabled child who formerly lived near Limmeridge, and was devoted to Laura's mother, who first dressed her in white. Over the next few months, Walter and Laura fall in love, despite Laura's betrothal to Sir Percival Glyde, Baronet. Upon realising this, Marian advises Walter to leave Limmeridge. Laura receives an anonymous letter warning her against marrying Glyde. Walter deduces that Anne has sent the letter and encounters her again in Cumberland; he becomes convinced that Glyde originally placed Anne in the asylum. Despite the misgivings of the family lawyer over the financial terms of the marriage settlement, which will give the entirety of Laura's fortune to Glyde if she dies without leaving an heir, and Laura's confession that she loves another man, Laura and Glyde marry in December 1849 and travel to Italy for six months. Concurrently, Walter joins an expedition to Honduras. After six months, Sir Percival and Lady Glyde return to his house, Blackwater Park in Hampshire; accompanied by Glyde's friend, Count Fosco (married to Laura's aunt). Marian, at Laura's request, resides at Blackwater, and learns that Glyde is in financial difficulties. Glyde attempts to bully Laura into signing a document that would allow him to use her marriage settlement of £20,000, which Laura refuses. Anne, who is now terminally ill, travels to Blackwater Park and contacts Laura, saying that she holds a secret that will ruin Glyde's life. Before she can disclose the secret, Glyde discovers their communication and becomes extremely paranoid, believing Laura knows his secret and attempts to keep her held at Blackwater. With the problem of Laura's refusal to give away her fortune, and Anne's knowledge of his secret, Fosco conspires to use the resemblance between Laura and Anne to exchange their two identities. The two will trick both individuals into travelling with them to London; Laura will be placed in an asylum under the identity of Anne, and Anne will be buried under the identity of Laura upon her imminent death. Marian overhears part of this plan; but becomes soaked by rain, and contracts typhus. William Wilkie Collins (8 January 1824 - 23 September 1889) was an English novelist, playwright, and short story writer.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

William Wilkie Collins (8 January 1824 - 23 September 1889) was an English novelist, playwright, and short story writer. His best-known works are The Woman in White (1859), No Name (1862), Armadale (1866) and The Moonstone (1868). The last is considered the first modern English detective novel. Born into the family of painter William Collins in London, he lived with his family in Italy and France as a child and learned French and Italian. He worked as a clerk for a tea merchant. After his first novel, Antonina, was published in 1850, he met Charles Dickens, who became a close friend, mentor and collaborator. Some of Collins's works were first published in Dickens' journals All the Year Round and Household Words and the two collaborated on drama and fiction. Collins published his best known works in the 1860s, achieved financial stability and an international reputation. During that time he began suffering from gout. After taking opium for the pain, he developed an addiction. During the 1870s and 1880s the quality of his writing declined along with his health.

Ancient Rome, AD 408: Young Antonia had the misfortune to live in interesting times -- the days when mighty Rome was brought low by the terror of the Goths.

When a condemned woman asks the local Minister to take her daughter home, the childless man is touched and finds himself unable to refuse. Yet the prisoner is unrepentant of the murder of her husband. Will her vices be passed on to this seemingly sweet child?William Wilkie Collins (8 January 1824 - 23 September 1889) was an English novelist, playwright, and short story writer. His best-known works are The Woman in White (1859), No Name (1862), Armadale (1866), and The Moonstone (1868). The last is considered the first modern English detective novel. Born into the family of painter William Collins in London, he lived with his family in Italy and France as a child and learned French and Italian. He worked as a clerk for a tea merchant. After his first novel, Antonina, was published in 1850, he met Charles Dickens, who became a close friend, mentor and collaborator. Some of Collins's works were first published in Dickens' journals All the Year Round and Household Words and the two collaborated on drama and fiction. Collins published his best known works in the 1860s, achieved financial stability and an international reputation. During that time he began suffering from gout. After taking opium for the pain, he developed an addiction. During the 1870s and 1880s the quality of his writing declined along with his health.Collins was critical of the institution of marriage and never married; he split his time between Caroline Graves, except for a two-year separation, and his common-law wife Martha Rudd, with whom he had three children.Collins was born at 11 New Cavendish Street, Marylebone, London, the son of a well-known Royal Academician landscape painter, William Collins and his wife, Harriet Geddes. Named after his father, he swiftly became known by his second name, which honoured his godfather, David Wilkie. The family moved to Pond Street, Hampstead, in 1826. In 1828 Collins's brother Charles Allston Collins was born. Between 1829 and 1830, the Collins family moved twice, first to Hampstead Square and then to Porchester Terrace, Bayswater.Wilkie and Charles received their early education from their mother at home. The Collins family was deeply religious, and Collins's mother enforced strict church attendance on her sons, which Wilkie disliked.In 1835, Collins began attending school at the Maida Vale academy. From 1836 to 1838, he lived with his parents in Italy and France, which made a great impression on him. He learned Italian while the family was in Italy and began learning French, in which he would eventually become fluent.From 1838 to 1840, he attended the Reverend Cole's private boarding school in Highbury, where he was bullied by a boy who would force Collins to tell him a story before allowing him to go to sleep. "It was this brute who first awakened in me, his poor little victim, a power of which but for him I might never have been aware...When I left school I continued story telling for my own pleasure", Collins later said.In 1840 the family moved to 85 Oxford Terrace, Bayswater. In late 1840, he left school and was apprenticed as a clerk to the firm of tea merchants Antrobus & Co, owned by a friend of Wilkie's father. He disliked his clerical work but remained employed by the company for more than five years. Collins's first story The Last Stage Coachman, was published in the Illuminated Magazine in August 1843.In 1844 he travelled to Paris with Charles Ward. That same year he wrote his first novel, Iolani, or Tahiti as It Was; a Romance, which was submitted to Chapman and Hall but rejected in 1845. The novel remained unpublished during his lifetime.Collins said of it: "My youthful imagination ran riot among the noble savages, in scenes which caused the respectable British publisher to declare that it was impossible to put his name on the title page of such a novel." ....

