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?Haunting . . . Written in the author's classic, clear style, these narratives enchant.??Boston GlobeThe need for love?obsessive, self-destructive, unpredictable?takes us to forbidden places, as in the chilling world of Give Me Your Heart, a new collection of stories by the inimitable Joyce Carol Oates. In ten razor-sharp stories, children veer beyond their parents' control, wives and husbands wake up to find that they hardly know each other, haunted pasts intrude upon uncertain futures, and those who bring us the most harm may be the nearest at hand.?Dread, in fiction, can be a magnificent thing . . . Oates isn't writing horror fiction, but she might as well be. Her stories pack the same kind of visceral wallop.??Los Angeles Times

The Best American Series® First, Best, and Best-Selling The Best American series is the premier annual showcase for the country's finest short fiction and nonfiction. Each volume's series editor selects notable works from hundreds of magazines, journals, and websites. A special guest editor, a leading writer in the field, then chooses the best twenty or so pieces to publish. This unique system has made the Best American series the most respected?and most popular?of its kind. The Best American Science and Nature Writing 2011 includes Atul Gawande, Jonathan Franzen, Deborah Blum, Malcolm Gladwell, Oliver Sacks, Jon Mooallem, Jon Cohen, Luke Dittrich, and others

?A compelling moral fable in the shape of a gritty, twist-filled thriller.??Wall Street Journal John Shannon is a petty thief on the run. A three-time loser framed for murder, he knows that he's facing life in prison?or death by lethal injection. Then, a bizarre text message draws him to a meeting in the dark of night. A foreigner who calls himself the Identity Man offers Shannon an incredible chance to start again: a new face, a new home, a new beginning. In a ruined city trying to rebuild, he gets work as a carpenter, and falls in love. It seems too good to be true?and it is. It turns out this city is crawling with crooked politicians, gangsters, and dirty cops?all of whom seem to want Shannon dead. Moving through the shambles of a town, he's got to ferret out the secret of his new life?and fast?if he wants to be left with any life at all. ?A gripping thriller.??Entertainment Weekly ?A work of intense realism pervaded by sorrow, mercy, hope?and ultimately, transcendence.??Washington Times

Sarah promised Marjorie when they were five years old that they would be best friends forever. But that was before seventh grade, when everything changed everything except Marjorie. While Sarah wants to meet new people and try new things, Marjorie still likes doing the same things they always did. It seems the more time the two girls spend together, the more time Sarah wants to spend apart. How did a promise that was so easy to make become so hard to keep?With beautifully drawn characters and vivid details, this incisive novel portrays middle school in all its complexity both the promise of what is to come and the pain of what must be left behind."

Big Audrey is a girl . . . with cat's whiskers . . . and sort of cat's eyes. But, is there an other cat-whiskered, sort of cat-eyed girl?Big Audrey waves goodbye to her friends Iggy and Neddie, Seamus, and Crazy Wig, in Los Angeles and hitches a ride with bongo-playing-while-driving Marlon Brando across the country to Poughkeepsie, New York, city of mystery. She finds she has questions needing answers-and a bit of inter-plane-of-existence traveling to do.Big Audrey and her telepathic friend Molly zigzag off on an incredibly strange and kooky adventure, and solve the mystery of the cat-whiskered doppelganger.

Three guys from the Briar Academy fencing team went up to the cliff that night for a hazing ritual but only two came back alive. Now Luke s best friend, Hayden, is in jail and the pressure is on Luke to report what he saw. But what did he see? An accident or a murder? Luke has always followed Hayden s lead, but this is one decision he ll be forced to make on his own. And to do it, he must face the truth about his friendship with Hayden and his own painful past.

Cyan was named after a shade of blue, her artist mother's favorite color. The color of the sea. Since her father's death last year, she's felt just as mercurial and dark as her namesake, and the distance between Cyan and her mother has grown as wide as an ocean. Now they're returning to the island of Curaçao in the Caribbean, where her father's mysterious accident occurred, and joining them will be Kammi--who may soon become a stepsister. Haunted by the secrets of the past, Cyan will explore all the depths of her blueness this summer, discovering the light, the darkness, and the many shades in between that are within her?and within us all.

