Bøger udgivet af The MIT Press

A concise overview of fertility technology-its history, practical applications, and ethical and social implications around the world.In the late 1850s, a physician in New York City used a syringe and glass tube to inject half a drop of sperm into a woman's uterus, marking the first recorded instance of artificial insemination. From that day forward, doctors and scientists have turned to technology in ever more innovative ways to facilitate conception. Fertility Technology surveys this history in all its medical, practical, and ethical complexity, and offers a look at state-of-the-art fertility technology in various social and political contexts around the world.Donna J. Drucker's concise and eminently readable account introduces the five principal types of fertility technologies used in human reproduction-artificial insemination; ovulation timing; sperm, egg, and embryo freezing; in vitro fertilization; and IVF in uterine transplants-discussing the development, manufacture, dispersion, and use of each. Geographically, it focuses on countries where innovations have emerged and countries where these technologies most profoundly affect individuals and population policies. Drucker's wide-ranging perspective reveals how these technologies, used for birth control as well as conception in many cases, have been critical in shaping the moral, practical, and political meaning of human life, kinship, and family in different nations and cultures since the mid-nineteenth century.

"There Are No Facts examines the uncommon ground we share in a post-truth world. It unpacks how attentive algorithms and extractive data practices are shaping space, influencing behavior and colonizing everyday life. Articulating post-truth territory as an architectural and infrastructural condition, it shows how these spatial architectures of attention and datamining are in turn situated within broader histories of empiricism, objectivity, science, colonialism and perception. These entanglements of people and data, code and space, knowledge and power are considered across scales ranging from the trans-locality of the home to the planetary extent of the COVID-19 pandemic, with stops along the way at the corner bodega, a neighborhood for the proverbial 1%, a waterfront district in Toronto, and a national election. Through an introduction, nine chapters and a coda, the book addresses the erosion of a common ground on which truth claims were once negotiated and the epistemic fragmentation that results. It probes how these socio-technical systems bracket what we know about the world, how they construe our agency to act within it, and how they shape these spaces that, in turn, shape us"--

A novel of lesbian identity and motherhood, and the societal pressures that place them in opposition.The daughter of an illustrious French family whose members include a former Prime Minister, a model, and a journalist, Constance Debré abandoned her marriage and legal career in 2015 to write full-time and begin a relationship with a woman. Her transformation from affluent career woman to broke single lesbian was chronicled in her 2018 novel Play boy, praised by Virginie Despentes for its writing that is at once “flippant and consumed by anxiety.”In Love Me Tender, Debré goes on to further describe the consequences of that life-changing decision. Her husband, Laurent, seeks to permanently separate her from their eight-year old child. Vilified in divorce court by her ex, she loses custody of her son and is allowed to see him only once every two weeks for a supervised hour. Deprived of her child, Debré gives up her two-bedroom apartment and bounces between borrowed apartments, hotel rooms, and a studio the size of a cell. She involves herself in brief affairs with numerous women who vary in age, body type, language, and lifestyle. But the closer she gets to them, the more distant she feels. Apart from cigarettes and sex, her life is completely ascetic: a regime of intense reading and writing, interrupted only by sleep and athletic swimming. She shuns any place where she might observe children, avoiding playgrounds and parks “as if they were cluster bombs ready to explode, riddling her body with pieces of shrapnel.”  Writing graphically about sex, rupture, longing, and despair in the first person, Debré’s work is often compared with the punk-era writings of Guillaume Dustan and Herve Guibert, whose work she has championed. As she says of Guibert: “I love him because he says I and he’s a pornographer. That seems to be essential when you write. Otherwise you don’t say anything.” But in Love Me Tender, Debré speaks courageously of love in its many forms, reframing what it means to be a mother beyond conventional expectations.

