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This text is an investigation of the notion of interpretation and the strangeness of trying to construct a theory of interpretation, in other words, an interpretation of interpretation.
Langland's ""Piers Plowman"", his life's work, most often sounds like an odd mixture of dream-vision, satire, sermon, and allegory, as if its purpose were aggressively didactic. This study provides a reading of the poem that addresses most of the central issues current in Langland criticism.
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