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Explores evolving definitions of media and how media technologies are transforming media theory and practice. The collection addresses the emerging role of media across a wide range of disciplines, featuring contributions from an array of internationally known scholars and practitioners. 37 b/w illus.
Provides a model for therapeutic decision-making by deconstructing the processes of drama therapy. Looks at creating effective treatment plans by integrating information about clients' symptoms and phase of therapy with the core concepts inherent in all drama therapy approaches. Includes theory and examples of specific drama therapy interventions.
An intimate and personal exploration of the author's journey following the development of the field of social practices in contemporary art: arguably the most significant shift in art world practices in the last two decades. A beautifully written exploration of key individuals, institutions and gatherings in socially engaged art. 36 colour illustrations.
An analysis of the hit television series Columbo specifically looking at the famous detective's investigative method of rhetorical enquiry. Through a barrage of questions about tiny details and by feigning ignorance, Columbo employs Socratic method of questioning based on temperance and restraint to discover truths from guest star murderers.
Expertise and the Architecture of the Islamic World explores how architectural traditions and practices were shared and exchanged across national borders, departing from a straightforward narrative of European import and export of Islamic designs and skills.
Offers an illustrated, insightfully written survey of movies shot in Chicago from 1897 to 2012. Featuring films from beloved classics to modern blockbusters and obscure silents, this book celebrates the unique character of Chicago on the big screen and is written by a range of contributors who are experts on the subjects of cinema and Chicago.
Based on the 2012 symposium On Perfection, held at the Whitechapel Gallery in East London, this book explores the ways in which artists engage with ideas of perfection, drawing on screenings, performances, and discussions.
This volume offers a useful guide for current researchers in Intellect's subject area of Cultural Studies. The directory holds the names, institutions, biographies and current research interests of hundreds of leading international academics as well as references to the researchers' principal articles in Intellect journals.
This book focuses on England, Northern Ireland, Scotland and Wales. It takes a look at the cultural and artistic significance of British cinema from the silent era to the present, providing critical essays and insights into the shifting notions of Britishness, important industry developments and the endurance of the British film industry.
Using Ireland as a model, this title offers a comprehensive treatment of art education in primary and secondary schools, institutions of higher education, cultural institutions and the diverse communities they serve. It lays out the opportunities and challenges of art practice while paying attention to relevant national policy.
To clear their minds and organize their ideas, artists will often start projects by drawing sketches. This book asks why artists and designers use drawing in that way to kick-start their creative thinking, considering the application of drawing and its various uses across disciplines.
Concentrates on analysing and explaining how European countries are slowly conceding control of the media from the government to the market, professional and public forces. This volume provides an examination of various aspects of media governance, including media ownership structures, government policies, and citizen's organisations.
Storytelling and intimacy conspire in the magic of the street theatre that is the contingent encounter. Here one's participation is already loaded; any engagement involves risks of thought or of feeling. The authors work with an aesthetic of the glimpse; fleeting encounters with wisdom and beauty.
Original and timely new study of contemporary painting's relationship with history and historical material. Uses examples of traditional and conceptual painting and practice to draw together historical and contemporary practice. 20 col. illus.
Promotes an understanding of 'design for healthy ageing' from a multi-faceted perspective of design and health practitioners. Provides tools and methods for approaching the complex issues associated with ageing through cross-cultural interactions and perspectives. Incl. case-studies run in Asia-Pacific 44 b/w illus., 3 tables, 9 col. illus.
Highly original and fascinating cultural and political history told through Belfast's popular music scene in the 1960s in the context of Northern Ireland's sociopolitical milieu. With particular emphasis on Van Morrison, Them, and Ottilie Patterson; also features the Peter Whitehead film of The Rolling Stones. 15 b/w illus.
The annual Beijing Film Academy Yearbook showcases the best academic debates, discussions and research, as previously published in the highly prestigious Journal of Beijing Film Academy. This volume brings together selected articles, appearing for the first time in English, bridging the gap in cross-cultural research in cinema and media studies.
This book investigates performance practice and practice-as-research methodology on the issues of authorship and collaborative labor in a world characterized by fragmentation, displacement, and virtual relationships. It addresses the following questions: What is a collaborative body? How can one sole performer enact and convey a collaborative practice? How can one body on stage carry out several voices at once? How can one maintain a sense of community while being alone in a room? Performing Collaboration in Solo Performance presents the full-length definitive version of the performance score from Chloé Déchery's original performance piece entitled A Duet Without You, created between 2013 and 2015 in collaboration with a range of high-profile artists including Karen Christopher, Michael Pinchbeck, Deborah Pearson, Simone Kenyon, and Pedro Ins. A collection of essays by preeminent writers, artists, and academics in the field complement the original performance scores, ranging from performative responses to in-depth theoretical essays. Bridging practical experiment and theoretical examination, this innovative interdisciplinary volume will appeal to anyone working in between artistic practices and scholarly research.
An analysis of the role of baroque and neo-baroque aesthetics in technotexts, reframing critical debate of contemporary experiments in literary practice in the late age of print. Works by Jonathan Safran Foer, Chris Ware and David Clark are investigated alongside other authors and media such as digital media, film, visual art and interface design.
Applies the principles, goals, and methodologies of the holistic educational model to the study of four Shakespearean plays: "A Midsummer Night's Dream", "Measure for Measure", "Othello", and 'The Tempest".
A study on the history and practice of popular theatre in Britain, Canada and overseas, incorporating the individual contributions of active dramatists into the broader investigation. It covers distinctions between popular and mainstream theatre, and the Theatre in Education movement.
Considers how film and related visual media offer insights into the city, looking at the built environment as well as a lived social experience. It brings together an international group of filmmakers, architects, digital artists, designers and media journalists who critically read, reinterpret and create narratives of the city. 80 b/w illus.
This edited collection examines statistics within the music industry. Its aim is to expose the historical and contemporary use and abuse of these numbers, both nationally and internationally. It addresses their impact on consumers' choices, upon the careers of musicians and upon the policies that governments and legislators make.
Slow TV has become a familiar feature of broadcasting in Norway. It refers to a set of programmes produced by the Norwegian Broadcasting Corporation (NRK) since 2009, starting out with a seven-hour broadcasting of the train ride between Bergen and Oslo. The concept of slow TV and 'minute-by-minute' broadcasting was developed so that the event on television lasts as long as in real time. Several broadcasters outside Norway, including BBC Four, YLE, SRF and Netflix, have now taken up the concept of slow TV.The first study of this genre, this highly original book explores three different aspects of the phenomenon of slow TV: the perspective of the broadcaster, the perspective of the producers and other actors involved in the production of the programme, and that of the audience.It goes beyond the question of genre and considers how slow TV fits into television scheduling and how the audience appeal can be understood within broader concepts such as media events, media tourism, reception and national identity. Public service broadcasters can be seen as having more opportunity to experiment, and slow TV can be seen as a good example of public service programming. What attracts viewers to the programmes is that they invite a contemplative mode of watching: there is a chance to see something unexpected, or to be introduced to interesting new things.Illustrated throughout in full colour, using stills from broadcast programmes.This book will appeal primarily to an academic readership, both researchers and students. Most readers are likely to be involved with media and communication studies, cultural studies and film studies. It will also be of interest more generally to the humanities and social sciences fields as it touches on topics such as national and local identity, popular culture, Nordic lifestyle, well-being, tradition, community and popular culture.
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