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Winner of four major awards, this updated edition of Joan Jacobs Brumberg's Fasting Girls, presents a history of women's food-refusal dating back as far as the sixteenth century. Here is a tableau of female self-denial: medieval martyrs who used starvation to demonstrate religious devotion, "wonders of science" whose families capitalized on their ability to survive on flower petals and air, silent screen stars whose strict "slimming" regimens inspired a generation. Here, too, is a fascinating look at how the cultural ramifications of the Industrial Revolution produced a disorder that continues to render privileged young women helpless. Incisive, compassionate, illuminating, Fasting Girls offers real understanding to victims and their families, clinicians, and all women who are interested in the origins and future of this complex, modern and characteristically female disease.
"In Waiting, Ha Jin portrays the life of Lin Kong, a dedicated doctor torn by his love for two women: one who belongs to the New China of the Cultural Revolution, the other to the ancient traditions of his family's village. Ha Jin profoundly understands the conflict between the individual and society, between the timeless universality of the human heart and constantly shifting politics of the moment. With wisdom, restraint, and empathy for all his characters, he vividly reveals the complexities and subtleties of a world and a people we desperately need to know."--Judges' Citation, National Book Award"Ha Jin's novel could hardly be less theatrical, yet we're immediately engaged by its narrative structure, by its wry humor and by the subtle, startling shifts it produces in our understanding of characters and their situation."--The New York Times Book Review"Subtle and complex--his best work to date. A moving meditation on the effects of time upon love."--The Washington Post"A high achievement indeed."--Ian Buruma, The New York Review of Books"A portrait of Chinese provincial life that terrifies with its emptiness even more than with its all-pervasive vulgarity. The poet in [Jin] intersperses these human scenes with achingly beautiful vignettes of natural beauty."--Los Angeles Times"A simple love story that transcends cultural barriers--. From the idyllic countryside to the small towns in northeast China, Jin's depictions are filled with an earthy poetic grace--. Jin's account of daily life in China is convincing and rich in detail."--The Chicago Tribune"Compassionate, earthy, robust, and wise, Waiting blends provocative allegory with all-too-human comedy. The result touches and reveals, bringing to life a singular world in its spectacular intricacy."--Gish Jen, author of Who's Irish?"A remarkable love story. Ha Jin's understanding of the human heart and the human condition transcends borders and time. Waiting is an outstanding literary achievement."--Lisa See, author of On Gold Mountain
In Advice to Writers, Jon Winokur, author of the bestselling The Portable Curmudgeon, gathers the counsel of more than four hundred celebrated authors in a treasury on the world of writing. Here are literary lions on everything from the passive voice to promotion and publicity: James Baldwin on the practiced illusion of effortless prose, Isaac Asimov on the despotic tendencies of editors, John Cheever on the perils of drink, Ivan Turgenev on matrimony and the Muse. Here, too, are the secrets behind the sleight-of-hand practiced by artists from Aristotle to Rita Mae Brown. Sagacious, inspiring, and entertaining, Advice to Writers is an essential volume for the writer in every reader.
In this fascinatingly imaginative novel, Julia Blackburn has decimated all the rules, creating a magical tale that is part fable, part allegory, part present, part past, and wholly genuine and poetic. The unnamed protagonist has recently lost someone she loved, and her solution is to abandon the present, and the overwhelming pain. The seamless narrative lands her in a medieval seaside village where mermaids wash ashore, devils haunt in packs, a child is born with the head of a fish, and where one day, quite out of nowhere, there emerges a sage and wandering leper. The leper leads a small group of the villagers, including the protagonist, on a journey to Jerusalem, a harrowing pilgrimage that compels all the travelers to confront their deepest selves.Exquisite and lyrical, The Lepers Companions is a heart-rending tale by one of our most fiercely original storytellers.
From the acclaimed author of A Stranger in this World and Into the Great Wide Open comes a novel that explores reckless love and penetrates the unrelenting winter landscape of the American West.Marvin Deernose, a Native American carpenter and recovering alcoholic, has just returned to his Montana hometown with hopes of finding a new start. Early one snowy morning, Marvin notices an overturned Cadillac down an embankment. After rescuing the elderly Senator Henry Neihart, who has just suffered a stroke, Marvin is invited to the Senator's estate where he is immediately drawn to Justine Gallego, the Senator's wayward, unhappily married granddaughter. As these tarnished souls recognize their profound, shared attraction, they dive headlong into a dangerous and intense affair that forever alters the course of their lives.
