Bøger udgivet af Unicorn Publishing Group

Following Henry VIIIΓÇÖs break with Rome, in just five short years his chief minister, Thomas Cromwell, masterminded the Dissolution of the Monasteries. It was one of the most dramatic and fast-paced upheavals of the social and architectural fabric in the history of this country. Monks and nuns were expelled, and orders went out for the deserted monasteries to be dismantled, their churches to be demolished, the lead from roofs to be melted down and sold and their sites transformed into architectural salvage yards. Some surviving buildings became cathedrals, or colleges at the universities, while others were left to fall into ruin. Out of the scarred remains of these vast complexes there arose many magnificent new houses, created by men who seized this brief opportunity. Some of these, such as Titchfield Abbey in Hampshire, were adapted from the monastic buildings, while others, like Syon House in Middlesex, were built afresh upon the sites of destruction. Many of these houses survive, as at Lacock Abbey in Wiltshire, within quiet cloisters where monks once studied. Others have disappeared completely and are known only from evocative watercolours by topographical artists. This richly illustrated book gives a wide-ranging insight into a fleeting moment in this countryΓÇÖs architectural history representing a period of great change and subsequent rebirth.

William Carne's life, like so many others in the 20th Century, was defined by the two World Wars. He joined the Royal Navy as a cadet aged just sixteen in 1914. This is his story of his life at sea, from his own memoirs, letters, diaries and photos. It is a humbling account of his time as a midshipman on HMS New Zealand at the Battle of Jutland, to Captain of HMS Coventry in 1941 during the evacuation of Crete. It is also a fascinating insight into society at that time, both in the Service and at home. It is the story of The Making of a Royal Naval Officer.

The first indepth history of Langemark German Cemetery to be published with the English speaking visitor in mind, Studetenfriedhof to Soldatenfriedhof tells the story of the evolution of Langemark German cemetery from its creation in the Great War, the influence of the Nazis before and during WW2 and its evolution into the modern cemetery of today. Dispelling many of the myths and legends that surround the cemetery, Studetenfriedhof to Soldatenfriedhof takes the visitor on a detailed self-guided tour, following the route planned by its designer in the early 1930ΓÇÖs. The clever use of ΓÇ£then and nowΓÇ¥ images helps the visitor visualise the evolution of the cemetery and explains the ΓÇ£who, what and whyΓÇ¥ of it all whilst walking in the footsteps of the past.

In A Case of Royal Blackmail, the 24-year-old Sherlock Holmes recounts how he untangled the web of blackmail and deceit surrounding the 'complex romantic endeavours' of the Prince of Wales, later King Edward VII, those of Lillie Langtry and her various suitors and the morass of scandal surrounding the Prince's court of 1879. In between times he also reveals how he solved the cases of Vamberry the Wine Merchant, Ricoletti of the Club-foot and His Abominable Wife and Oscar Wilde's Amethyst Tie-pin.

On the first day of lockdown, Mary Collis decided to post a painting onto her Facebook page, suggesting she would ΓÇÿlift the dayΓÇÖ during the forecast two-week lockdown. 245 days later she was still posting daily. This Facebook lockdown exhibition became a daily source of inspiration and sanity for Mary and her followers, as they shared memories through her art and words about life in locked down Kenya and beyond.

This intriguing book investigates the very rare discovery of a huge, lost, Last Supper painting produced in the workshop of Tiziano Vecellio, known as Titian. The discoloured canvas hung neglected in a parish church for 110 years until the conservator and art historian Ronald Moore removed centuries of discoloured varnish and began to appreciate that something exceptional was being revealed. Following extensive scientific examination, signatures and dates appeared whilst it also became apparent that some faces were actually portraits.The early history of the painting in a Venetian convent was discovered with the enthusiastic help of the modern Venetian, Count Francesco da Mosto, whose family knew Titian. The many painters of Titian''s workshop are considered with careful circumspection to determine possible contributors to the Last Supper and the remarkable reason for the many changes, or pentimenti, are explained. After 10,500 hours of research and the translation of countless Italian documents and books, the full history of the painting has been revealed. We now know that the painting is far more than a Last Supper from Titian''s workshop, painted by at least five artists over twenty years, but is actually a painting within a painting involving other prominent painters and a denouement unparalleled in Renaissance art.

