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"Schopenhauer's analyses of causation and related concepts . . . rival and probably surpass in their depth and brilliance the more celebrated discussions of David Hume. Where Hume grossly oversimplified these problems and left them riddled with paradoxes, Schopenhauer disentangled them and shed light on what had seemed hopelessly dark." --Richard Taylor, University of Rochester

A portfolio of opinions and arguments from 60 scientists, including 24 Nobel Prize winners, on the relationship between the scientific enterprise and the religious view of reality.

Examines the nature of expert knowledge, the part that shows and the much larger part that is hidden, and offers an explanation of how it comes about. Hard work, practice, and experience are not enough to make an expert.

A collection of 50 writings on diverse aspects of the transition to adulthood. The contributions include personal experiences, practical information about professional work, anthropological descriptions, mythic stories, and comments on social problems such as teenage pregnancy.

James Webb delves into the astonishing 19th-century rebirth of occultism and anit-rationalism: the beginnings of the movement we now call New Age. A secret tradition of knowledge rejected by the Christian or Scientific establishments suddenly became emboldened to seek publicity and converts.

"This monograph is written with admirable lucidity and delightful wit. In using humor as a weapon in philosophical argument it is beautifully in the Russellian tradition. The arguments appear to be devastating. Defenders of Heidegger will have a hard time trying to answer it." --J.C.C. Smart, Professor of Philosophy, The Australian National University

An exploration of vegetarianism in the Judeo-Christian tradition. The author attempts to answer the question, "are Christians morally obligated to be vegetarians?", through readings of key biblical texts pertaining to dietary customs, vegetarianism and animal rights.

This books is a reprint of the Sixth Book of Mill's A System of Logic ratiocinative and inductive, being a connected view of the principles of evidence and the methods of scientific investigation, first published in 1843. The text has been reset from the eighth edition (1872), the last edition published in Mill's lifetime.

Charlie Rose has called Louis C.K. “the philosopher-king of comedy,” and many have detected philosophical profundity in his material.Twenty-five philosophers examine the wisdom of Louis C.K. from a variety of philosophical perspectives. The chapters draw upon C.K.’s standup comedy, the show Louie, and C.K.’s other writings.One writer looks at the different meanings of C.K.’s statement, “You’re gonna be dead way longer than you were alive.” One chapter shows the affinity of C.K.’s “sick of living this bullshit life” with Kierkegaard’s “sickness unto death.” Another pursues Louis’s thought that we may by our lack of moral concern “live a really evil life without thinking about it.”C.K.''s insistence that “things that are not can’t be” points to the philosophical problem of nothingness in relation to being. His religion is “apathetic agnostic,” conveyed in his thought experiment that God began work in 1982. Louis’s argument that you can have the kind of body you want if you make yourself want a disgusting, shitty body, is the Stoic ethics of Epictetus. And, as C.K. has shown in so many ways, the fact that we’re soon going to die has its funny side.

If you know that someone is writing the script of your life, can you really be a hero? Deadpool is the super-anti-hero who knows he's in a comic book. His unique situation and blood-stained history give rise to many philosophical puzzles. Are his actions predetermined by the writers, or does he trick the writers into scripting his choices? And what happens when Deadpool breaks into the real world to kill the writers? Deadpool challenges us to think outside the box, and this collection of essays examines the profound implications of this most contradictory and perplexing comic book character.

Hannibal Lecter, the subject of best-selling novels, movies, and the acclaimed TV series Hannibal, is one of pop culture's most compelling characters. In Hannibal Lecter and Philosophy, 16 philosophers come at Hannibal the way he comes at his victims - from unexpected angles and with plenty of surprises.What does the relationship between Hannibal and those who know him - particularly FBI investigator Will Graham - tell us about the nature of friendship? Does Hannibal confer benefits on society by eliminating people who don't live up to his high aesthetic standards? Can upsetting experiences in early childhood turn you into a serial killer? Why are we enthralled by someone who exercises god-like control over situations and people? Does it make any difference morally that a killer eats his victims? Can a murder be a work of art?Several chapters look at the mind of this proud and accomplished killer, psychiatrist, and gourmet cook. Is he a sociopath or a psychopath, or are these the same? Is he lacking in empathy? Does his moral blindness give him compensating abilities, the way literally blind people gain heightened senses? Does it harm us that we are drawn into Hannibal's world by identifying with him?

