Bøger udgivet af Christian Publishers LLC

Teens love to act crazy, push boundaries, take chances, and explore opportunities, so why not channel their energy and excitement onto the stage? These 30 short plays, ranging in length from three to seven minutes, allow actors to create outrageous characters in the context of situations they know so well. With natural dialog and believable situations, young actors will love that there are no complex issues and no lessons to learn - just real-life teen dilemmas presented in a comedy format. Written for mixed casts of two to six actors, each play has stage directions, simple props, and a setting. Contemporary situations enable students, actors, and the audience to relate easily to the material, such as Un-Identical Twins, Four Boyfriends, Last Free Summer, and The Babysitter. Suitable for all ages, even inexperienced young actors will have the opportunity to entertain audiences as they show off their talents and do what teens do best - laugh!

Whether you're a seasoned pro, an ambitious beginner, a theater student, an occasional dabbler in the performing arts, or just an unlucky club member who has been assigned to do a mime routine at the upcoming talent show, this is a handy, useful book. Includes forty-five complete mime routines for performers of all ages, adaptable to all types of audiences. In addition to the wide variety of routines are technique suggestions and ideas about makeup, props, staging, where and when to perform, and teamwork! This theatre book makes an excellent class text or a library resource.

This supplement workbook presents a comprehensive series of mime exercises for student practice and review. Each technique is explained step-by-step in this illustrated book which is meant as a student companion to the DVD (sold separately). Techniques include: Body Positioning, Communicating With the Body, and The Living Character. Also includes the techniques of creating an illusion, object identification, and gestural coloration and de-coloration.

This sequel edition contains new works from plays produced in the U.S. and Europe. It offers young actors a broad spectrum of challenges with contemporary styles and relevant topics in a variety of lengths. In addition to the scenes and monologues, the book includes nineteen useful exercises for strengthening acting skills. Many of the pieces require that performers dig deep into their imaginations to use their own emotional resources to create the many unique and fascinating characters included in the work. A short acting preface precedes each selection to help guide the actors'' interpretations. Six sections: Scenes for Two Women, Scenes for Two Men, Scenes for One Man and One Woman, Monologues for Women, Monologues for Men and Additional Resources. Recommended as a text or a supplemental resource for acting classes.

If you're looking for monologs that are witty, hysterical, and completely fresh and different, then look no further! You will recognize the fantasy characters in this collection of monologs even though the names have been changed to fit the style of a parody presentation. The monologs are short, easy to memorize, and perfect for elementary and middle school classrooms, contests, comedy auditions, or even school talent shows. Whether presented with or without costumes, these 100 monologs - 50 for girls and 50 for guys - are sure to be a hit! Not only that, they're fun, too! From The Disgruntled Tooth Fairy, Secret Agent Little Red Riding Hood, and Acrophobic Super-Duper Man to Ophthalmologist Wannabe Larry Plotter, Hemophobic Count Dracula, and more than 90 others, there's sure to be something for everyone!

As the famous song goes, this wonderful step-by-step guidebook starts at the very beginning-selecting a musical, planning your rehearsal schedule, teaching theatrical basics, and introducing your chosen musical to the group. With great readability and helpful charts, forms, and photos, the text then guides both the novice and the experienced directors through the nuts and bolts of running a typical rehearsal and preparing for the many facets of the production: dialog scenes, song and dance numbers, costumes, makeup, scenery, props, lighting, sound, and more. This comprehensive aid assists the director right up to-and past-the final performance, with chapters on publicity, the final rehearsal, and "beyond the performances." An invaluable guide for teaching acting, singing, and dancing skills, the book focuses on working with musical scripts. Still, many of the ideas and much of the advice presented will be a great help to directors of straight plays as well.

You'll be amazed at the creative and varied ways our playwrights have dramatized the Christmas story. We've selected many of our best-selling plays for this book, from a traditional pageant for children to multicultural selections to laugh-out-loud comedies. There are dramas for many ages and situations, and they have all been audience-tested with resounding success. We've only included scripts that are user-friendly, with production suggestions describing how to stage the performances easily. Scripts feature a variety of cast sizes. The selections will carry you through from Advent through Epiphany. Best of all - the scripts are royalty-free! Anyone responsible for planning Christmas programs will appreciate this cost-effective and helpful resource. Sample titles include: Heavenly Committee Plans Christmas, The Nutcracker Story, Merry Christmas Plus Peace on Earth, The Story of "Silent Night," O Little Town of Bennington, And the Child Was Born and more.