A New York Times Notable Book of the YearWinner of the Mountains and Plains Book Seller's Association Award"Sprawling in scope. . . . Mr. Egan uses the past powerfully to explain and give dimension to the present." --The New York Times"Fine reportage . . . honed and polished until it reads more like literature than journalism." --Los Angeles Times"They have tried to tame it, shave it, fence it, cut it, dam it, drain it, nuke it, poison it, pave it, and subdivide it," writes Timothy Egan of the West; still, "this region's hold on the American character has never seemed stronger." In this colorful and revealing journey through the eleven states west of the 100th meridian, Egan, a third-generation westerner, evokes a lovely and troubled country where land is religion and the holy war between preservers and possessors never ends.Egan leads us on an unconventional, freewheeling tour: from America's oldest continuously inhabited community, the Ancoma Pueblo in New Mexico, to the high kitsch of Lake Havasu City, Arizona, where London Bridge has been painstakingly rebuilt stone by stone; from the fragile beauty of Idaho's Bitterroot Range to the gross excess of Las Vegas, a city built as though in defiance of its arid environment. In a unique blend of travel writing, historical reflection, and passionate polemic, Egan has produced a moving study of the West: how it became what it is, and where it is going."The writing is simply wonderful. From the opening paragraph, Egan seduces the reader. . . . Entertaining, thought provoking." --The Arizona Daily Star Weekly"A western breeziness and love of open spaces shines through Lasso the Wind. . . . The writing is simple and evocative." --The Economist
The Vintage Book of Contemporary Scottish Fiction honors Scotland's explosive and innovative national literature with 47 of its finest representatives. In addition to excerpts from writers such as Irvine Welsh (Trainspotting, Marabou Stork Nightmares) and James Kelman (How Late It Was, How Late), this vibrant collection includes voices new to the international scene. Alison Fell ignites the page with an art model's rant in "There's Tradition for You." Duncan Williamson reinvents a rural storytelling tradition in the poignant "Mary and the Seal." And in his brilliant introduction, editor Peter Kravitz explores Scottish writers' conflict with publishers at home and abroad--from critics who consider material "depraved" to typesetters who demand higher wages when working on pieces written by Scots.Provocative, engrossing, and timely, The Vintage Book of Contemporary Scottish Fiction celebrates nothing less than a literary revolution, in which the language and lifestyles of a generation of artists are making themselves known.
A wickedly funny look at opera today--the feuds and deals, maestros and managers, divine voices and outsized egos--and a portrait of the opera world's newest superstar at a formative point in her life and career. In Cinderella & Company, Pulitzer Prize-winning journalist Manuela Hoelterhoff takes us on a two-year trip on the circuit with Cecilia Bartoli, the young mezzo-soprano who has captured an adoring public around the world. Rossini's Cenerentola is Bartoli's signature role, and Cinderella & Company tells the fairy-tale story of her life, which started on a modest street in Rome where the Fiat was the coach of choice. The lucky break, the meteoric rise, the starlit nights and nail-chewing days are all part of a narrative that shows Bartoli rehearsing, playing, traveling, eating, and charming us with her vivacity and dazzling virtuosity. Along the way, Hoelterhoff gives us an unusually vivid, behind-the-scenes look at the opera world. The first stop is Houston, where Bartoli brightens a droopy Cenerentola production; later scenes follow her to Disney World and to the Metropolitan Opera, where a fidgety cast awaits the flight-phobic mezzo's arrival for Mozart's Cosi fan tutte. Traveling to Santa Fe, Paris, Rome, Venice, and London, Hoelterhoff drops in on opening nights and boardroom meetings, talks to managers and agents, describes where the money comes from, and survives one of the longest galas in history. Here too are tantalizing glimpses of divinities large and small: Kathleen Battle's famously chilly limousine ride; Plácido Domingo flying through three time zones to step into the boots of an ailing Otello; Luciano Pavarotti aiming for high C in his twilight years. And we meet the present players in Bartoli's world: Roberto Alagna and Angela Gheorghiu, a.k.a. the Love Couple; Jane Eaglen, the Wagnerian web potato monitoring her cyberspace fan mail; the appealing soprano Renée Fleming, finally on the brink of stardom. At once informed and accessible, Cinderella & Company brings the world of grand opera into sharp focus--right up to the last glimpse of Cecilia Bartoli waving triumphantly from Cinderella's wedding cake.