"The artificial intelligence revolution is leaving behind small businesses and organizations who cannot afford to hire in-house teams of data scientists to build bespoke models. This book explores the nature of repeated quantitative tasks driving business optimization, from the perspective of economics, statistics, decision making under uncertainty, and privacy preserving computation"--

How ed tech was born: Twentieth-century teaching machines--from Sidney Pressey's mechanized test-giver to B. F. Skinner's behaviorist bell-ringing box.Contrary to popular belief, ed tech did not begin with videos on the internet. The idea of technology that would allow students to "go at their own pace" did not originate in Silicon Valley. In Teaching Machines, education writer Audrey Watters offers a lively history of predigital educational technology, from Sidney Pressey's mechanized positive-reinforcement provider to B. F. Skinner's behaviorist bell-ringing box. Watters shows that these machines and the pedagogy that accompanied them sprang from ideas--bite-sized content, individualized instruction--that had legs and were later picked up by textbook publishers and early advocates for computerized learning. Watters pays particular attention to the role of the media--newspapers, magazines, television, and film--in shaping people's perceptions of teaching machines as well as the psychological theories underpinning them. She considers these machines in the context of education reform, the political reverberations of Sputnik, and the rise of the testing and textbook industries. She chronicles Skinner's attempts to bring his teaching machines to market, culminating in the famous behaviorist's efforts to launch Didak 101, the "pre-verbal" machine that taught spelling. (Alternate names proposed by Skinner include "Autodidak," "Instructomat," and "Autostructor.") Telling these somewhat cautionary tales, Watters challenges what she calls "the teleology of ed tech"--the idea that not only is computerized education inevitable, but technological progress is the sole driver of events.

"A framework for navigating disruption that crosses industry boundaries, through the development of ecosystems"--

"Causality is central to the understanding and use of data; without an understanding of cause and effect relationships, we cannot use data to answer important questions in medicine and many other fields"--

"Short, accessible primer on human memory, written by two leading psychological researchers"--

Why laws focused on data cannot effectively protect people-and how an approach centered on human rights offers the best hope for preserving human dignity and autonomy in a cyberphysical world.Ever-pervasive technology poses a clear and present danger to human dignity and autonomy, as many have pointed out. And yet, for the past fifty years, we have been so busy protecting data that we have failed to protect people. In Beyond Data, Elizabeth Renieris argues that laws focused on data protection, data privacy, data security and data ownership have unintentionally failed to protect core human values, including privacy. And, as our collective obsession with data has grown, we have, to our peril, lost sight of what's truly at stake in relation to technological development-our dignity and autonomy as people. Far from being inevitable, our fixation on data has been codified through decades of flawed policy. Renieris provides a comprehensive history of how both laws and corporate policies enacted in the name of data privacy have been fundamentally incapable of protecting humans. Her research identifies the inherent deficiency of making data a rallying point in itself-data is not an objective truth, and what's more, its "entirely contextual and dynamic" status makes it an unstable foundation for organizing. In proposing a human rights-based framework that would center human dignity and autonomy rather than technological abstractions, Renieris delivers a clear-eyed and radically imaginative vision of the future. At once a thorough application of legal theory to technology and a rousing call to action, Beyond Data boldly reaffirms the value of human dignity and autonomy amid widespread disregard by private enterprise at the dawn of the metaverse.

A guidebook to the institutional transformation of design theory and practice by restoring the long-excluded cultures of Indigenous, Black, and People of Color communities.From the excesses of world expositions to myths of better living through technology, modernist design, in its European-based guises, has excluded and oppressed the very people whose lands and lives it reshaped. Decolonizing Design first asks how modernist design has encompassed and advanced the genocidal project of colonization-then shows how design might address these harms by recentering its theory and practice in global Indigenous cultures and histories. A leading figure in the movement to decolonize design, Dori Tunstall uses hard-hitting real-life examples and case studies drawn from over fifteen years of working to transform institutions to better reflect the lived experiences of Indigenous, Black, and People of Color communities. Her book is at once enlightening, inspiring, and practical, interweaving her own lived experiences with extensive research to show what decolonizing design means, how it heals, and how to practice it in our institutions today. Under her guidelines, the origins, values, and methods of design move beyond the nineteenth-century European model to acknowledge and fully incorporate practices of making by peoples who predate and survive the effects of European colonization. For leaders and practitioners in design institutions and communities, Tunstall's work demonstrates how we can transform the way we imagine and remake the world, replacing pain and repression with equity, inclusion, and diversity-in short, she shows us how to realize the infinite possibilities that decolonized design represents.