In 1937 aged just 19, Edmund Murray left his family and a comfortable job in London, caught the boat train to France and signed up for the minimum of five years' service with the French Foreign Legion. Armed with little more than school-boy French and a desire for a life of adventure, Murray travelled through France and on to the Legion's headquarters in Algeria where he completed a gruelling three-month basic training programme. He went on to serve in Morocco and Indochina (now Vietnam) where towards the end of the War, his regiment were forced to retreat from invading Japanese forces into China where his service ended after eight years as a Legionnaire. Throughout the Second World War, Murray's overwhelming sense of duty compelled him to try to leave the Legion and join the Allied forces, but he was thwarted at every attempt. He was an Englishman, in a French organisation, by definition a home for 'the men with no names', during a time of global conflict where battle lines and countries' boundaries changed almost daily. He was an anomaly, a diplomatic puzzle. But as such, his was an extraordinary war-time experience. This book, which borrows heavily from Murray's earlier book, Churchill's Bodyguard, includes rare personal insights into Legion life from drills and manoeuvres, to feast-days and festivals as well as accounts of friendships forged in exceptional circumstances and which would last a lifetime. It also documents a unique war-time experience of the man whose sense of duty never faltered and led him, in later life, to become bodyguard to Sir Winston Churchill. Edited by his son Bill Murray, this is the story in his own words of Edmund Murray, Churchill's Legionnaire, and his service in the French Foreign Legion from 1937 to 1945.

Born in London in 1890, Angela Thirkell was Sir Edward Burne-JonesΓÇÖs granddaughter, J.M. BarrieΓÇÖs goddaughter and a cousin of Rudyard Kipling and Stanley Baldwin. John Collier painted her portrait and she was drawn by John Singer Sargent and Thea Proctor. Between 1931 and her death in 1961, Angela published more than thirty books in a variety of genres. She began with the acclaimed family memoir Three Houses and later settled on her amusing Barsetshire series, inspired by Anthony Trollope but set in the present day.Angela Thirkell: A WriterΓÇÖs Life tells the authorΓÇÖs story from her Kensington childhood to her two marriages and the birth of three sons, Graham McInnes, Colin MacInnes and Lance Thirkell, all of whom also entered the literary world. The book traces her decade in Australia where she wrote for magazines and newspapers and made radio broadcasts, followed by her return to London and her fortuitous meeting with a young publisher called Jamie Hamilton, which lead to her bestselling Barsetshire novels.

Who knew there was a breath for everything? Oliver James, a body-led therapist and growing presence in the world of breath and Breathwork, introduces us to twenty-one simple but extraordinarily effective breathing techniques that will, quite literally, change your life. Are you desperate for a good nightΓÇÖs sleep; do you require powerful pain relief or perhaps you wish to supercharge your fitness and self-care? 21 Breaths offers a means to look after yourself naturally, using the wisdom of your body and the extraordinary power of breath.Easy-to-follow instructions accompany beautiful sketches to help you experience the remarkable potential that has always been there, under your nose. This is a little book with huge potential and the perfect companion for 21st-Century living.Every copy of the book includes a FREE online Breathwork class with Oliver James worldofbreath.com (Ts&Cs apply).

Countless dollars of art are stolen or looted every year, yet governments often consider art theft a luxury problem. With limited public law enforcement, what prevents thieves, looters and organised criminal gangs from flooding the market with stolen art? How can theft victims get justice - even decades after their loss? What happens if the legal definition of a good title is at odds with what is morally right? Enter the Art Loss Register, a private database dedicated to tracking down stolen artworks. Blocking the sale of disputed artworks creates a space for private resolutions - often amicable and sometimes entertainingly adversarial. This book is based on ten cases from the Art Loss Register's archive, showing how restitutions were negotiated, how priceless objects were retrieved from the economic underworld and how thieves and fences end up in court and behind bars. A fascinating guide to the dark side of the global art market.

Sempre Avanti. Ever Forward. That's the motto on the Gelardi family shield and it's a philosophy that has directed the lives and careers of four generations of hoteliers - Giuseppe, Giulio, Bertie and Geoffrey. Giuseppe managed hotels in his native Italy in the nineteenth century but his son Giulio was more ambitious and came to London, working first at Walsingham House - which was to later to become the Ritz - and managing the Savoy and Claridges in London and the Waldorf Astoria in New York. His son Bertie worked alongside Lord Forte to create the international Trust Houses Forte empire and acquiring, amongst others, the George V and Plaza Athenee in Paris, Sandy Lane in Barbados and the Pierre in New York. Geoffrey, Bertie's son and the fourth generation Gelardi to make his mark in the luxury hotel business, spent years in the USA at the Bel Air in Los Angeles and the Sorrento in Seattle before returning to the UK to open the Lanesborough in 1991 - then, and still, London's leading luxury hotel. Interweaved into this fascinating history we encounter royalty, celebrities, politicians and film stars - Mussolini, King Edward VII, Lilly Langtry, Ronald Reagan, various Atlantic City mafia figures, Frank Sinatra, Arnold Swartzenegger, Sophia Loren, Madonna, Michael Jackson, HRH The Queen, Princess Diana and many, many more.