El hombre de negro fue escrita por el gran escritor inglés Wilkie Collins. Una intriga relacionada con una propiedad rural inglesa que hasta la reforma de Enrique VIII había pertenecido a la Iglesia Católica. Un prominente jesuita intenta convertir a la fe romana a su propietario, para luego convencerle de que renuncie a su heredad en favor de quienes siglos atrás fueron despojados de ella por arbitrariedad real. La joven con quien acaba de casarse se opone a estos planes, pero el jesuita averigua ciertos aspectos de su pasado que pueden haber hecho nulo el matrimonio. Sin embargo, el que ella esté embarazada complica aún más el desarrollo de los acontecimientos.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

A high ranking Catholic priest schemes to recover land considered Church property

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Outside the bedroom the night was black and still. The small rain fell too softly to be heard in the garden; not a leaf stirred in the airless calm; the watch-dog was asleep, the cats were indoors; far or near, under the murky heaven, not a sound was stirring. Inside the bedroom the night was black and still.

Hide and Seek was Wilkie Collins' third published novel. It is the first of his novels involving the solution of a mystery, the elements of which are clearer to the reader than to the novel's characters. Suspense is created from the reader's uncertainty as to which characters will find out the truth, when and how.The novel has a convoluted plot, in common with many of Collins' works.[2] It falls into two parts: the history of "Madonna" Grice Matthew Grice's discovery of her. Mary Grice is courted and seduced by a man calling himself Arthur Carr. Carr is called away on business, and his letters to Mary (presumably professing his honourable intentions toward her) are intercepted by Mary's sister Joanna, who considers Carr to be socially inferior to the Grices. Joanna drives the pregnant, unmarried Mary from the family home. Mary gives birth to a daughter and dies miserably, attended only by performers from a travelling circus. Martha Peckover, wife of one of the clowns, adopts the baby (also Mary) and takes possession of her one heirloom, a bracelet made of Mary Sr.'s & Carr's hair. Mary Jr. becomes a circus performer and is struck deaf and dumb after a riding accident, making her one of several of Collins' characters with severe physical disabilities. She is exploited by the circus owner, and to rescue her Mrs Peckover takes her to the home of a minister, Dr Joyce. There Valentine Blyth, a painter, sees her and himself adopts her. Mary Jr. grows up beautiful and acquires the nickname Madonna for her resemblance to figures of the Virgin Mary in Italian Renaissance painting. She is admired by Valentine's friend Zack Thorpe, a high-spirited but vacuous young man somewhat resembling Allan Armadale in the novel of that name. Zack leaves home after disagreements with his ultra-religious and disciplinarian father. In a brawl in a disreputable theatre, Zack defends a man who turns out to be Matthew (Mat) Grice, Mary Sr.'s brother, and moves in with him. Mat has spent decades wandering the Americas, but returns home after making his fortune on the California goldfields. Mat's next concern is to find out the fate of his family. He establishes from Joanna that Mary Sr. is dead but her child was born alive. Mat decides to trace the child. Zack introduces Mat to Valentine, who invites Mat to sit for him as a model. In Valentine's house, Mat meets Madonna and also catches sight of a hair bracelet, which he suspects is originally Mary's. He secretly obtains a key to Valentine's bureau and on a visit to the house opens the bureau, identifies the bracelet and satisfies himself that Madonna is Mary's child. He is surprised in the act by Madonna but escapes by blowing out her candle, after which she can neither see nor hear him. Mat then sets about finding Arthur Carr. His efforts are hindered by Joanna's death and Mrs Peckover's disclosure that neither she nor Valentine know who he was. However Mat is struck by the resemblance between Carr's hair (of which he has obtained the part unused in the bracelet) and Zack's. He surmises that Carr is Zack's straitlaced father, confronts him and obtains his confession. Madonna is thus revealed as Zack's half-sister, and he can no longer court her. He accompanies Mat to the New World, but eventually persuades him to return home to his adoptive "family" of the Blyths (with whom Madonna remains) and Zack.... William Wilkie Collins (8 January 1824 - 23 September 1889) was an English novelist, playwright, and short story writer.