WINNER OF THE NOBEL PRIZE® IN LITERATURE 2013In eight new stories, a master of the form extends and magnifies her great themes--the vagaries of love, the passion that leads down unexpected paths, the chaos hovering just under the surface of things, and the strange, often comical desires of the human heart. Time stretches out in some of the stories: a man and a woman look back forty years to the summer they met--the summer, as it turns out, that the true nature of their lives was revealed. In others time is telescoped: a young girl finds in the course of an evening that the mother she adores, and whose fluttery sexuality she hopes to emulate, will not sustain her--she must count on herself. Some choices are made--in a will, in a decision to leave home--with irrevocable and surprising consequences. At other times disaster is courted or barely skirted: when a mother has a startling dream about her baby; when a woman, driving her grandchildren to visit the lakeside haunts of her youth, starts a game that could have dangerous consequences. The rich layering that gives Alice Munro's work so strong a sense of life is particularly apparent in the title story, in which the death of a local optometrist brings an entire town into focus--from the preadolescent boys who find his body, to the man who probably killed him, to the woman who must decide what to do about what she might know. Large, moving, profound--these are stories that extend the limits of fiction.
With two novels and one short story collection published to overwhelming critical acclaim ("Monkeys takes your breath away," said Anne Tyler; "heartbreaking, exhilarating," raved the New York Times Book Review), Susan Minot has emerged as one of the most gifted writers in America, praised for her ability to strike at powerful emotional truths in language that is sensual and commanding, mesmerizing in its vitality and intelligence. Now, with Evening, she gives us her most ambitious novel, a work of surpassing beauty. During a summer weekend on the coast of Maine, at the wedding of her best friend, Ann Grant fell in love. She was twenty-five. Forty years later--after three marriages and five children--Ann Lord finds herself in the dim claustrophobia of illness, careening between lucidity and delirium and only vaguely conscious of the friends and family parading by her bedside, when the memory of that weekend returns to her with the clarity and intensity of a fever-dream. Evening unfolds in the rushlight of that memory, as Ann relives those three vivid days on the New England coast, with motorboats buzzing and bands playing in the night, and the devastating tragedy that followed a spectacular wedding. Here, in the surge of hope and possibility that coursed through her at twenty-five--in a singular time of complete surrender--Ann discovers the highest point of her life. Superbly written and miraculously uplifting, Evening is a stirring exploration of time and memory, of love's transcendence and of its failure to transcend--a rich testament to the depths of grief and passion, and a stunning achievement.
Thelma and Louise get sporty (and survive) in this anthology of true stories about women whose idea of fun involves sharing adventures--big and small--in the great outdoors. In essays that not only take you to mountains, forests, lakes, and rivers but also explore the powerful and intimate bond of female companionship, the editor of Solo: On Her Own Adventure introduces sixteen daring women and their travel mates as they ski, climb, hike, bike, and drive all over the world.Trudge through the muddied roads of Australia's outback with thirty-something Sara Corbett and her childhood chum to find the legendary 80-year-old woman rumored to split wood faster than any man who challenges her. Go fishing with Holly Morris, kick back with Pam Houston and a good friend at a Denver ranch, or bike with Diane Ackerman and her friend through the "aubergine drapery of the forest" as they circumnavigate Otsego Lake. Hop in the car with Mary Morris and her baby daughter to meet the eccentrics living in the California desert, and climb the Himalayas with 54-year-old Jean Gould and her 70-year-old travel partner.Whether you are an armchair adventurer or a thrill seeker in your own right, these exhilarating essays will inspire you to dust off your bicycle, lace up your hiking boots, fill your gas tank, and take your dearest friend along for the time of your lives.
A masterful biography of one of the greatest English poets and most compelling literary figures of the 20th century, Auden is the first to take the full measure of the poet's achievements, his insatiable thirst for experience, his navigation between the needs of discipline and the lure of his addictions and lusts. of photos.
In a sunlit piazza on an April morning, women throw buckets of water over the cobbles and men deliver trays of pastry to trattorie. In a barren room above, a fanatic watches, engaged in the details of his life's most important project: the assassination of one of Italy's most beloved men of letters.In this penetrating novella, David Malouf, the highly acclaimed Australian author and finalist for the Booker Prize, plumbs the darker uses of our passions. Weaving a dense tapestry of sensual observation and personal events of mythic importance, he re-creates the frighteningly fascinating mind of a madman poised at his moment of truth. Dazzling in its beauty, intensely enigmatic, Child's Play conjures the mystical rising and falling of fear and pathos, where human idiosyncrasy and the incantatory rhythms of life give way to mania.
