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Small moments, intimate scenes, expansive import: these are the bedrock of this collection.
It's precisely due to the fact that May uses poetry as a means of analysis, and not solely as a means of communication, and even less as an end in itself, that his writing can be considered so unique.
William Swarts writes about people, places and events that have had an image-provoking impact on him. He seeks to combine colorful language and verbal colors to portray that image. Although highly personal, he works hard to avoid obscurity so that each reader feels invited into the poem to share that experience as he did, or as it relates to their own lives. Either reaction from his readers means he has discharged his poetic responsibility.
THE GOD OF ROUNDABOUTS, by Susan Shaw Sailer, balances endings with beginnings: the end of a life, a marriage, a home, a season, a language, a time of life, with the beginning of a new home, a new season, a new year, a new understanding of self.
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