"How whiteness has been constructed, naturalized, and wielded; and how we can unmake it. By a renowned visual culture scholar; grounded in visual and cultural critique, feminism, and the Black radical tradition"--

"Conventional wisdom is that wild animals are being wiped out. But conventional wisdom skips some important details. Wildlife is rebounding. Not everywhere. Not every species. But a handful of wildlife populations have reached numbers unimaginable in a century. Red deer in Europe, bison in North America, humpback whales in the Atlantic. They have all seen their populations explode. They are back from the brink, numbering in the tens, or even hundreds, of thousands. Their return thrills those who have rooted for their recovery. It terrifies those who grew comfortable without them. This book tracks-and tries to understand-these dramatic rebounds. It shines a light on species returning to forests and farms, prairies and oceans, rivers and cities. It asks how these transformations can be happening and what they have to teach"--

"If you want to know what artificial intelligence can do and what it cannot do, in this book you will find all the information that you need in an entertaining fashion. The book covers mysterious terms like algorithm and machine learning, in an approachable manner. It enables you to join the discussions on good and bad AI: Do we want machines to judge your face? Is image recognition by the computer really better than by humans? And why should you learn about the misfortune of a self-driving robo vacuum cleaner? Read the book and find out"--

"A concise overview of the ethical issues that are likely to emerge as robots become more social and more integrated into human life."--

"A short, reader-friendly treatment of happiness from a leading figure in positive psychology"--

How we became so burdened by red tape and unnecessary paperwork, and why we must do better.We've all had to fight our way through administrative sludge--filling out complicated online forms, mailing in paperwork, standing in line at the motor vehicle registry. This kind of red tape is a nuisance, but, as Cass Sunstein shows in Sludge, it can also impair health, reduce growth, entrench poverty, and exacerbate inequality. Confronted by sludge, people just give up--and lose a promised outcome: a visa, a job, a permit, an educational opportunity, necessary medical help. In this lively and entertaining look at the terribleness of sludge, Sunstein explains what we can do to reduce it. Because of sludge, Sunstein, explains, too many people don't receive benefits to which they are entitled. Sludge even prevents many people from exercising their constitutional rights--when, for example, barriers to voting in an election are too high. (A Sludge Reduction Act would be a Voting Rights Act.) Sunstein takes readers on a tour of the not-so-wonderful world of sludge, describes justifications for certain kinds of sludge, and proposes "Sludge Audits" as a way to measure the effects of sludge. On balance, Sunstein argues, sludge infringes on human dignity, making people feel that their time and even their lives don't matter. We must do better.

"Thirteen stories by Polish science fiction master Stanislaw Lem, most of which have not appeared in English before"--

"A guide to 3D printing of astrophysical objects in the universe and to the corresponding science, visualization techniques, and telescopes and other observational tools"--

"Manifestos brings together for the first time in English the manifestos written by âEdouard Glissant and Patrick Chamoiseau between 2000 and 2009. Composed in part in the aftermath of Barack Obama's election in 2008, the texts resonate with the current context of divided identities and criticisms of multiculturalism. The individual texts grapple with concrete historical and political moments in France, the Caribbean, and North America. Across the manifestos, as well as two collectively signed op-eds, the authors engage with socio-political aspects of climate catastrophe, resource extraction, toxicity, and neocolonialism. Throughout the collection, Glissant and Chamoiseau engage with key themes articulated through their poetic vocabulary, including Relation, globalization, globality (mondialitâe), anti-universalism, mâetissage, the tout-monde ("whole-world") and the tout-vivant ("all-living," including the relationship of humans to each other and "nature"), crâeolitâe and the creolization of the world, and the liberation from community assignations in response to individualism and neoliberal societies. Translated as the first volume in the Planetarities series with Goldsmiths Press, the themes of Manifestos resonate with the planetary as they work in response to contemporary forms of (economic) globalization, western capitalism, identity politics, and urban, digital and cosmic ecosystems, as well as the role of the poet-writer. A distinguishing feature of this publication is its interventional aspect, which prioritizes engaged scholarship and practice while demonstrating the relevance of the poetic in response to the urgencies of planetary crisis"--