In Dracula and Philosophy 24 nocturnal philosophers stake out and vivisect Dracula from many angles.John C. Altmann decides whether Dracula can really be blamed for his crimes, since it’s his nature as a vampire to behave a certain way. Robert Arp argues that Dracula’s addiction to live human blood dooms him to perpetual frustration and misery. John V. Karavitis sees Dracula as a Randian individual pitted against the Marxist collective. Greg Littmann maintains that if we disapprove of Dracula’s behavior, we ought to be vegetarians. James Edwin Mahon uses the example of Dracula to resolve nagging problems about the desirability of immortality. Adam Barkman and Michael Versteeg ponder what it would really feel like to be Dracula, and thereby shed some light on the nature of consciousness. Robert Vuckovich looks at the sexual morality of Dracula and other characters in the Dracula saga. Ariane de Waal explains that “Dragula” is scary because every time this being appears, it causes “gender trouble.” And Cari Callis demonstrates that the Count is really the Jungian Shadow archetype — with added Shapeshifter elements — in the journey of Mina Harker, heroine/victim of Stoker''s novel, from silly girl to empowered woman.

From the early years, when he morphed from celebrated poet to provocative singer/songwriter, to his induction into the Rock and Roll Hall of Fame, Leonard Cohen has endured as one of the most enigmatic and profound figures in all of popular music. With his uniquely compelling voice and unparalleled depth of artistic vision, the aesthetic quality and intellectual merit of Cohen’s work are above dispute; here, for the first time, a team of philosophers takes an in-depth look at its real significance.Want to know what Cohen and Kierkegaard have in common? Or whether Cohen rivals the great philosophical pessimist Schopenhauer? Then this book is for you. It provides the first thorough analysis of Cohen from various (philosophical) positions. It is intended not only for Cohen fans but also undergraduates in philosophy and other areas. It explores important neglected aspects of Cohen’s work without attempting to reduce them to academic tropes, yet nonetheless it is also useful to academics — or anyone — beguiled by the enigma that is Leonard Cohen.

More Doctor Who and Philosophy is a completely new collection of chapters, additional to Doctor Who and Philosophy (2010), by the same editors. Since that first Doctor Who and Philosophy, much has happened in the Whoniverse: a new and controversial regeneration of the Doctor, multiple new companions, a few creepy new enemies of both the Doctor and planet Earth.New questions have been raised and new questioners have come along, so there are plenty of new topics for philosophical scrutiny. Is the “impossible” girl really impossible? Is there anything wrong with an inter-species lesbian relationship (the kids weren’t quite ready for that in 1963, but no one blinks an eye in 2015)? Can it really be right for the Doctor to lie and to selectively forget? We even have two authors who have figured out how to build a TARDIS — instructions included!An added feature of this awesome new volume is that the editors have reached out to insiders of Who fandom, people who run hugely successful Who conventions, play in Who-inspired bands, and run wildly popular podcasts and websites, to share their privileged insights into why the Doctor is so philosophically deep.

This book has not been prepared, authorized, or endorsed by the creators or producers of "Justified."--Front cover.

In Homeland and Philosophy, 23 philosophers tackle the issues that Showtime's award-winning show Homeland asks us to consider. The drama, which centers on Marine Sergeant Nicholas Brody's release from an al-Qaeda prison, and CIA Agent Carrie Mathison's distrust of his intentions, asks questions of identity, what it means to be a terrorist, the conditions and effects of brainwashing, lying for the greater good, and whether or not courage is a virtue.But these questions are only a few among many that are explored in the obscure, paranoid world of Homeland. Through the lenses of Rawls, Kant, Arendt, Foucault, Heidegger, Sartre, and Kierkegaard, among others, Homeland and Philosophy considers the ethics of drone warfare; whether or not Carrie Mathison's personality changes and psychological disorder make her an interesting character study in the metaphysics of personhood; at what point privacy is only an illusion; and concepts of torture, punishment, and discipline.

In The Good Wife and Philosophy, fifteen philosophers look at the deeper issues raised by this stirring TV drama. The Good Wife gives us courtroom battles in the tradition of Perry Mason, with the added dimension of a political intrigue and a tormented personal story. We witness the interplay between common morality and legal correctness; sometimes following one violates the other. Lawyers operate within the law and within legal ethics, yet routinely do harmful things in pursuit of their clients' interests. The adversarial system leads to such strategies as stringing out a case to exhaust the other side's resources and bringing suits ostensibly because of wrongdoing by defendants but really to curtail the defendants as a competitive threat to some important client's interest.The idea for The Good Wife came from the recurring news drama of wives standing by their husbands when scandal breaks: the wives of Bill Clinton, Elliott Spitzer, and John Edwards. Often these politicians' spouses are themselves lawyers who have had to cope with the gray areas of legal battles and maneuvering. Following her husband's disgrace and imprisonment, Alicia Florrick has to return to the law, which she abandoned for the sake of being a full-time wife and mother.