For much of the nineteenth century, women artists laboured under the same restrictions and taboos they had endured for centuries, and it was assumed that marriage and child-bearing were their goals in life. However, by the 1870s female art students of every nation were flocking to Paris in search of instruction in the city's private art schools. With proper training, they now had the confidence to tackle a wider range of subjects and by the century's end they were at last able to study the nude figure. During these breakthrough years, women won the right to work and exhibit alongside men, both in Europe and America, and the advent of art galleries and art dealers opened up new ways of selling their work. This book is full of surprising adventures: young women, still not allowed to visit a museum unchaperoned, travelled thousands of miles in a quest for first-class tuition; several Americans, while still in their twenties, journeyed to Rome to study sculpture; numerous free and independent women joined the artists' colonies that sprang up all over Europe, where they made lasting friendships, painting from dawn to dusk en plein air and enjoying the bohemian life. These trailblazing women rose to the challenges of the century's dramatic development in art styles - from Realism to the Avant-Garde - and triumphantly succeeded in becoming successful professional artists.

In an art world that has lost itself to gimmickry and the distortions and hallucinations of Capitalism on crack, here is an artist who values depth and integrity, and is patiently and powerfully reminding us of what art is and can be.

The book depicts the abandoned and crumbling Prime MinisterΓÇÖs mansion in Beirut and the lives connected to it and interwoven into its fabric for over a century. The photographs of the rich and famous at the house in its heyday at its opulent best, contrast with those showing it as it is now. Accompanying essays unravel the intriguing stories knitted into its bricks and mortar, including political intrigue, births, deaths, marriages, tragedies, wars, murders and determination.The mansion was once occupied by Takieddine el-Solh, the former Prime Minister of Lebanon (1973 to 1974 and briefly in 1980) and his wife Fadwa al-Barazi. It is situated in the Kantari district of Beirut, very close to the downtown area where the street battles fully igniting the civil war, which began in April 1975 and ended in 1990. Many of the residents fled their homes at the beginning of the war, never to inhabit them again. It is also close to the port where more recent tragic events have taken place: in August 2020 one of the largest ever non-nuclear explosions ripped through the heart of Beirut resulting in hundreds of lost lives, thousands of injuries and the mass destruction of homes and businesses.

In this first book to explore the entire history of triumphal arches, from their Roman origins to the present day, the Classicist and architectural historian Peter Howell describes arches through time, in terms of their cultural and historical significance. He also discusses the form of the arch in Renaissance painting and the rather surprising use of arches as war memorials. The erection of arches is far from dead, and Howell shows us examples, taken from over thirty years of research, from around the world.

The Ypres Times was the journal of the remembrance movement, the Ypres League. Founded in 1921, the League was the creation of Henry Beckles Willson and Beatrix Brice. Both Brice and Beckles Willson understood the crucial significance of Ypres to the British Empire, and believed it their sacred duty to maintain the memory of those who had fought and fell in its defence. As the LeagueΓÇÖs journal, the Ypres Times published a huge range of material. It carried reminiscences of veterans, discussions about the rebuilding of Ypres, the developing work of the Imperial War Graves Commission in the salient, and the erection and unveiling of unit memorials. The Ypres Times reproduced for the first time, in facsimile format and bound in three volumes provides a fascinating insight into the way the British EmpireΓÇÖs central commemorative site was understood and imagined in the twenties and thirties.

In 1914, Princess Mary, the only daughter of King George V, was just 17. Yet with the world war two months old, the young princess was destined to make her mark. She would send a Christmas gift to all those serving in uniform, ΓÇÿafloat and at the front.ΓÇÖ With great determination, she set about her task to provide her gift to all those on active service.For Every Sailor Afloat, Every Soldier at the Front is the first time the full story of the princessΓÇÖs gift has been told. Using original sources, texts and archives, and illustrating original surviving objects, this book unfolds the true story of the fund and its wider meaning, set, as it is, in the context of hope as provided by the unofficial Truce in No ManΓÇÖs Land that has been so well documented.Princess MaryΓÇÖs gift was extremely sophisticated; great pains were taken to ensure that the needs of its recipients were met, based on ethnicity, gender, religious observance and personal preference ΓÇô the Gift Committee was way ahead of its time. By 1919, some 2.7 million people from across the British Empire had received the gift. Well-illustrated and fully sourced, this book will provide those interested in the first Christmas of the War a greater perspective of the achievements of its founder, of the meaning of the gift to the recipients, and of the nature of the gift itself, such that prevailing myths and misunderstandings of its constituents and recipients will be resolved.