Claire Louise Corbett and her Confederate family flee their home as Union soldiers shell their town of Vicksburg, Mississippi. They venture out from the safety of a cave only three times a day, when the Union army takes their meals at eight in the morning, noon, and eight at night. Although many of the townspeople suffer from a lack of food, the Corbetts receive extra rations from Claire Louise's brother, Landon, a doctor with the Union army. When Claire Louise discovers her brother tending to a Confederate soldier who is responsible for Robert E. Lee's "lost order" (causing the South to lose the Battle of Antietam), she is forced to make a difficult choice between family and friends.Award-winning historical novelist Ann Rinaldi paints a story of family, courage, and secrets during the forty-seven-day siege of Vicksburg, a battle that has sometimes been ignored in history because it ended the same day as the Battle of Gettysburg.

In Washington, D.C., life inside the Goldstein home is as tumultuous as the swiftly changing times. In 1979, the Cold War is waning and the age of protest has come and gone, leaving a once radical family to face a new set of challenges. "Something Red" is a masterly novel that unfurls with suspense, humor, and insight. Dennis, whose government job often takes him to Moscow, struggles both to succeed in a career he doesn t quite believe in and to live up to his father s leftist legacy. Sharon, a caterer for the Washington elite, joins a cultlike group in search of the fulfillment she once felt. Happy-go-lucky Benjamin is heading off to college, there to experience an awakening of social conscience, and sixteen-year-old Vanessa finds a cure for alienation in D.C. s hardcore music scene. As each of them follows separate trajectories of personal protest and compromise along the edge of a new decade, radical traditions long dormant in their family awaken once again, with shocking, far-reaching results. A poignant story of husbands and wives, parents and children, activists and spies, "

In Brilliant, award-winning author Jane Brox offers a sweeping history of our transformative relationship with light--from the stone lamps of the Pleistocene to LEDs embedded in fabrics of the future--and reveals that the surprising, complex story of our illumination is also the story of our modern selves.Just five hundred years ago almost everyone lived at the mercy of the dark, yet today so much of life as we know it--our long evening hours, our flexible working days, our feelings of safety at night--depends upon cheap, abundant light. Brox not only examines the social and environmental implications of this remarkable transformation, she tells a compelling story imbued with human voices, startling insights, and timely questions about how the light of the future will shape our lives.

Climate discussions often focus on potential impacts over a long period of time several decades, a century even. But change could also happen much more suddenly. What if we had a real climate emergency how could we cool the planet in a hurry? This question has led a group of scientists to pursue extreme solutions: huge contraptions that would suck CO2 from the air, machines that brighten clouds and deflect sunlight away from the earth, even artificial volcanoes that spray heat-reflecting particles into the atmosphere. This is the radical and controversial world of geoengineering. "How to Cool the Planet," Jeff Goodell explores the scientific, political, and moral aspects of geoengineering. How are we going to change the temperature of whole regions if we can t even predict next week s weather? What about wars waged with climate control as the primary weapon? There are certainly risks, but Goodell persuades us that geoengineering may be our last best hope, a Plan B for the environment. And if it is, we need to know enough to get it right."

Near the close of the Civil War, as General Sherman blazed his path to the sea, an unknown infantryman rifled through the North Carolina state house.The soldier was hunting for simple Confederate mementos maps, flags, official correspondence but he wound up discovering something far more valuable. He headed home to Ohio with one of the touchstones of our republic: one of the fourteen original copies of the Bill of Rights."Lost Rights" follows that document s singular passage over the course of 138 years, beginning with the Indiana businessman who purchased the looted parchment for five dollars, then wending its way through the exclusive and shadowy world of high-end antiquities a world populated by obsessive archivists, oddball collectors, forgers, and thieves and ending dramatically with the FBI sting that brought the parchment back into the hands of the government.For fans of "The Billionaire s Vinegar" and "The Lost Painting," "Lost Rights" is a tour de force of antiquarian sleuthing (Hampton Sides). "