Barb Rogers' creativity rises to new levels in her latest book, which takes her concept of conversion costuming and applies it to accessories, props, and illusion costumes. While still dedicating a complete section to costuming, you'll love learning how to accessorize your show without a scratch: hats and headpieces, masks, wings, jewelry, and much more. The props section covers armor, thrones, dinnerware, Native American props, and more. Finally, you'll love how her simple creativity can allow you to create illusions, such as a head on a platter or a person riding a spider!

Free-standing scenery creates its own theatre - compact, economical, and flexible. It marches right into any stage space, classroom, recreation hall, or outdoor theatre space. This stagecraft book, with over 175 drawings, tells how to construct self-supporting scenery, covering tools, materials, designs, and craft. An excellent theatre reference book, now in its fifth edition, James Hull Miller is a leading designer in the field with over 50 years of experience.

The unique format of this book will get students talking whether they're actors or not! Duologs are not scenes for two people; rather, they are a pair of monologs about the same subject but from different viewpoints. Likewise, triologs offer three perspectives on the same topic, without the actors ever interacting. These can be great tools for opening up subjects for discussion or debate. Even the standard single monologs including in this creative collection touch on issues ripe for discussion for middle and high school students. The subject material of all these monologs, ranging from one to three minutes maximum, is honest and true to life. Best of all, you don't have to worry about inappropriate language or situations. These monologs don't skirt important issues that teens face today, but each situation is handled in a way that allows the actor, not the language, to be center stage. Monologs range from light-hearted topics - blind dates, babysitting blues, and fender benders - to more sensitive ones such as family problems, drunk driving, and suicide.

Teacher's guide to Everything about Theatre.

Far from your standard text on speech education, this delightfully illustrated book encourages lively participation in each activity and focuses on fun exercises for students of all ages. This whole year of creative assignments will aid preparation for any speaking, from formal, research-based presentations to simple retellings of personal experiences. Sample activities include rap, pantomime, charades, a game show, readers theatre, TV news, a mock trial, talk show improvisation, and dozens more, including a bonus section of extra activities. The ten chapters cover a wide gamut, from interpersonal and intrapersonal communication to impromptu speaking, storytelling, acting, and non-verbal communication. Each chapter contains terms to learn, objectives, assignment instructions, and topic ideas.

Concise, intelligent, and very funny! These professional-level satirical dialogs are an actor's delight. The characters are exaggerated, talking cartoons. Each short skit gets big laughs because the dialog bites, stabs, and tickles with wit and insight. Sacred cows are skinned alive. Simple staging and costumes. Excellent for drama competitions. Choose from fifty comedy duets. They arranged for two men, two women, one man, and one woman or optional men or women-more of the best from a top comedy writer.

These short scripts include teen topics and the honest feelings of teenagers--their joys and problems. The topics include the environment, dieting, babysitting, self-image, drunk driving, teenage sex, and more--all treated with humor, warmth, and realism. Many roles may be played by either male or female performers and may be staged without unique sets, props, or costumes. This material is ideal for speech and drama classrooms, variety shows, and forensic competitions.(240 pages, 5¿ x 8¿, paperback)

Tom Isbell wants you to know that this is definitely not a 'how-to' book on acting. In fact, he abhors how-to books for the arts. Still, this book is meant to improve your acting skills by developing your awareness as an actor-awareness both of yourself and those around you. By understanding what is worth pursuing, what is worth remembering, and what is worth letting go of, you can acquire knowledge about acting which will increase your skill level. This book is a series of 100 plain-speaking, highly readable lessons that convey the big and little truths of acting. Divided into 5 sections-Approach, Fundamentals, Classes and Rehearsals, Performance, and Final Lessons-Isbell presents this as a true acting book that focuses on allowing the natural artist to evolve, grow and mature, finding his or her own voice. If you're new to acting, these 100 lessons should provide a foundation on which you can build your acting life. If you've been acting for a while, these lessons should confirm what you already know deep within you but perhaps haven't yet voiced.