On the internet's transformation from communication tool to computational infrastructure.The internet is no more. If it still exists, it does so only as a residual technology, still effective in the present but less intelligible as such. After nearly two decades and a couple of financial crises, it has become the almost imperceptible background of today’s Corporate Platform Complex (CPC)—a pervasive planetary technological infrastructure that meshes communication with computation.In the essays collected in this book, written mostly between the mid-2000s and the late 2010s, Tiziana Terranova bears witness to this monstrous transformation. Mobilizing theories of cognitive capitalism, neo-monadology, and sympathetic cooperation, considering ideas such as the attention economy and its psychopathologies, and evoking the relation between algorithmic automation and the Common, she provides real-time takes on the mutations that have changed the technological, cultural, and economic ethos of the Internet. Mostly conceived, elaborated, and discussed in collective activist spaces, After the Internet is neither apocalyptic lamentation nor melancholic “rise and fall” story of betrayed great expectations. On the contrary, it looks within the folds of the recent past to unfold the potential futurities that the post-digital computational present still entails.

"An introduction and history to the analog as a technology and as a way of understanding the world as distinct from the digital"--

"An illustrated, abridged translation of Dutch anatomist and museologist Frederk Ruysch's Thesaurus Anatomicus"--

"Redish builds on work on morality in economics, genetics, evolution, etc. and combines it with the latest research in neuroscientific decision-making to develop a coherent science of morality"--

The exhaustion, disappointment, and listlessness experienced under digital capitalism, explored through works by contemporary artists, writers, and performers.Sometimes, interacting with digital platforms, we want to be passive-in those moments of dissociation when we scroll mindlessly rather than connecting with anyone, for example, or when our only response is a shrugging "e;lol."e; Despite encouragement by these platforms to "e;be yourself,"e; we want to be anyone but ourselves. Tung-Hui Hu calls this state of exhaustion, disappointment, and listlessness digital lethargy. This condition permeates our lives under digital capitalism, whether we are "e;users,"e; who are what they click, or racialized workers in Asia and the Global South. Far from being a state of apathy, however, lethargy may hold the potential for social change.Hu explores digital lethargy through a series of works by contemporary artists, writers, and performers. These dispatches from the bleeding edge of digital culture include a fictional dystopia where low-wage Mexican workers laugh and emote for white audiences; a group that invites lazy viewers to strap their Fitbits to a swinging metronome, faking fitness and earning a discount on their health insurance premiums; and a memoir of burnout in an Amazon warehouse. These works dwell within the ordinariness and even banality of digital life, redirecting our attention toward moments of thwarted agency. Lethargy, writes Hu, is a drag: it weighs down our ability to rush to solutions and forces us to talk about the unresolved present.

An alternative history of art in Berlin, detaching artistic innovation from art world narratives and connecting it instead to collective creativity and social solidarity.In pre- and post-reunification Berlin, socially engaged artists championed collective art making and creativity over individual advancement, transforming urban space and civic life in the process. During the Cold War, the city's state of exception invited artists on both sides of the Wall to detour from artistic tradition; post-Wall, art became a tool of resistance against the orthodoxy of economic growth. In Free Berlin, Briana Smith explores the everyday peculiarities, collective joys, and grassroots provocations of experimental artists in late Cold War Berlin and their legacy in today's city. These artists worked intentionally outside the art market, believing that art should be everywhere, freed from its confinement in museums and galleries. They used art as a way to imagine new forms of social and creative life. Smith introduces little-known artists including West Berlin feminist collective Black Chocolate, the artist duo paint the town red (p.t.t.r), and the Office for Unusual Events, creators of satirical urban political theater, as well as East Berlin action art and urban interventionists Erhard Monden, Kurt Buchwald, and others. Artists and artist-led urban coalitions in 1990s Berlin carried on the participatory spirit of the late Cold War, with more overt forms of protest and collaboration at the neighborhood level. The temperament lives on in twenty-first century Berlin, animating artists' resolve to work outside the market and citizens' spirited defenses of green spaces, affordable housing, and collectivist projects. With Free Berlin, Smith offers an alternative history of art in Berlin, detaching artistic innovation from art world narratives and connecting it instead to Berliners' historic embrace of care, solidarity, and cooperation.