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Gone Dollywood

- Dolly Parton's Mountain Dream

Bag om Gone Dollywood

Dolly Parton isnΓÇÖt just a country music superstar. She has built an empire. At the heart of that empire is Dollywood, a 150-acre fantasy land that hosts three million people a year. PartonΓÇÖs prodigious talent and incredible celebrity have allowed her to turn her hometown into one of the most popular tourist destinations in America. The crux of DollywoodΓÇÖs allure is its precisely calibrated Appalachian image, itself drawn from PartonΓÇÖs very real hardscrabble childhood in the mountains of east Tennessee. What does Dollywood have to offer besides entertainment? What do we find if we take this remarkable place seriously? How does it both confirm and subvert outsidersΓÇÖ expectations of Appalachia? What does it tell us about the modern South, and in turn what does that tell us about America at large? How is regional identity molded in service of commerce, and what is the interplay of race, gender, and class when that happens? In Gone Dollywood, Graham Hoppe blends tourism studies, celebrity studies, cultural analysis, folklore, and the acute observations and personal reflections of longform journalism into an unforgettable interrogation of Southern and American identity.

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  • Sprog:
  • Engelsk
  • ISBN:
  • 9780821423233
  • Indbinding:
  • Hardback
  • Sideantal:
  • 168
  • Udgivet:
  • 15. Marts 2018
  • Størrelse:
  • 140x216x0 mm.
  • bogreolen-flag   FØDSELSDAGSUDSALG   bogreolen-flag
Leveringstid: Ukendt - mangler pt.

Beskrivelse af Gone Dollywood

Dolly Parton isnΓÇÖt just a country music superstar. She has built an empire. At the heart of that empire is Dollywood, a 150-acre fantasy land that hosts three million people a year. PartonΓÇÖs prodigious talent and incredible celebrity have allowed her to turn her hometown into one of the most popular tourist destinations in America. The crux of DollywoodΓÇÖs allure is its precisely calibrated Appalachian image, itself drawn from PartonΓÇÖs very real hardscrabble childhood in the mountains of east Tennessee.

What does Dollywood have to offer besides entertainment? What do we find if we take this remarkable place seriously? How does it both confirm and subvert outsidersΓÇÖ expectations of Appalachia? What does it tell us about the modern South, and in turn what does that tell us about America at large? How is regional identity molded in service of commerce, and what is the interplay of race, gender, and class when that happens?

In Gone Dollywood, Graham Hoppe blends tourism studies, celebrity studies, cultural analysis, folklore, and the acute observations and personal reflections of longform journalism into an unforgettable interrogation of Southern and American identity.

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