Steve Jobs represents a whole range of values and ideas in pluralistic American culture. He was a barefoot hippy capitalist who did more to change our everyday lives than anyone since Thomas Edison. Coming from modest means and education, he revolutionized several key industries and became fantastically wealthy.In Steve Jobs and Philosophy 16 philosophers examine the inspiring yet often baffling world of Steve Jobs. What can we learn about business ethics from his example? What are the major virtues of a creative innovator? How could Jobs defy conventional business practices? How did he combine values and attitudes previously believed to be unmixable? What does it really mean to “think different”? Can entrepreneurs be made or are they just born? If Jobs didn’t make any major inventions, what was his contribution? What does Jobs teach us about the notions of simplicity and functionality in design? How do Jobs’s achievements alter the way we think about technology in relation to human life?Steve Jobs and Philosophy covers vital issues in ethics, business, aesthetics, and technology. It includes a fascinating appendix listing all the philosophers mentioned in the book, along with explanations of their lives and key themes in their thoughts.

Twenty-one philosophers investigate the implications of the Jurassic Park franchise for our lives, our values, and our future. Human beings live and thrive by modifying nature, but when do the risks of changing nature outweigh the likely benefits?

Offers a sympathetic, philosophical look at the supervillains. This title delves into the dark nature of supervillainy, examines the boundaries of good and evil, offers helpful advice to prospective supervillains, and untangles diabolical puzzles of identity and consciousness.

Brings together over thirty philosophers to engage in wide-ranging discussion on the troubling, exciting, and fascinating issues raised in and amidst the excitement and fear of Orson Scott Card's novels and Gavin Hood's film.

Antonio Negri is known in the English-speaking world primarily through his collaborations with Michael Hardt; "Empire," "Multitude," and "Commonwealth" have become some of the most widely discussed political works of recent times. Here, "Reading Negri" unravels the ideas and life of the man whose work has become a rallying point for students, workers, and intellectuals opposing capitalist globalization. It also delves into many of the thinker's other writings, such as his novel readings of Machiavelli, Descartes, and Spinoza -- revolutionary reinterpretations of the central texts of Marx -- and his works of contemporary political analysis. Whereas most critical accounts of Negri focus only on his collaborations with Hardt, this insightful collection of essays presents readers with a fuller picture of his thoughts, one that does justice to his ability to use the great texts of the philosophical tradition to illuminate the present. This collection contains essays from scholars representing a broad spectrum of disciplines and interests, and offers both criticism of and positive commentary on Negri's work.

Ever since it was first unleashed in 1818 the story of Victor Frankenstein and his reanimated, stitched-together corpse has inspired intense debate. Can organic life be reanimated using electricity or genetic manipulation? If so, could Frankenstein's monster really teach itself to read and speak as Mary Shelley imagined? Do monsters have rights, or responsibilities to those who would as soon kill them? What is it about music that so affects Frankenstein's monster, or any of us? What does Mel Brook's Frau Blucher say to contemporary eco-feminism? Why are some "Frankenstein"'s flops and others historic successes? Is there a "true" Frankenstein? Why are children, but not adults, drawn to Shelley's monster? And what is a "monster," anyway? "Frankenstein and Philosophy" calls 25 philosophers to stitch together these and other questions as they apply to history's greatest horror franchise. Some chapters treat the "Frankenstein" films, others the original novel, and yet others the many comic books, novels, and modern adaptations. Together they pay tribute to perhaps the most enduring pop culture icon and the fundamental fears, hopes, and puzzles it raises.

From Machiavellian city officials to big-time mobsters, corrupt beat cops, and overzealous G-men, Boardwalk Empire is replete with philosophically compelling characters who find themselves in philosophically interesting situations. This book is directed at thoughtful fans of the show. Here, readers discover parallels between the events in Boardwalk Empire and contemporary political events. Twenty philosophers address issues in political philosophy, ethics, aesthetics, feminism, and metaphysics. Is Nucky Thomson a Machiavellian prince or a Nietzschean superman? Is Jimmy's resentment towards Nucky justified, given that Jimmy would never have come into existence had his parents not met? What can be said about the ethics of lying in the seedy world of bootlegging? Agent Van Alden's unique religious attitudes bring a warped sense of morality to the Boardwalk universe. One chapter brings to light the moral character of Van Alden's God. Other chapters explores the roles that storytelling, deception, and gender play in the show.

Drawing from Japanese art traditions, manga has rapidly become a literary force not just in Japan but worldwide. This title discusses manga by examining some of its major forms (lolicon to shonen to shojo), series titles ("Death Note" to "Space Battleship Yamato" to "Gunslinger Girl"), and cultural factors from a philosophical vantage point.