The Ypres Times was the journal of the remembrance movement, the Ypres League. Founded in 1921, the League was the creation of Henry Beckles Willson and Beatrix Brice. Both Brice and Beckles Willson understood the crucial significance of Ypres to the British Empire, and believed it their sacred duty to maintain the memory of those who had fought and fell in its defence. As the LeagueΓÇÖs journal, the Ypres Times published a huge range of material. It carried reminiscences of veterans, discussions about the rebuilding of Ypres, the developing work of the Imperial War Graves Commission in the salient, and the erection and unveiling of unit memorials. The Ypres Times reproduced for the first time, in facsimile format and bound in three volumes provides a fascinating insight into the way the British EmpireΓÇÖs central commemorative site was understood and imagined in the twenties and thirties.

White Blood is a history of human milk and tells the story of how babies have been fed from antiquity to modern times and why it matters. 'Breast is Best' is the popular mantra, but there is a perennial debate about the pros and cons of 'breast and bottle'. White Blood explores this vital question, which has implications for the health and wellbeing of mothers, their young, families, communities and even countries. Starting in Ancient Greece and Rome, where human milk was thought to be blood diverted from the womb to the breast and there whitened and vivified, it lets the voices of those concerned with the care of newborn infants, and those who followed them, speak across the centuries of how they were, and should best be, nourished.

A unique book showing the beauty of illuminated addresses and the stories behind why they were given.

The Ypres Times was the journal of the remembrance movement, the Ypres League. Founded in 1921, the League was the creation of Henry Beckles Willson and Beatrix Brice. Both Brice and Beckles Willson understood the crucial significance of Ypres to the British Empire, and believed it their sacred duty to maintain the memory of those who had fought and fell in its defence. As the LeagueΓÇÖs journal, the Ypres Times published a huge range of material. It carried reminiscences of veterans, discussions about the rebuilding of Ypres, the developing work of the Imperial War Graves Commission in the salient, and the erection and unveiling of unit memorials. The Ypres Times reproduced for the first time, in facsimile format and bound in three volumes provides a fascinating insight into the way the British EmpireΓÇÖs central commemorative site was understood and imagined in the twenties and thirties.

Born out of the Sankey Commission's identification of the appalling living and working conditions of coal miners, the Miners' Welfare Fund was established by the Mining Industry Act 1920 to improve the social conditions of colliery workers. Administered by the Miners' Welfare Committee, it was totally depended on a levy on the ton of the national output of coal and, from 1926, the levy on mineral rights for its income. Despite industrial unrest, world economics, Parliamentary legislation, Parliamentary enquiries and world conflict, the Committee and, from 1939, the Commission, in collaboration with the twenty-five District Committees, doggedly pursed their statutory remits of recreation, pit and social welfare, mining education and research into safety in mines. With such a geographically dispersed organisation and a Fund without precedent, there were mistakes and 'misunderstandings' but, despite these, there were great achievements including the Architects' Branch winning international recognition for their designs of pithead baths and the Rehabilitation Service for injured miners gaining national recognition for their quality of care.With the passing of the Coal Industry Nationalisation Act and the National Health Service Act in 1946, the rationale for the Miners' Welfare Commission became less clear and a decision was taken in June 1951 to terminate the Miners' Welfare Commission. The Miners' Welfare Act 1952 brought the Fund to an end. During the thirty-one years of the Fund, nearly 00,000 had been allocated.

Smoke and Mirrors is about a world which is no more. There is already no such country on the map - the Soviet Union. On the site where the famous throughout the "e;Soviet empire"e; tobacco factory "e;Java"e;, which was founded before the 1917 Revolution, stood in Moscow, there is a luxury residential complex. Tobacco companies all over the world are experiencing a crisis unprecedented in the history of the tobacco industry and are struggling to stay on the market despite the strongest anti-tobacco campaigns. Leonid Yakovlevich Sinelnikov is the last director of the Java factory, the first and last CEO of the Russian company BAT-Java, as part of the British-American Tobacco international tobacco company. In Smoke and Mirrors he talks about himself and about the time that has gone forever, when the tobacco industry was one of the most important state sectors, and the people, in the face of hard life and unprecedented labour enthusiasm, could find consolation only in the famous "e;smoke breaks"e;.