Called "a Buddhist Chekhov" by the San Francisco Chronicle, Samrat Upadhyay's writing has been praised by Amitav Ghosh and Suketu Mehta, and compared with the work of Akhil Sharma and Jhumpa Lahiri. Upadhyay's novel, Buddha's Orphans, uses Nepal's political upheavals of the past century as a backdrop to the story of an orphan boy, Raja, and the girl he is fated to love, Nilu, a daughter of privilege.Their love story scandalizes both families and takes readers through time and across the globe, through the loss of and search for children, and through several generations, hinting that perhaps old bends can, in fact, be righted in future branches of a family tree. Buddha's Orphans is a novel permeated with the sense of how we are irreparably connected to the mothers who birthed us and of the way events of the past, even those we are ignorant of, inevitably haunt the present. But most of all it is an engrossing, unconventional love story and a seductive and transporting read.

Robin Robertson's fourth collection is an intense, moving, bleakly lyrical, and at times shocking book. These poems are written with the authority of classical myth, yet sound utterly contemporary. The poet's gaze-whether on the natural world or the details of his own life-is unflinching and clear, its utter seriousness leavened by a wry, dry, and disarming humor.Alongside fine translations from Neruda and Montale and dynamic retellings of stories from Ovid, the poems here pitch the power and wonder of nature against the frailty and failure of the human. This is a book of considerable grandeur and sweep that confirms Robertson as one of the most arresting and powerful poets at work today.

A tale about big business, an imploding dynasty, a mogul at war, and a deal that epitomized an era of change While working at the Wall Street Journal, Sarah Ellison won praise for covering the $5 billion acquisition that transformed the pride of Dow Jones and the estimable but eccentric Bancroft family into the jewel of Rupert Murdoch's kingdom. Here she expands that story, using her knowledge of the paper and its people to go deep inside the landmark transaction, as no outsider has or can, and also far beyond it, into the rocky transition when Murdoch's crew tussled with old Journal hands and geared up for battle with the New York Times. With access to all the players, Ellison moves from newsrooms to estates and shows Murdoch, finally, for who he is?maneuvering, firing, undoing all that the Bancrofts had protected. Her superlative account transforms news of the deal into a timeless chronicle of American life and power.

Meredith Willis is suspicious of Adrien, the new guy next door. When she dares to sneak a look into the windows of his house, she sees something in the cellar that makes her believe that Adrien might be more than just a creep?he may be an actual monster.But her sister, Heather, doesn't share Meredith's repulsion. Heather believes Adrien is the only guy who really understands her. In fact, she may be falling in love with him. When Adrien and Heather are cast as the leads in the school production of Romeo and Juliet, to Heather, it feels like fate. To Meredith, it feels like a bad omen. But if she tries to tear the couple apart, she could end up in the last place she'd ever want to be: the cellar. Can Meredith convince her sister that she's dating the living dead before it's too late for both of them?

Can a story save your life?Meg Carpenter is broke. Her novel is years overdue. Her cell phone is out of minutes. And her moody boyfriend's only contribution to the household is his sour attitude. So she jumps at the chance to review a pseudoscientific book that promises life everlasting.But who wants to live forever?Consulting cosmology and physics, tarot cards, koans (and riddles and jokes), new-age theories of everything, narrative theory, Nietzsche, Baudrillard, and knitting patterns, Meg wends her way through Our Tragic Universe, asking this and many other questions. Does she believe in fairies? In magic? Is she a superbeing? Is she living a storyless story? And what's the connection between her off-hand suggestion to push a car into a river, a ship in a bottle, a mysterious beast loose on the moor, and the controversial author of The Science of Living Forever?Smart, entrancing, and boiling over with Thomas's trademark big ideas, Our Tragic Universe is a book about how relationships are created and destroyed, how we can rewrite our futures (if not our histories), and how stories just might save our lives.

Virginia Woolf is one of the most influential figures in twentieth-century literature. She was original, passionate, vivid, dedicated to her art. Yet most writing about her still revolves around her social life and the Bloomsbury set. In this fresh, absorbing book, Julia Briggs puts the writing back at the center of Woolf's life, reads that life through her work, and mines the novels themselves to create a compelling new form of biography. Analyzing Woolf's own commen­tary on the creative process through her letters, diaries, and essays, Julia Briggs has produced a book that is a convincing, moving portrait of an artist, as well as a profound meditation on the nature of creativity.