Udvidet returret til d. 31. januar 2025

Niccolò Paganini. A Re-evaluation of his Legend

Bag om Niccolò Paganini. A Re-evaluation of his Legend

Scientific Essay from the year 2017 in the subject Musicology - Miscellaneous, grade: 1st class, Royal Holloway, University of London (University of London), course: Research, language: English, abstract: This study constitutes a unique and dedicated attempt to address the extent to which Paganini¿s character has been misrepresented to date. Making detailed reference to biographies and previous writings on Paganini, it dismantles the myth-making surrounding the violinist's legendary status, and overturns the common perceptions of Paganini as a gambler, compulsive womanizer, murderer, wrecker of relationships, miser, vulgarian and heathen. It attempts to depict the ¿real¿ Paganini, and demonstrates that there is little, if any, justification for the excessive calumny to which the renowned violinist was subjected in his lifetime and beyond.

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  • Sprog:
  • Engelsk
  • ISBN:
  • 9783668516588
  • Indbinding:
  • Paperback
  • Sideantal:
  • 28
  • Udgivet:
  • 6. september 2017
  • Udgave:
  • 17001
  • Størrelse:
  • 148x3x210 mm.
  • Vægt:
  • 56 g.
  • BLACK WEEK
Leveringstid: 8-11 hverdage
Forventet levering: 13. december 2024
Forlænget returret til d. 31. januar 2025

Beskrivelse af Niccolò Paganini. A Re-evaluation of his Legend

Scientific Essay from the year 2017 in the subject Musicology - Miscellaneous, grade: 1st class, Royal Holloway, University of London (University of London), course: Research, language: English, abstract: This study constitutes a unique and dedicated attempt to address the extent to which Paganini¿s character has been misrepresented to date.

Making detailed reference to biographies and previous writings on Paganini, it dismantles the myth-making surrounding the violinist's legendary status, and overturns the common perceptions of Paganini as a gambler, compulsive womanizer, murderer, wrecker of relationships, miser, vulgarian and heathen.

It attempts to depict the ¿real¿ Paganini, and demonstrates that there is little, if any, justification for the excessive calumny to which the renowned violinist was subjected in his lifetime and beyond.

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