Essays discuss industry-related artworks created in Britain at the turn of the nineteenth century In a series of linked essays, art historian David Stacey discusses paintings of industrial scenes by seven artists working from the late eighteenth century to the early nineteenth. The works presented in Art and Industry reflect on new technology and the changing use of capital; reveal the impact of the exploitation of men, women, and children; and challenge the patrons and the conventions of the period.

The Co(s)mic Picture of Reality in the Art of Julia Curyło is both a collection of essays about the work of Julia Curyło and an album of works by the artist representing a generation of Central and Eastern European artists born in the 1980s. The central part of the book is an essay by Joanna Paneth, an art historian and graduate of Nicolaus Copernicus University in Torun. Paneth provides an in-depth analysis of Curyło’s selected paintings from a series focusing on space and existential themes. The author discusses the artist’s work in a broader cultural context, referring to the history of art, religion and philosophy and introduces the relatively new current reflected in the artist’s work: space art.The author Joanna Paneth write: ‘The entire book is a journey. Curyło takes us on an unforgettable adventure. We begin on Earth amid the surrounding reality, moving slowly towards the solar system, where planets and space probes and galaxies await us. We go deeper into space to end our adventure even further: among biblical figures and to learn the genesis of the Universe’s creation. At each stage of our journey all the elements, people and space are interconnected and together form an uninterrupted narrative continued in the subsequent works of the artist.’

The complete history of London's Cadogan family, gathered in one volume for the first time. In opening the Cadogan family archives, we find multilingual spies, evangelical clergymen, watercolor artists, and society ladies who defy convention for love. We find stories of affairs, illegitimacy, duels, and gambling. There are diplomats, courtiers, and confidantes. Woven throughout is the parallel history of Chelsea, as the riverside farmland estate transformed into a visionary Georgian town, and again into the recognizable red brick of Pont Street Dutch, surviving riots and near bankruptcy to become a thriving London community. Told with affection and humor, interweaving world events and private dramas spanning a thousand years, this book brings to life the story of one family that is also the story of the British Isles.

A fresh, wide-ranging collection that charts English Christianity's historical path from the sixth century to the present For many today, the Christian church stands picturesquely in the background of modern life, yet its time-honored place remains firmly in the foreground, woven into the fabric of English society and culture over thousands of years. Though the church itself may have faded from view, its legacy is everywhere. This edited collection brings its past to life, exploring what it has stood for, what it has achieved, and the upheavals it has caused. Tracing English Christianity from its pioneering origins through the flowerings of the Enlightenment and up to the uncertain age of the present, this collection tells the still-unfolding story of a religion as told by its saints and sinners, dignitaries and dissidents, shrewd observers, and ordinary parishioners.

Published to coincide with the centenary of the Russian Revolution in 1917, Dynastic Rule celebrates one of the great success stories of a stormy period of Russian history. This book tells the story of two directors of the State Hermitage Museum, who (for over five decades between them) have presided over what has become one of the greatest museums of the world. Saved from the Bolshevik revolution in 1917, the Hermitage was run from 1964 until his death in 1990 by Boris Borisovich Piotrovsky. His son, Mikhail Borisovich Piotrovsky, took over the reins in 1992; his tenure has recently been extended until at least 2020.

Tom King, a leading figure in Margaret Thatcher's Cabinet and a key player in 1980s British government, reflects on fifty years in Parliament Tom King's personal memoir recounts a fascinating life: at age nineteen, he found himself commanding a military company against Mau Mau terrorists in Kenya; at thirty, he became the youngest-ever general manager of a major printing and packaging group, in charge of a factory with a staff of seven hundred and dealing with nine different trade unions; and in 1970, at age thirty-seven, he was elected to British Parliament. He went on to serve as Secretary of State for five different departments in the Cabinets of Margaret Thatcher and John Major, shaping the British cultural and political landscape for decades to come. Told with sharp recollection, A King Among Ministers is a full and frank record of half a century of British politics.

An exploration of World War I told through the diverse lives of its decorated soldiers. Though there are many books about the heroes of the Great War, relatively few are written about survivors, and even fewer books detail their whole lives or the wider context of their service. In this book, Richard Cullen lets the medals of five decorated soldiers who served and survived tell the story of World War I. What do these medals reveal about the people who wore them? Where did they serve? How full were their lives? What wider historical and tactical circumstances surrounded them? Placing their lives in proper political and military contexts, Cullen illuminates the personal side of war--and peace--through the lives of his subjects. Their varied and multilayered accounts tell stories of sadness, compassion, bravery, and the search for fulfillment in postwar life. They served on land, in the air, and at sea, and their untold stories open our eyes to the struggles that so many faced without formal recognition.