Walter Wilding, riche négociant en vin, mène une vie heureuse auprès de sa mère, à qui il doit sa fortune et sa réussite sociale. A la mort de celle-ci, la découverte d'un terrible secret va bouleverser son existence: il n'est pas son vrai fils ! Rangé par la culpabilité d'avoir usurpé l'identité - et l'héritage - d'un autre, Walter décide de se lancer à la recherche de ce mystérieux double. Mais qui est donc le véritable Walter Wilding ? L'abîme, chef-d'oeuvre encore méconnu signé par deux grands noms de la littérature, conjugue le talent de Charles Dickens pour les ambiances et les personnages à celui de Wilkie Collins, génie des énigmes et du mystère

IN the month of August 1889, and in the middle of the seaside holiday, a message came to me from Wilkie Collins, then, though we hoped otherwise, on his death-bed. It was conveyed to me by Mr. A. P. Watt. He told me that his son had just come from Wilkie Collins: that they had been speaking of his novel, "Blind Love," then running in the Illustrated London News: that the novel was, unfortunately, unfinished: that he himself could not possibly finish it: and that he would be very glad, if I would finish it if I could find the time. And that if I could undertake this work he would send me his notes of the remainder. Wilkie Collins added these words: "If he has the time I think he will do it: we are both old hands at this work, and understand it, and he knows that I would do the same for him if he were in my place."

Valeria Woodville's first act as a married woman is to sign her name in the marriage register incorrectly, and this slip is followed by the gradual disclosure of a series of secrets about her husband's earlier life, each of which leads on to another set of questions and enigmas. Her discoveries prompt her to defy her husband's authority, to take the law into into a labyrinthine maze of false clues and deceptive identities, in which the exploration of the tangled...

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

No Name (1862) by Wilkie Collins is a 19th-century novel revolving around the issue of illegitimacy. The story begins in 1846, at Combe-Raven in West Somersetshire, the country residence of the happy Vanstone family. When Andrew Vanstone is killed suddenly in an accident and his wife follows shortly thereafter, it is revealed that they were not married at the time of their daughters' births, making their daughters "Nobody's Children" in the eyes of English law and robbing them of their inheritance.

The secret of the title is the parentage of the heroine, Rosamund Treverton, who has been passed off as the daughter of the wealthy former actress Mrs Treverton of Porthgenna Tower, but is in fact the illegitimate child of her servant Sarah Leeson by a local miner (Mrs Treverton's motive was to provide her husband with a child, being apparently unable to bear children herself). Sarah writes down the details of the secret from the words of the dying Mrs Treverton, and hides the paper bearing the message in an unused room at Porthgenna. The novel then jumps forward some twenty years. Rosamund has married the blind Leonard Frankland, who now owns Porthgenna Tower. Sarah, under an assumed name, obtains a post as servant to the family, and gives Rosamund a cryptic warning to avoid the room in which the Secret is hidden. On a visit to Porthgenna, Rosamund finds the paper detailing the Secret and reveals it to Leonard. Leonard, who was originally deceived into thinking Rosamund was a wealthy heiress, accepts that his wife is illegitimate, but refuses to accept her inheritance. In the course of things, this would now pass to Mrs Treverton's miserly brother Andrew (whose introduction, together with his villainous servant, provides some comic relief in the novel). But Andrew Treverton, somewhat out of character, refuses to accept the windfall and Rosamund remains the heiress of the Trevertons in the expected happy ending.

IT was a dark night. The rain was pouring in torrents. Late in the evening a skirmishing party of the French and a skirmishing party of the Germans had met, by accident, near the little village of Lagrange, close to the German frontier. In the struggle that followed, the French had (for once) got the better of the enemy. For the time, at least, a few hundreds out of the host of the invaders had been forced back over the frontier. It was a trifling affair, occurring not long after the great German victory of Weissenbourg, and the newspapers took little or no notice of it.

The resistless influences which are one day to reign supreme over our poor hearts, and to shape the sad short course of our lives, are sometimes of mysteriously remote origin, and find their devious ways to us through the hearts and the lives of strangers. While the young man whose troubled career it is here proposed to follow was wearing his first jacket, and bowling his first hoop, a domestic misfortune, falling on a household of strangers, was destined nevertheless to have its ultimate influence over his happiness, and to shape the whole aftercourse of his life.

No Name (1862) by Wilkie Collins is a 19th-century novel revolving upon the issue of illegitimacy. The story begins in 1846, at Combe-Raven in West Somersetshire, the country residence of the happy Vanstone family. When Andrew Vanstone is killed suddenly in an accident and his wife follows shortly thereafter, it is revealed that they were not married at the time of their daughters' births, making their daughters "Nobody's Children" in the eyes of English law and robbing them of their inheritance. Andrew Vanstone's elder brother Michael gleefully takes possession of his brother's fortune, leaving his nieces to make their own way in the world. Norah, the elder sister, accepts her misfortune gracefully, but the headstrong Magdalen is determined to have her revenge. Using her dramatic talent and assisted by wily swindler Captain Wragge, Magdalen plots to regain her rightful inheritance.