Tracing the lives of his Russian forebears, Serge Schmemann, Pulitzer Prize-winning foreign correspondent for the New York Times, tells a remarkable story that spans the past two hundred years of Russian history.First, he draws on a family archive rich in pictorial as well as documentary treasure to bring us into the prerevolutionary life of the village of Sergiyevskoye (now called Koltsovo), where the spacious estate of his mother's family was the seat of a manor house as vast and imposing as a grand hotel.In this village, on this estate--ringed with orchards, traversed by endless paths through linden groves, overseen by a towering brick church, and bordered by a sparkling-clear river--we live through the cycle of a year: the springtime mud, summertime card parties, winter nights of music and good talk in a haven safe from the bitter cold and ever-present snow. Family recollections of life a century ago summon up an aura of devotion to tsar and church. The unjust, benevolent, complicated, and ultimately doomed relationship between master and peasants--leading to growing unrest, then to civil war--is subtly captured.Diary entries record the social breakdown step by step: grievances going unresolved, the government foundering, the status quo of rural life overcome by revolutionary fervor. Soon we see the estate brutally collectivized, the church torn apart brick by brick, the manor house burned to the ground. Some of the family are killed in the fighting; others escape into exile; one writes to his kin for the last time from the Gulag.The Soviet era is experienced as a time of privation, suffering, and lost illusions. The Nazi occupation inspires valorous resistance, but at great cost. Eventually all that remains of Sergiyevskoye is an impoverished collective.Without idealizing the tsarist past or wholly damning the regime that followed, Schmemann searches for a lost heritage as he shows how Communism thwarted aspiration and initiative. Above all, however, his book provides for us a deeply felt evocation of the long-ago life of a corner of Russia that is even now movingly beautiful despite the ravages of history and time.
As a cultural and political commentator, Stanley Crouch in unapologetically contentious and delightfully iconoclastic. Whether he is writing on the uniqueness of the American South, the death of Tupak Shakur, the O.J. Simpson verdict, or the damage done by the Oklahoma City bombing, Crouch's high-velocity exchange with American culture is conducted with scrupulous allegiance to the truth, even when it hurts-and it usually does. And on the subject of jazz-from Sidney Bechet to Billy Strayhorn, Duke Ellington to Miles Davis-there is no one more articulate, impassioned, and encyclopedic in his knowledge than Stanley Crouch. Crouch approaches everything in his path with head-on energy, restless intelligence, and a refreshing faith in the collective experiment that is America-and he does so in a virtuosic prose style that is never less than thrilling.
If you are disturbed by the idea that to grow up is to learn to live with disillusionment, if you are fascinated by the perplexity of child-rearing, or if you fear you were more creative as a child, The Beast in the Nursery offers an illuminating and possibly life-changing experience. In four interrelated essays, Adam Phillips arrives at startling new insights into issues that preoccupied Freud, showing in the process that far from having lost its relevance, psychoanalysis is still one of our most incisive tools for the exploration of the human psyche and its possibilities. Phillips transforms the genre of the essay into an instrument for intellectual investigation of the most absorbing kind.
Shakespeare called Othello "an extravagant and wheeling stranger/Of here and every where." In this exciting anthology, Caryl Phillips has collected writings by thirty-nine extravagant strangers: British writers who were born outside of Britain and see it with clear and critical eyes. These eloquent and incisive voices prove that English literature, far from being pure or homogenous, has in fact been shaped and influenced by outsiders for over two hundred years. Here are slave writers, such as Ignatius Sancho, an eightieth century African who became a friend to Samuel Johnson and Laurence Sterne; writers born in the colonies such as Thackeray, Kipling, and Orwell; "subject writers," such as C.L.R. James and V.S. Naipaul; foreign émigrés, such as Joseph Conrad and Kazuo Ishiguro; and postcolonial observers of the British scene, such as Salman Rushdie, Ben Okri, and Anita Desai. With the eloquent and often inspiring collection, Phillips proves, if proof be needed, that the greatest literature is often born out of irreconcilable tensions between a writer and his or her society.
Fiction"Quietly entertaining, thought-filled. . . . The narrative voice is particularly congenial--cool and unflappable, often humorous." --Washington Post Book World Not since The Moviegoer has a first novel limned the human condition with such originality and subtle insight. A small-town iconoclast who is at once deeply principled and occasionally as absurd as the world he rebels against, Quintus Horatius Flaccus (or Horace) has assumed the name of a Roman poet and has forsworn automobiles, and entertains himself by telephoning strangers to ask them what love is or what they think of St. Bernards. His neighbors in the Midwestern town of Oblivion consider him wacko. This suits Horace just fine, since all he wants in life is "the serenity of not caring."But people are conspiring to make Horace care about them. There's the dying librarian who finds Horace's morbid curiosity oddly bracing. There's the mysterious woman whom Horace rescues, only to become obsessed with her identity. And as Horace finds himself drawn into their affairs, Horace Afoot depicts the unruly dialogue of his mind and heart with sly wit and splendid generosity of feeling."Delights continuously with its humor, originality and . . . unfolding personalities." --Rocky Mountain News
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